| Musikername |
Musiktitel |
Feste Nummer |
Best.Nr. |
Land |
Erläuterungen |
Zustand |
Preis |
| 4/26 - Henry Allen jr. Orchestra |
Feeling Drowsy - Blues / Swing Out F |
2117 |
Hmv B 4970 |
GB |
New York, 17.7.1929, jut! |
2- / 2- |
7.- |
| Henry Allen jr. Orchestra / Bennie Moten Kansas City Orchestra |
Patrol Wagon Blues F+ / Moten’s Swing F |
1428 |
Hmv B 6377 |
GB |
New York, 15.7.1930 / Camden 13.12.1932 |
3++ / 3++ |
5.- |
| Henry Allen Orchestra |
Rosetta + / Dinah Lou + |
2464 |
Parl R 2886 |
GB |
New York, 29.4. / 19.7.1935, “1943 Super Rhythm Style Series” No. 110 / 109 |
2-- / 2-- |
5.- |
| Henry Allen Orchestra |
House in Harlem for sale / Rug Cutter Swing |
1936 |
Vocalion 8 |
GB |
New York, 28.7.1934, “Swing Series” |
2-- / 2-- |
7.- |
| Ambrose Orchestra |
Embassy Stomp Qs / Hors d’Oeuvres F |
687 |
Decca F 5375 |
GB |
London, 3. / 4.1.1935, hot, Botschaft mit Ausstattung vom Feinsten.... |
3+ / 3++ |
7.- |
| Ambrose Orchestra with Alan Dean / Rita Marlowe |
Chickery Chick + / Homesick - That’s all + |
3359 |
Decca F 8620 |
GB |
London, ca. März 1946, mini Ls |
2-- / 2- |
4.- |
| Albert Ammons & M.L. Lewis & Pete Johnson on 3 Pianos |
Boogie Woogie Prayer / Dito - Part 2 |
2730 |
Parl R 2649 |
GB |
New York, 30.12.1938, „Boogie Woogie Series“ No. 1 / 2 |
2 / 2 |
6.- |
| Andrews Sisters with Orchestra |
Says my Heart + / Ti-Pi-Tin + |
1035 |
Bru A 81800 |
D |
New York 21.2.1938 / 4.5.1938, kl. Ls |
3 / 3++ |
5.- |
| Ray Anthony Orchestra with unknown female Vocal |
Hurricane Anthony / Flip Flop + |
888 |
Cap CL 14525 |
GB |
1955, S2 nett und flott . . . |
3++ / 2- |
8.- |
| Louis Armstrong All Stars |
That‘s a plenty / Lover |
1084 |
Bru 82722 |
D |
Pasadena, 30.1.51 / Boston, 30.11.47 Live! flott ! gepresst 14.11.1953 |
3++ / 2 |
9.- |
| Louis Armstrong & Thelma Middleton with The All Stars |
You’re the Apple of my Eye + / Baby ist’s cold outside + |
3842 |
Bru 05066 |
GB |
Los Angeles, 23.4.1951 / New York, Juni 1952, S 2 a funny Live - Duet . . ., 105! |
3+ / 3+ |
7.- |
| Louis Armstrong & Gary Crosby with Jud Conlon‘s Rhythmaires with Orchestra |
Struttin‘ with some Barbecue + / Ko Ko Mo (I love you so) + |
1020 |
Bru 82849 |
D |
Los Angeles 18.1.1955, simply good . . . |
2 / 2 |
6.- |
| Louis Armstrong All Stars |
Mack the Knife (Mackie Messer) + / Back o‘ Town Blues + |
2984 |
Phi B 21776 |
D |
ca. Mitte 1955, aus der „Dreigroschenoper“ von M: Kurt Weill T: Bert Brecht |
2- / 2 |
7.- |
| Louis Armstrong All Stars & Gordon Jenkins Orchestra |
Bye and bye + / Pretty little Missy + |
2761 |
Bru 05460 |
GB |
New York, 4.5.1954 / 25.4.1955 |
2 / 2 |
6.- |
| Louis Armstrong Allstars |
Tiger Rag + / Der treue Husar + |
209 |
Phi 21815 |
D |
Mailand 20. / 21.12.1955 OH, lscrs |
3++ / 2- |
8.- |
| Louis Armstrong Allstars with Thelma Middelton |
Honeysuckle Rose F+ / When the red red Robin comes Bob Bob Bobbin‘ along + |
3227 |
Phi 21878 |
D |
24.1.1956 |
2- / 2- |
6.- |
| Louis Armstrong and the Commanders |
Someday you‘ll be sorry + / Muskrat Ramble + |
1323 |
Bru 05347 |
GB |
New York, 22.10.1953 / 1.9.1954 |
2- / 2- |
6.- |
| Louis Armstrong Hot Five |
Fire Works / Two Deuces |
3577 |
Parl R 2282 |
GB |
Chicago, 27. / 29.6.1928, “New Rhythm Style Series” No. 127 / 128, 105! |
3++ / 3++ |
8.- |
| Louis Armstrong Hot Five |
Big fat Ma and skinny Pa / Sweet little Papa |
1987 |
HJCA HC 9 |
US |
Chicago, 23.6.1926, Dub von Okeh 8379, S2 with little Talking |
2 / 2 |
6.- |
| Louis Armstrong Hot Five / Tommy Dorsey Trumpet Specialty |
Big fat Ma and skinny Pa / Sweet Little Papa (+) |
1468 |
Odeon 9777 |
F |
Chicago, 23.6.1926, Dub von Okeh 8379, S2 with little Talking |
2- / 2- |
6.- |
| Louis Armstrong Hot Seven |
Potato Head Blues / Alligator Blues |
939 |
Parl R 2185 |
GB |
Chicago, 10.5.1927, “Second New Rhythm Style Series” No. 115 / 116 |
2- / 2- |
8.- |
| Louis Armstrong Hot Seven |
Willie the Weeper / Weary Blues |
1346 |
Parl R 2393 |
GB |
Chicago, 7.5. / 11.5.1927, “New Rhythm Style Series” No. 147 / 148, nur S1 minimalst grau - no Problem - spielt gut! |
3+ / 3++ |
6.- |
| Louis Armstrong Hot Six |
I want a little Girl + / Joseph and his Brudders + |
3366 |
Victor 202612 |
US |
New York, 6.10. / 27.4.1946 |
2- / 2- |
10.- |
| Louis Armstrong Orchester |
Super Tiger Rag / St. Louis Blues + |
506 |
Bru 82650 |
D |
Paris, 7.11.1934 |
2-- / 2 |
7.- |
| Louis Armstrong Orchester Gordon Jenkins |
Blueberry Hill + / C‘est ci bon + |
3188 |
Bru 82409 |
D |
New York, 6.9.1949 / 26.6.1950 |
3++ / 3++ |
5.- |
| Louis Armstrong Orchestra |
Got no Blues / Sugar Foot Strut + |
3412 |
Parl R 2449 |
GB |
Chicago, 9.12.1927 / 28.6.1928 “Second New Rhythm Style Series” No. 152 / 151, Seite 2 Scat Gesang ! |
3++ / 3++ |
9.- |
| Louis Armstrong Orchestra |
On the sunny Side of the Street + / Satchel Mouth Swing F+ |
2773 |
Decca 3794 |
US |
Los Angeles, 15.11.1937 / 12.1.1938, lscrs |
3+ / 3+ |
7.- |
| Louis Armstrong Orchestra |
Hobo, you can‘t ride this Train + / That‘s my Home + |
2711 |
Hmv B 6315 |
GB |
Camden, New York, 8.12.1932, M.u.T. Louis Armstrong!!! gute Eisenbahnummer. Diese Nummer stammt in Wort und Musik von Louis Armstrong. Er macht aus jedem Zug ein Rhythm-Train!
Der Jazz ist aus dem Süden die Verkehrswege in den Norden hochgekrochen soviel ist mal sicher. Armstrong hat von New Orleans selber den Weg nach Chicago und später New York und noch später in die ganze Welt genommen. Er konnte sich wohl eine Fahrkarte leisten, die erste hat vielleicht noch King Oliver für ihn bezahlt.
Und bei Louis dürfen wirklich alle mitfahren . . .
Schön, wie er in dem Text seine Mitmusiker auch als Hobos bezeichnet und sie dann ein schönes Solo blasen.
Ein Hobo gehört zu einer Gruppe nordamerikanischer Obdachloser, die auf Schwarzfahren mit der Eisenbahn insbesondere auf Güterzügen setzen, um durchs Land zu reisen. Hobos verstehen sich als eigene gesellschaftliche Gruppe und folgen einem eigenen Verhaltenskodex. Unter anderem besteht die Regel, niemals eine Fahrkarte zu kaufen. Untereinander werden Informationen ausgetauscht, wo und wie man sich am besten durchs Leben schlägt. Dazu benutzen Hobos auch Zinken (Geheimzeichen) an markanten Punkten.
Hobos sind im Gegensatz zu Tramps arbeitswillig! Sie besassen auch eine eigene sehr interessante Sprache. Es gab berühmte. Hobos, wie den Arbeiterführer Joe Hill oder den Schriftsteller Jack London. |
2-- / 2-- |
14.- |
| Louis Armstrong Orchestra |
219 Blues + / Perdido Street Blues |
933 |
Bru 82540 |
D |
New York, 27.5.1940 |
2- / 2 |
5.- |
| Louis Armstrong Orchestra |
I‘ll walk alone + / Kiss of Fire + |
1366 |
Bru 82646 |
D |
Denver, Colorado, 19.3.1952, gepresst 23.3.1952 |
3+ / 3+ |
5.- |
| Louis Armstrong Orchestra |
La Vie en Rose F+ / I wonder why - Your’ just in Love + |
3555 |
Bru 82431 |
D |
26.6.1950 / 6.2.1951, gepresst, 17. / 22.5.1951 |
2- / 2 |
7.- |
| Louis Armstrong Orchestra / Hot Five |
Sweethearts on Parade F+ / Savoy Blues |
3719 |
Parl DO 9 |
DK |
Los Angeles, 23.12.1930 / Chicago, 13.12.1927, 105 ! |
2- / 2- |
7.- |
| Louis Armstrong Orchestra / Joe Venuti Blue Four |
Some of these Days + / The wild Dog |
557 |
Parl R 520 |
GB |
New York, 10.9.1929 / 28.3.1928 dunkelblaues Label “New Rhythm Style Series” No. 11 / 12, mini Ls |
2- / 2- |
6.- |
| Louis Armstrong Orchestra / Luis Russel Orchestra |
Knockin‘ a Jug F / High Tension |
156 |
Parl R 1064 |
GB |
New York, 5.3.1929 / 5.9.1930, Darkbluelabel, “New Rhythm Style Series” No. 102 / 101 |
2-- / 2- |
7.- |
| Louis Armstrong Orchestra & Sy Oliver Choir |
C‘est ci bon + / That‘s what the Man said + |
3764 |
Bru 04674 |
GB |
New York, 26.6. / 31.8.1950 |
2-- / 2-- |
7.- |
| Louis Armstrong Orchestra with Eva Taylor |
Just wait til you see my Baby do the Charleston + / Livin’ High Sometimes + |
3732 |
HJCA HC 32 |
US |
New York, 6.10.1925, Dub von Okeh 8272, S1 Titel auf Label nur unvollständig angegeben, mini Rs |
2- / 2- |
8.- |
| Louis Armstrong with Clarence Williams Blue Five |
Everybody loves my Baby / Of all the Wrongs you done to me |
1426 |
HJCA HC 28 |
US |
New York, 6.11.1924, Dub von Okeh 8181 |
2- / 2 |
6.- |
| Louis Armstrong with Clarence Williams Blue Five / with his Hot Five |
Cake Walking Babies / Jazz Lips |
3168 |
HJCA HC 5 |
US |
New York, 8.1.1925 / Chicago, 16.11.1926, Dub, kl. SOL |
2 / 2 |
6.- |
| Louis Armstrong with Gordon Jenkins Orchester |
When it‘s sleepy Time down south F+ / That lucky old Sun sF+ |
2588 |
Bru 82652 |
D |
Los Angeles, 28.11.1951 / New York, 6.9.1949, gepresst 1.10.1952 |
2- / 2- |
6.- |
| Louis Armstrong with Sy Oliver Orchestra |
I get Ideas + / A Kiss to build a Dream on + |
1065 |
Bru 04777 |
GB |
New York, 24.7.1951, 105! |
3++ / 3+ |
5.- |
| Svend Asmussen Quintett |
Alexanders Ragtime Band F+ / I love you F+ |
2334 |
Odeon 31751 |
D |
Kopenhagen, Januar 1941 / 11.9.1940, NK |
3++ / 3++ |
5.- |
| Svend Asmussen Sekstet |
Sweet Sue + / Limehouse Blues + |
748 |
Odeon D 448 |
D |
Kopenhagen, 1940, S2 Klasse! lscrs |
3++ / 3++ |
7.- |
| Mildred Bailey and her Alley Cats |
Squeeze Me F+ / Down-Hearted Blues F+ |
1647 |
Decca 18109 |
US |
New York, 6.12.1935, 105! |
2- / 2-- |
5.- |
| The Band Waggoners Cond. Phil Cardew with Miff Ferrie‘s Jakdauz |
I’m away up High - Swing-Foxtrot + / Plastered in Paris F+ |
2218 |
Parl F 1395 |
D |
London, ca. Anfang 1939, mini Ls |
2-- / 2-- |
|
| Billy Banks Orchestra |
Margie + / Oh Peter (You’re so nice) + |
1264 |
Parl R 2929 |
GB |
New York, 18.4. / 23.5.1932, “1944 Super Rhythm Style Series” No. 9 / 10 |
2- / 2- |
5.- |
| Billy Banks Rhythm Makers |
Yellow Dog Blues + / Mean Old Bedbug Blues + |
1032 |
Parl V 1021 |
GB |
New York, 28.7.1932 “Origins of Jazz” Series spielt gut mit 105 ! |
2- / 3+ |
8.- |
| Chris Barber‘s Jazz Band |
Ice Cream / Saratoga Swing |
4 |
Tempo A 132 |
GB |
London, ca. März 1956, lscrs S1 Wol |
3 / 3+ |
7.- |
| Charlie Barnet Orchestra |
Cherokee / The Duke‘s Idea |
1431 |
Hmv B 9410 |
GB |
New York, 17.7.1939 / Hollywood, 10.9.1939, ”Swing Music 1944 Series“ No.623 / 624, 105! |
3+ / 3+ |
4.- |
| Charlie Barnet Orchestra |
Things ain’t what they used to be / The Victory Walk |
1433 |
Decca BM 03451 |
GB |
New York, 17.7.1942, SOL, 105! |
3++ / 3+ |
5.- |
| Charlie Barnet Orchestra |
Cherokee / Yesterday |
838 |
Hmv SG 31 |
F |
New York, 17.7.1939 / 27.9.1938, S2 fett |
2- / 2- |
5.- |
| Charlie Barnet Orchestra with Judy Ellington / Larry Taylor |
It must have been two other People F+ / Danger in the Dark F+ |
522 |
Bluebird 10336 |
US |
New York, 26.6.1939 |
3+ / 3++ |
5.- |
| Charlie Barnet Orchestra with Bob Carroll / Larry Taylor |
I hear a Rhapsody F+ / The Moon is crying for me F+ |
2530 |
Bluebird 10934 |
US |
New York, 14.10. / 17.9.1940, 2 x sweet . . . |
3+ / 3++ |
5.- |
| Charlie Barnet Orchestra with Bob Carroll & Gee Club |
Harmony Haven F+ / Blue Juice F |
3071 |
Bluebird 11111 |
US |
New York, 7.1.1941, |
3++ / 2- |
5.- |
| Charlie Barnet Orchestra with Larry Taylor / Mary Ann McCall |
And so do I F+ / It’s the last Tim eI fall in Love F+ |
1219 |
Bluebird 10778 |
US |
New York, 19.6.1940, lscrs |
3+ / 3+ |
|
| Charlie Barnet with Trudy Richards |
Ill Wind + / All the Things you are |
1458 |
Cap 13281 |
GB |
ca. März 1950, S2 mit dem „Stratosphären Trompeter“ Maynard Ferguson, interessant und modern . . ., kl. Ls |
3+ / 3++ |
5.- |
| Count Basie All American Rhythm Section |
„Blues by Basie“ - Bugle Blues / „Blues by Basie“ - Sugar Blues |
1249 |
Col BF 584 |
F |
1944 SOl kl. Rs |
2-- / 2 |
8.- |
| Count Basie All American Rhythm Section |
Cafe Society Blues / St. Louis Blues |
1822 |
Parl R 2970 |
GB |
Hollywood, 24.7.1942, “1945 Super Rhythm Style Series” No. 23 / 24, lscrs |
3 / 3+ |
4.- |
| Count Basie All American Rhythm Section |
Bugle Blues / Sugar Blues |
3855 |
Col 36709 |
US |
Hollywood 24.7.1942 |
2-- / 2-- |
5.- |
| Count Basie All American Rhythm Section |
Cafe Society Blues / St. Louis Blues |
1245 |
Col 36711 |
US |
Hollywood 24.7.1942 |
3++ / 3++ |
5.- |
| Count Basie All American Rhythm Section |
Farewell Blues / Way back Blues |
2497 |
Col 36712 |
US |
Hollywood, 24.7.1942 |
2-- / 2-- |
5.- |
| Count Basie Orch. |
Feather merchant / High Tide ( Short kick ) |
188 |
Col DS 1668 |
GB |
New York, 17.11.1941 „Swing Series“ lscrs |
3+ / 3++ |
6.- |
| Count Basie Orch. |
Blue And Sentimental / Doggin' Around |
3754 |
Decca BM 02644 |
GB |
New York, 6.6.1938 |
3++ / 3++ |
5.- |
| Count Basie Orch. Jimmy Rushing |
Blues in the Dark + / Georgianna + |
3000 |
Bru A 81502 |
GB |
New York, 3.1.1938, grau, mini Ls |
4+/3- / 3-/3 |
3.- |
| Count Basie Orch. Jimmy Rushing / Lynne Sherman |
Rusty Dusty Blues + / All Of Me + |
2953 |
Col 36675 |
US |
Hollywood 27.7.1942 / New York 3.11.1941, S1 good Blues, 105 !!! |
3++ / 3++ |
6.- |
| Count Basie Orchestra |
Sure Thing / New Basie Blues |
2747 |
Blue Star 511 |
F |
New York, 17.1.1952, der König des genialen „Plink-Plink“ in Hochform, mini Ls in S1 |
3++ / 2- |
7..- |
| Count Basie Orchestra |
Rock-a bye Basie / Basie Blues |
468 |
Parl R 124 |
A |
New York, 19.3.1939 / Chicago, 3.4.1942, Rotlabel |
3+ / 3+ |
5.- |
| Count Basie Orchestra |
The Mad Boogie / Bambo |
3627 |
Col DC 370 |
GB |
6.1. / Januar 1946, |
3+ / 3++ |
5.- |
| Count Basie Orchestra / All American Rhythm Section |
The Jitters / Royal Garden Blues |
1074 |
Parl R 2982 |
GB |
New York, 28.1.1941 / 24.7.1942, “1945 Super Rhythm Style Series” No. 41/42, lscrs |
3++ / 3++ |
6.- |
| Count Basie Orchestra / All American Rhythm Section |
Royal Garden Blues / The Jitters |
601 |
Parl R 2982 |
GB |
Hollywood, 24.7.1942 / New York, 28.1.1941, “1945 Super Rhythm Style Series” No. 41 / 42, 2 x flott, nur Seite 2 Randschaden 1/ 2 cm |
3+ / 2- |
3.- |
| Count Basie Orchestra & Jimmy Rushing |
Sent for you yesterday and here you are today + / Swinging the Blues |
1090 |
Bru 02619 |
GB |
New York, 16.2.1938 |
3++ / 3++ |
5.- |
| Count Basie Orchestra Jimmy Rushing |
Harvard Blues + / Coming Out Party |
3564 |
Parl R 2847 |
GB |
New York, 17.11.1941, “1942 Super Rhythm Style Series” No. 37 / 38, 105! |
2-- / 2-- |
5.- |
| Count Basie Orchestra with James Rushing |
You can depend on me F+ / Oh! Lady, Be Good F |
2139 |
Bru 02838 |
GB |
New York, 2. / 4.2.1939, lscrs, 105! |
3 / 3 |
4.- |
| Count Basie Orchestra with Jimmy Rushing |
Nobody knows + / Song of the Islands |
961 |
Parl R 2755 |
GB |
Chicago, 19.5.1939 / New York , 4.8.1939, “1940 Super Rhythm Style Series” No. 113 / 114, S1 Blues, 105! |
3+ / 3+ |
5.- |
| Basin Street Six |
Basin Street Stomp / Margie |
1713 |
Austroton M 5809 |
D |
1952, Mercury Übernahme, Silverlabel |
3+ / 2 |
5.- |
| Eric Batty Jazz Aces |
Cindy oh Cindy / College Rag |
1754 |
Esquire 10506 |
GB |
27.1.1957 |
2- / 2 |
5.- |
| BBC Dance Orchestra Dir. Henry Hall |
The broken Record - Novelty Foxtrot + / The Music goes ‘round and around F+ |
2404 |
Col DF 1875 |
F |
London, 7.1.1936, die „Zerbrochene Schallplatte“ ! |
3++ / 2- |
6.- |
| Sidney Bechet New Orleans Feetwarmers |
Baby won‘t you please come home? / I know that you know |
2757 |
Hmv B 9385 |
GB |
New York, 8.1. / 28.4.1941 |
2-- / 2-- |
5.- |
| Sidney Bechet & Claude Lutter et son Orchestre |
Ni queue ni tête / Moustache Gauloise |
3003 |
Vogue 5089 |
F |
Paris, 9.10.1950 |
2- / 2- |
5.- |
| Sidney Bechet & Claude Lutter et son Orchestre |
Bechet‘s Creole Blues / Anita Birthday |
2719 |
Vogue 5014 |
F |
Paris, 14.10.1949 |
2-- / 2 |
5.- |
| Sidney Bechet & Claude Lutter et son Orchestre |
Les Oignons / Ridin‘ easy Blues |
1680 |
Vogue 5015 |
F |
Paris, 14.10.1949 |
2- / 2 |
5.- |
| Sidney Bechet & Claude Lutter et son Orchestre |
Casey Jones (The brave Engineer) / Blues in my Heart |
2037 |
Vogue 5069 |
F |
Paris, 6.10.1950 |
2- / 2 |
5.- |
| Sidney Bechet & Claude Lutter Orchestra |
Summertime / September Song |
1813 |
Bru 82846 |
D |
Paris, 12.3.1952, Klassiker . . ., lscrs |
3+ / 2- |
6.- |
| Sydney Bechet & Claude Lutters Crescent City Jazz Band |
Bechet’s Creole Blues / Anita’s Birthday |
3558 |
Esquire 10058 |
GB |
14.10.1949 |
3++ / 2- |
5.- |
| Sidney Bechet Blue Note Jazz Men |
When the Saints go marching in / Basin Street Blues |
765 |
Climax 563 |
D |
Best.Nr. nähe Mittelloch |
3+ / 3+ |
6.- |
| Sidney Bechet Blue Note Jazz Men |
Tin Roof Blues / At the Jazz Band Ball |
635 |
Climax 561 |
D |
New York, 21.1. / 23.3.1949 |
2-- / 2- |
6.- |
| Sidney Bechet Blue Note Jazz Men |
Blue Horizon / Muskrat Ramble |
436 |
Climax 43 |
D |
New York, 20.12.1944, S2 Titel schön falsch geschrieben: „Muskrat Bamble“, SOL, lscrs |
3+ / 3+ |
5.- |
| Sidney Bechet Blue Note Jazz Men / Art Hodes Hot Five |
Way down yonder in New Orleans / St. James Infirmary + |
3638 |
Climax 533 |
D |
New York, 12.10.1945, kleines Kuriosum - Matrix Nr. in Label falsch angegeben |
3++ / 2- |
7.- |
| Sidney Bechet Blue Note Jazzmen |
Joshua fit the Battle of Jericho / Tailgate Ramble |
76 |
Vogue 2246 |
GB |
ca. 1945, Blue Note Über nahme und dort scheinbar nicht erschienen. |
3++ / 2- |
7.- |
| Sidney Bechet Feetwarmers |
Margie / Wrap your Troubles in Dreams |
3407 |
Blue Star 152 |
F |
New York, 15.11.1949 |
2- / 2 |
5.- |
| Sidney Bechet Jazz Men |
Who’s sorry now / I tell you once, I tell you twice |
2689 |
J.S. 561 |
F |
1950, lscrs, kl. Ls |
3+ / 2- |
5.- |
| Sidney Bechet Jazzband (Sextett) with Bunk Johnson |
Lord let me in the Lifeboat / Up in Sidney‘s Flat |
1177 |
J.S. 800 |
F |
New York, 3.10.1945 Übernahme von Blue Note 565 |
2- / 2 |
6.- |
| Sidney Bechet New Orleans Feetwarmers |
When it‘s sleepy time down South / Stompy Jones - |
788 |
Hmv B 9329 |
GB |
New York, 28.4.1941 / Chicago, 6.9.1940 lscrs Nlf |
3++ / 3+ |
5.- |
| Sidney Bechet New Orleans Feetwarmers |
I'm Coming, Virginia F / Georgia Cabin F |
159 |
Victor 27904 |
US |
New York, 13.9.1941 |
2 / 2 |
6.- |
| Sidney Bechet New Orleans Feetwarmers |
Save it pretty Mama / Swing Parade |
712 |
Hmv B 9402 |
GB |
New York, 6.9.1940 / 28.4.1941 |
2- / 2- |
4.- |
| Sidney Bechet New Orleans Feetwarmers |
Slippin’ And Slidin’ / I Ain’t gonna give Nobody none O’ This Jelly-Roll |
2677 |
Hmv B 9368 |
GB |
New York 8.1. / 28.4.1941 “Swing Music 1944 Series” No. 571 / 572 |
2-- / 2-- |
5.- |
| Sidney Bechet New Orleans Feetwarmers |
One O‘Clock Jump / Blues in Thirds |
3578 |
Hmv B 9340 |
GB |
New York, 5.2 / 6.9.1940, 105! |
3++ / 3+ |
5.- |
| Sidney Bechet New Orleans Feetwarmers |
Egyptian Fantasy / Coal Black Shine |
553 |
Hmv B 9378 |
GB |
New York 8.1.1941, “Swing Music 1944 Series” No. 581 / 582 |
3+ / 3++ |
5.- |
| Sidney Bechet New Orleans Feetwarmers |
Swing Parade F / I Know that you now F |
389 |
Victor 27574 |
US |
New York, 28.4.1941 |
2-- / 2-- |
5.- |
| Sidney Bechet New Orleans Feetwarmers |
Indian Summer / Preachin’ Blues |
1721 |
Bluebird 10623 |
US |
New York, 5.2.1940 |
2 / 2 |
6.- |
| Sidney Bechet New Orleans Feetwarmers |
Save it pretty Mama / Stompy Jones |
804 |
Victor 27240 |
US |
New York, 6.9.1940 |
3++ / 2- |
5.- |
| Sidney Bechet New Orleans Feetwarmers |
I want you tonight F + / Lay your Racket F + |
2413 |
Hmv B 9091 |
GB |
New York, 15.9.1932 |
2- / 2- |
4.- |
| Sidney Bechet New Orleans Feetwarmers with Herb Jeffries |
Blue For You, Johnny F+ / Ain‘t Misbehavin‘ |
2794 |
Victor 26746 |
US |
Chicago, 6.9.1940 |
2- / 2- |
6.- |
| Sidney Bechet Orchestre |
Blues in Paris / Panther Dance |
1243 |
Vogue 5016 |
F |
Paris, 14.10.1949 |
2- / 2 |
5.- |
| Sidney Bechet Quintet / Improvisation of Port of Harlem Seven - |
Summertime / Pounding Heart Blues |
1498 |
Climax 6 |
D |
New York, 8.6.1939, lscrs |
3+ / 2- |
6.- |
| Sidney Bechet with Bob Wilber’s Wild Cats |
I had it, but it‘s all gone / Spreadin Joy |
215 |
Col 38320 |
US |
|
2- / 2- |
7.- |
| Sidney Bechet with Humphrey Lyttelton Band |
Some of these Days / Black and Blue |
3830 |
Melodisc 1103 |
GB |
London, 13.11.1949 |
2- / 2- |
6.- |
| Sydney Bechet, Bob Scobey‘s Frisco Band |
Muskrat Ramble / St. Louis Blues |
2491 |
Bru 82858 |
D |
3.10.1953, Live! S1 flotti, flotti |
3+ / 2- |
6.- |
| Graeme Bell Australian Jazz Band |
Was Leicester Square? / Free Man‘s Blues |
2376 |
Tempo A 9 |
GB |
London, 5.5.1948 |
2- / 2 |
4.- |
| Graeme Bell Australian Jazz Band |
Oh Peter / Jackass Blues |
1447 |
Tempo A 8 |
GB |
London, 5.5.1948 |
2- / 2 |
5.- |
| Graeme Bell Dixieland Jazz Band |
It’s right here for you / Come back sweet Papa |
3316 |
Nixa PC 517 |
S |
3.7.1948, kl. Nl 3 clicks |
2-- / 2-- |
5.- |
| Graeme Bell Dixiland Jazz Band |
Get it fixed / Organ Grinder |
3327 |
Supraphon 18170 |
CZ |
Prag, 12.11.1947 |
3++ / 2- |
4.- |
| Graeme Bell Original Four |
Big bad Banksia Man / Jenny’s Ball |
1 |
Rampart Records 10 |
US |
Melbourne, 28.6.1947, mini Rs |
2- / 2- |
5.- |
| Tex Beneke Orch. |
Meadowland (Russian Patrol - Kosakenpatrouille) / Makin‘ Love Mountain Style + |
605 |
Hmv MH 76 |
GB |
ca. 1946 |
2- / 2- |
6.- |
| Tex Beneke Orchestra |
St. Louis Blues March / Cherokee Canyon + |
808 |
Hmv BD 6020 |
GB |
Februar 1948 |
3++ / 3++ |
4.- |
| Tex Beneke Orchestra with Garry Stevens and The Moonlight Serenaders |
Sunrise Serenade / An Old Sombrero (And an old Spanish Shawl) + |
1464 |
Hmv BD 1198 |
GB |
1947 |
2- / 2- |
5.- |
| Tex Beneke with the Glenn Miller Orch. Artie Malvin |
One more Tomorrow + / Strange Love + |
1140 |
Hmv HE 2451 |
CH ! |
ca. März 1946 mehrere lscrs |
3+ / 3++ |
7.- |
| Tex Beneke with the Glenn Miller Orch. Artie Malvin |
One more Tomorrow + / Strange Love + |
3479 |
Hmv BD 5946 |
GB |
ca. März 1946, 105 !!! |
2--/ 3+ |
6.- |
| Tex Beneke with the Glenn Miller Orchestra & The Crew Chiefs |
I’m headin’ for California + / Texas Tex |
613 |
Hmv BD 5956 |
GB |
New York, 21.2. / 28.5.1946, 105! |
3++ / 3+ |
5.- |
| Bunny Berigan Blue Boys |
Blues / I’m coming Virginia |
1491 |
Parl R 2316 |
GB |
New York, 13.12.1935, “1937 Super Rhythm Style Series” No. 5 / 6 |
3++ / 3++ |
5.- |
| Bunny Berigan Blue Boys |
Blues / I‘m coming Virginia |
1547 |
Decca 18116 |
US |
New York, 13.12.1935 |
3+ / 3+ |
5.- |
| Bunny Berigan Orch. |
Little Gates Special / Sobbin´ Blues |
707 |
Hmv B 9363 |
GB |
New York, 22.11.1938 |
2 / 2 |
6.- |
| Bunny Berigan Orchestra |
Trees F / Russian Lullaby F |
302 |
Victor 201501 |
US |
New York, 23.12.1937 |
2- / 2- |
5.- |
| Bunny Berigan Orchestra with Kathleen Lane |
Sobbin’ Blues / I cried for you + |
829 |
RCA 26116 |
D |
New York, 22.11.1938, lscrs, mini Ls |
3 / 3+ |
4.- |
| Barney Bigard Orchestra |
Just annother Dream / Barney goin‘ easy |
3807 |
Parl R 3039 |
GB |
New York, 8.6.1939, lscrs, 105! |
2-- / 3+ |
5.- |
| Barney Bigard Orchestra |
Charlie the Chulo / A Lull at Dawn |
2415 |
Hmv B 9185 |
GB |
Chicago, 11.11.1940 |
3++ / 3++ |
5.- |
| Earl Bostic Orchestra |
Sweet Lorraine / Melody of Love |
3038 |
Odeon 29014 |
D |
8.10.1954 / 27.1. 1955 |
3+ / 2- |
4.- |
| Connie Boswell with Orchestra |
One dozen Roses + / Sweet Eloise + |
3171 |
Bru 03338 |
GB |
New York, 4. / 24.3.1942, 105 !!! |
2 / 2-- |
6.- |
| Connie Boswell with Bob Crosby Bob Cats |
Martha + / Home on the Range + |
64 |
Bru 02566 |
GB |
Los Angeles, 13.11.1937, bei Rust gelistet . . . |
3++ / 2- |
7.- |
| Arthur Briggs Orchestra with Django Reinhardt |
Scatter Brain / My melancholy Baby |
1183 |
Swing 72 |
F |
Paris, 15.2.1940, lscrs, Laminierter Haircrack 4 cm - kein Problem nicht hörbar |
4+ / 3- |
8.- |
| Billy Butterfield Orch. |
Steamroller + / Satrdust |
2118 |
Capitol 80017 |
D |
mini Ls |
2- / 2- |
5.- |
| Billy Butterfield Orch. |
Steamroller + / Stardust |
1198 |
Capitol 80017 |
D |
1946 |
3++ / 3++ |
6.- |
| Don Byas Quartet |
Blue and sentimental / Ain‘t missbehavin‘ |
2678 |
Swing 267 |
F |
Paris, 6.1.1947, S 2 mini Fehlstelle 3 clicks sehr leise |
3 / 3+ |
7.- |
| Cab Calloway Orchestra |
All, at Once F+ / Dawn Time F+ |
429 |
Col 36816 |
US |
New York, 19.4.1945 |
2-- / 2-- |
5.- |
| Cab Calloway Orchestra |
When you’re smiling F+ / Are you in Love with me again? F+ |
948 |
Rex 8885 |
GB |
New York, 21.5.1936, mehrere lscrs |
3+ / 3+ |
7.- |
| Cab Calloway Orchestra |
A Ghost of a Chance / Willow weep for me |
1483 |
Parl R 2941 |
GB |
Chicago, 27.6.1940 / 16.1.1941, “1944, Super Rhythm Style Series” No. 31 / 32, 105! |
2-- / 2-- |
6.- |
| Cab Calloway Orchestra & The Palmer Brothers |
Blues in the Night F+ / Says who? Says you, says ! F+ |
1908 |
Okeh 6422 |
US |
New York, 10.9. 1941, 105! |
3+ / 3+ |
8.- |
| Capitol Jazzmen with Peggy Lee |
Someday Sweetheart / That old Feeling + |
475 |
Tel/Cap 10011 |
US |
7.1.1944 |
2- / 2- |
5.- |
| Capitol Jazzmen with Peggy Lee |
Sugar / Ain‘t goin‘ no Place + |
167 |
Cap 10012 |
US |
7.1.1944 |
2- / 2- |
5.- |
| Hoagy Carmichael with the Chickadees, Orch. Vic Schoen |
Huggin‘ and Chalkin‘ + / Old Butermilk Sky + |
2525 |
Bru 03709 |
GB |
1947 |
3++ / 3 |
5.- |
| Hoagy Carmichael with the Chickadees, Orch. Vic Schoen / with Orch. Billy May |
I‘m comin‘ a courtin‘ corabelle + / A Tune for Humming + |
2486 |
Bru 03861 |
GB |
April 1948 Seite 1 flott |
2- / 2- |
5.- |
| Wingy Carpenter Wingies / Jay McShann Orchestra |
Preachin’ Trumpet Blues + / Dexter Blues |
1344 |
Bru 03401 |
GB |
New York, 25.10.1940 / Dallas, 30.4.1941, S1 jut, Klassiker, his Specialty . . ., 105! |
2 / 2- |
7.- |
| Benny Carter Club Harlem Orchestra |
Devil’s Holiday F / Symphony in Riffs F |
3890 |
Col CB 698 |
GB |
New York, 16.10.1933, lscrs |
3+ / 3+ |
9.- |
| Bennie Carter met The Ramblers |
Black Bottom (Zwarte Bodem) / I’ll never give in (Ik zal nooit toegeven) |
2917 |
Decca F 42121 |
NL |
Casino Hamdorff in Laren, 24.3.1937, S1 flott ! S2 mini Ls |
2-- / 2-- |
12.- |
| Benny Carter Orchestra |
Midnight + / My favourite Blues |
3477 |
Hmv B 9327 |
GB |
New York, 1.4.1941, ”Swing Music 1943 Series“ No. 521 / 522, 105! |
3++ / 3+ |
5.- |
| Benny Carter Orchestra |
Cocktails for Two F / Takin’ my Time F |
2128 |
Bluebird 10998 |
Can |
New York, 19.11.1940 |
3+ / 3+ |
5.- |
| Benny Carter Orchestra |
Blue Mountain / Sunday Afternoon |
2177 |
Hmv B 10644 |
GB |
New York, ca. Anfang 1954 |
2- / 2- |
5.- |
| Benny Carter Orchestra |
Babalu +
BB B-11090, HMV B-9230, EA-3193
060354-1 - vRF
BB B-11090, HMV B-9230 / There I’ve said it again + |
2261 |
Hmv B 9230 |
GB |
New York, 21.1.1941 |
3++ / 3++ |
5.- |
| Benny Carter Orchestra with Roy Felton |
The very Thought of you F+ / All of me F |
747 |
Bluebird 10962 |
US |
New York, 19.11.1940, mini Ls, 105!!! |
3++ / 3+ |
5.- |
| Benny Carter Orchestra with Roy Felton |
The very Thought of you + / All of me |
2375 |
Hmv B 9180 |
GB |
New York, 19.11.1940, 105! |
2- / 2-- |
5.- |
| Benny Carter Quintet |
Pick yourself up / Street Scene |
196 |
Blue Star 529 |
F |
ca. Dezember 1952, fein . . ., lscrs |
3+ / 2- |
7.- |
| Page Cavanaugh Trio |
I want a little Girl + / California is wonderful + |
405 |
RCA DJ 600 |
US |
Promotion Record - Not For Sale |
2- / 2- |
6.- |
| Oscar Celestin Tuxedo Jazz Band |
Careless Love / Black Rag |
1378 |
Jazz Classics 510 |
US |
New Orleans, 23.1.1925, Dub von Okeh 8198, Vinyl 78er |
2 / 2 |
7.- |
| Leo Chauliac Solo de Piano et Célesta |
Croisette / Ciel d‘Été |
689 |
Swing 109 |
F |
Paris, 10.6.1941, lscrs, kleiner laminierter Haircrack - kein Problem |
3- / 3 |
10.- |
| The Chicago Rhythm Kings Vocal Henry Allen |
Someone stole Gabriels Horn + / Who stole the Lock (On The Hen House Door) + |
3745 |
Parl R 2812 |
GB |
New York, 8.10.1932, flott “Jazz Classics Series” No. 14 |
2- / 2-- |
9.- |
| George Chisholm and his Lollie Jazzmen |
When the Saints go marching in / Lollie Rag |
2039 |
Esquire 10519 |
GB |
4.3.1958, mini Rs |
2 / 2 |
5.- |
| Larry Clinton Orchestra with Mary Dugan |
Still the Bluebird Sings F+ / An Apple for the Teacher F+ |
3345 |
Hmv BD 5535 |
GB |
New York, 28.7.1939, 105! |
2-- / 3+ |
5.- |
| Bill Coleman Swing Stars |
Drum Face / Muskrat Ramble |
185 |
Phi 70900 |
D |
18.10.1952, S1 es wird getrommelt . . ., lscrs |
3+ / 2- |
5.- |
| Ken Colyer Jazzmen with Chris Barber etc. |
Just a closer Walk with Thee / Sheik of Araby |
1942 |
Tempo A 117 |
GB |
August 1955, S1 kl. Rs weit vor Rille |
2 / 2 |
7.- |
| Ken Colyer‘s Jazzmen |
Maryland my Maryland / The World is waiting for the Sunrise |
3084 |
Tempo A 136 |
GB |
8.3.1956 |
2- / 2 |
6.- |
| Alix Combelle et le Jazz de Paris |
Parade des Remparts du Sud / Hier et Aujourd‘hui |
2298 |
Swing 110 |
F |
Paris, 27.1. / 10.1.1940 , leicht grau, lscrs - spielt gut |
3- / 3+ |
10.- |
| Alix Combelle Orchester with Django & Joseph Reinhardt |
Rock-a-Bye Basie
/ Weekend Stomp |
38 |
Swing 73 |
F |
Paris, 20.2.1940, Laminierter Haircrack 1/2 Platte, lscrs, kl. Rs |
3 / 3 |
9.- |
| Eddie Condon Chicagoans |
Someday Sweetheart F / There‘ll be some Changes made F |
1351 |
Bru 03056 |
GB |
New York, 11.8.1939 |
2- / 2- |
4.- |
| Eddie Condon Orchestra |
Farewell Blues F / Stars fell on Alabama F |
3806 |
Decca 23719 |
US |
New York, 27.3.1946 |
3+ / 3+ |
5.- |
| Eddie Condon Orchestra |
Whereever there’s Love (There’s you and I) F+ / When your Lover has gone F |
2351 |
Decca 23393 |
Can |
New York, 13.12.1944 |
2 / 2- |
4.- |
| Eddie Condon Orchestra |
Down among the sheltering Palms F / Ida ! Sweet as Apple Cider F |
2547 |
Bru 03964 |
GB |
New York, 6.8.1947 |
2 / 2 |
4.- |
| Eddie Condon Orchestra |
The Eel F / Home Cooking |
1200 |
Parl R 2807 |
GB |
New York, 17.11.1933, S1 flott, “Jazz Classics Series” No. 17 / 18 |
2 / 2 |
8.- |
| Eddie Condon Orchestra |
The Eel / Home Cooking |
1564 |
Col 35680 |
US |
New York, 17.11.1933, S1 flott |
2- / 2 |
6.- |
| Eddie Condon Orchestra |
Farewell Blues / Everybody loves my Baby + |
2339 |
Bru 82541 |
D |
27.3.1946 / 2.10.1950 |
2 / 2 |
5.- |
| Eddie Condon Orchestra & Jack Teagarden |
Swanee F / Somebody loves me F+ |
987 |
Bru 04305 |
GB |
New York, 14.6.1945 / 14.12.1944 |
3+ / 3++ |
5.- |
| Eddie Condon Orchestra with James P. Johnson / John W. Bubbles |
Just you just me F / Atlanta Blues F+ |
955 |
Bru 03793 |
GB |
New York, 17.7.1946 |
2- / 2- |
5.- |
| Eddie Condon’s Quartet |
Oh Baby (Rain or Shine) + / Indiana |
2697 |
Parl R 2932 |
GB |
New York, 28.7.1928, jut..., seine ersten Aufnahmen . . ., S1 Scat Intro by the Band, “Jazz Classics Series” No. 31 / 32 |
2- / 2- |
9.- |
| Billy Cotton Band |
Mickey Mouse’s Birthday Party F / He’s got such funny little Ways F+ |
1771 |
Rex 8915 |
GB |
London, Anfang November 1936, leicht grau, nur S2 Nlf |
3- / 3 |
5.- |
| Billy Cotton Band Vocal by Teddy Foster |
Some of these Days F+ / Dinah F+ |
1295 |
Regal MR 1946 |
GB |
London, 18.9.1935, 105!!! |
2-- / 3+ |
6.- |
| Billy Cotton Band with Alan Breeze |
Rhapsody in Blue / Dito - Part 2 |
2951 |
Regal MR 957 |
GB |
London, 19.5.1933, 105! |
3+ / 3+ |
6.- |
| Billy Cotton Band with Alan Breeze |
The King made Whoopee (In the land of Whack-a-doodle-do) Qs+ / I took my Harp to a Party W+ |
454 |
Regal MR 1127 |
GB |
London, 22.10.1933, both Comedy . . . |
3++ / 3++ |
6.- |
| Billy Cotton Band with Alan Breeze and The Bandits |
Marchin thru’ the Glen + / Rock all the Babies to Sleep + |
1967 |
Decca F 9835 |
GB |
London, ca. Ende 1951, S1 feine Variante - klassisch schottischer Song - parodistisch und very lively . . . |
2-- / 2-- |
7.- |
| Billy Cotton Band with Alan Breeze and The Bandits & Doreen Stephens |
All the World is coming to London + / Across The Wide Missouri (A-roll A-roll A-ree) + |
350 |
Decca F 9717 |
GB |
London, ca. Juni 1951, S1 interessant, eine Art Radio Show, Hörspiel, Revue, parodistisch . . . |
2-- / 2-- |
7.- |
| Billy Cotton Band with Edna Kay / Alan Breeze |
Love flies out of the Window F+ / Mary Lou F+ |
3313 |
Rex 10233 |
GB |
London, 1945 |
3++ / 3++ |
5.- |
| Billy Cotton Band with The Bandits / Alan Breeze |
Doo Dee Doo + / Tiddley Winkie Woo + |
418 |
Decca F 9288 |
GB |
London, ca. November 1949, lscrs, Nlf |
3 / 3+ |
4.- |
| Billy Cotton Band with The Bandits & Alan Breeze / Doreen Stephens and Choir |
Poppa Piccolino + / When you hear Big Ben + |
1444 |
Decca F 10179 |
GB |
London, ca. Oktober 1953 |
3+ / 3++ |
5.- |
| Billy Cotton Band with Vocal Chorus |
I’ve had my Moments F+ / Love in Bloom F |
561 |
Regal MR 1414 |
GB |
London, 13.8.1934, 105! |
2- / 2-- |
4.- |
| Crane River Band / The Saints Jazz Band |
I want a Girl, just like the Girl that married dear old Dad / I‘m travelling |
1192 |
Parl R 3427 |
GB |
London, 14.7.1951, Live und sehr flott, “1952 Super Rhythm Style Series” No. 27 / 28 |
2- / 2 |
5.- |
| Crane River Jazz Band |
Slow Drag Blues / I ain’t Nobody’s Biziness if I do |
2931 |
Parl R 3667 |
GB |
London, ca. Juli 1952, “1953 Super Rhythm Style Series” No. 37 / 38 |
2- / 2 |
4.- |
| Bob Crosby Bob Cats |
March of the Bob Cats / Who‘s sorry now |
2083 |
Decca F 6790 |
GB |
New York, 14.3.1938 / Los Angeles, 13.11.1937 mini Ls |
3++ / 2- |
5.- |
| Bob Crosby Orch. |
The Dixieland Band F+ / In a little Gypsy Tea Room F+ |
861 |
Bru 02041 |
GB |
New York, 1.6.1935, 105 !! |
3++ / 3+ |
5.- |
| Bob Crosbys Bob Cats |
The Big Crash from China F / Five Point Blues F |
2724 |
Decca F 7152 |
GB |
New York, 14.3.1938 |
3++ / 3++ |
6.- |
| Pete Daily‘s Chicagoans |
When the War breaks out in Mexico (I’m going to go to Montreal) / Circus Slide |
2178 |
Cap 15315 |
US |
ca. September 1949 |
2 / 2 |
5.- |
| Pete Daily‘s Chicagoans |
I want to Linger / What’s your Story |
2780 |
Cap 15095 |
US |
ca. September 1949 |
2 / 2 |
5.- |
| Joe Daniels Hot Shots |
Tiger Rag / Arkansas Blues |
2496 |
Odeon 31736 |
D |
London, 6.5.1938 NK mini Ls S2 |
3+ / 2- |
5.- |
| Joe Daniels Hotshots in “Drumnasticks” |
Beat me Daddy F / Missouri Scrambler F |
915 |
Parl F 1805 |
GB |
London 6.1.1941 lscrs
Joe Daniels 9.3.1908 in Zeerust, Südafrika - 2.7.1993 in Northwood, Middlesex, England.
Britischer Jazz-Schlagzeuger und Bandleader.
Daniels wuchs in England auf und lernte mit elf Jahren Schlagzeug; er spielte bereits im selben Jahr im Frascati's Restaurant in London. Er begann Anfang der 1920er Jahre als Profimusiker zu arbeiten, spielte mit 14 Jahren bei Harry and Burton Lesters Cowboy Syncopators und auf Kreuzfahrtschiffen der Cunard Liners, danach bei Al Kaplan und Sid Roy (dem Bruder von Harry Roy). Schließlich gründete er 1926 mit dem Trompeter Max Goldberg eine eigene Band. Außerdem arbeitete er in dieser Zeit mit Fred Elizalde und Al Tabor, sieben Jahre bei Harry Roy. Um 1930 nahm er unter der Bandbezeichnung Joe Daniel's Hot Shots erfolgreich mit Billy Mason auf, u. a. mit dem Song Avalon. Mit der Band war er auch häufig in BBC-Radioshows zu hören, 1938 ging er mit den Hot Shots auf eine Skandinavien-Tournee.
Nach Ausbruch des Zweiten Weltkriegs wurde er zur Royal Air Force eingezogen, wo er eine Air-Force-Band und Shows zur Truppenunterhaltung organisierte. Nach Kriegsende und während der 1950er bis in die 1970er Jahre spielte er sowohl mit kleineren Ensembles als auch in Big Bands.
Platten seiner "Joe Daniels Hotshots in “Drumnasticks”" sind immer ein „heißer“ Tip |
3++ / 3++ |
6.- |
| Joe Daniels Hotshots in “Drumnastics” |
Buggle Call Rag / Stardust |
1951 |
Parl F 1077 |
GB |
London, 3.3.1938 |
2- / 2- |
6.- |
| Joe Daniels Hotshots in “Drumnasticks” |
Dinah F / I ain‘t got nobody sF |
2071 |
Parl F 405 |
GB |
London 5.2.1936, lscrs, 105! |
3 / 3+ |
5.- |
| Joe Daniels Hotshots in “Drumnasticks” |
Drum Boogie / At the Woodchopper’s Ball Qs |
2396 |
Parl A 7416 |
Aus |
London, 13.1. / 11.9.1941, lscrs,
Joe Daniels 9.3.1908 in Zeerust, Südafrika - 2.7.1993 in Northwood, Middlesex, England.
Britischer Jazz-Schlagzeuger und Bandleader.
Daniels wuchs in England auf und lernte mit elf Jahren Schlagzeug; er spielte bereits im selben Jahr im Frascati's Restaurant in London. Er begann Anfang der 1920er Jahre als Profimusiker zu arbeiten, spielte mit 14 Jahren bei Harry and Burton Lesters Cowboy Syncopators und auf Kreuzfahrtschiffen der Cunard Liners, danach bei Al Kaplan und Sid Roy (dem Bruder von Harry Roy). Schließlich gründete er 1926 mit dem Trompeter Max Goldberg eine eigene Band. Außerdem arbeitete er in dieser Zeit mit Fred Elizalde und Al Tabor, sieben Jahre bei Harry Roy. Um 1930 nahm er unter der Bandbezeichnung Joe Daniel's Hot Shots erfolgreich mit Billy Mason auf, u. a. mit dem Song Avalon. Mit der Band war er auch häufig in BBC-Radioshows zu hören, 1938 ging er mit den Hot Shots auf eine Skandinavien-Tournee.
Nach Ausbruch des Zweiten Weltkriegs wurde er zur Royal Air Force eingezogen, wo er eine Air-Force-Band und Shows zur Truppenunterhaltung organisierte. Nach Kriegsende und während der 1950er bis in die 1970er Jahre spielte er sowohl mit kleineren Ensembles als auch in Big Bands.
Platten seiner "Joe Daniels Hotshots in “Drumnasticks”" sind immer ein „heißer“ Tip |
3 / 3+ |
5.- |
| Joe Daniels Hotshots in “Drumnasticks” |
Way down yonder in New Orleans Qs / In a little Spanish Town Qs |
1341 |
Parl A 7672 |
Aus |
London, ca. Februar 1947 |
3++ / 3++ |
5.- |
| Joe Daniels Hotshots in “Drumnasticks” |
Wabash Blues F / Mama Inez - Rumba |
3878 |
Decca 1510 |
US |
London, 5.3.1937 |
3+ / 3+ |
4.- |
| Johnny Dankworth Orchestra |
My Buddy / The Jerky Thing |
2759 |
Parl R 3836 |
GB |
London, ca. April 1954, “1954 Super Rhythm Style Series” No. 15 / 16, Swing . . . |
2- / 2- |
4.- |
| Johnny Dankworth Orchestra |
Experiments with Mice + / Applecake + |
2836 |
Parl R 4185 |
GB |
London, ca. Juni 1956, S1 Interessante Persiflage auf Kenton, Mulligan, May u.a., “1956, Super Rhythm Style Series” |
2- / 2- |
6.- |
| The Denza Dance Band (Harry Reser Band) |
Black Bottom F + / A Night of Love W |
1991 |
Col 4153 |
GB |
New York, ca. Mai 1926, Charleston |
2-- / 2 |
16.- |
| The Denza Dance Band (Harry Reser Band) |
Black Bottom F + / A Night of Love W |
3181 |
Col 4153 |
GB |
New York, ca. Mai 1926, Charleston, lscrs |
3 / 3+ |
10.- |
| The Denza Dance Band = Ace Brigode‘s 14 Virginians / S2 Harry Resers Syncopators |
Yes Sir that‘s my Baby F+ / Ukulele Lady F+ |
1970 |
Col 3730 |
GB |
New York, 30.4.1925 / Ende 1925 Charleston - Hot. lscrs,Schöne Platte mit gutem Sound!
DENZA DANCE BAND
This name was chosen in 1925 by Herbert C. Ridout, publicity manager of the Columbia Graphophone Company in London, to mask the identities of American dance bands whose first electric recordings it was desired to issue without public announcement of the new recording technique. (Ted Lewis, in London at the time and easily recognizable anyway, was not renamed.) Lot of the Sides containing jazz solos. |
3 / 3+ |
18.- |
| Johnny Dodds Black Bottom Stompers |
Weary Blues / New Orleans Stomp |
1388 |
Bru 80073 |
US |
Chicago, 21.4.1927, Dub von Vocalion 15632, außer dieser nur Dubs bekannt! |
2 / 2 |
9.- |
| Johnny Dodds Chicago Footwarmers |
Brown Bottom Bess / Lady Love |
2064 |
AFCDJ A 049 |
US |
Chicago, 4.7.1928, Dub von Okeh 8613, mini Ls |
2- / 2- |
6.- |
| Johnny Dodds Chicago Footwarmers |
Get ’em again Blues / Brush Stomp |
1394 |
Jazz Society AA 611 |
F |
Chicago, 2.7.1928, DUB von Okeh 8599, lscrs |
3 / 3++ |
6.- |
| Baby Dodds Drum Solo |
Maryland my Maryland / Rudiments with Drumstick Nerve-Beat |
3167 |
Ash Disc 6006 |
US |
1946, |
2 / 2 |
10.- |
| Johnny Dodds Hot Six |
Sweet Lorraine / Pencil Papa |
1772 |
HJCA HC 12 |
US |
Chicago. 30.1. / 7.2.1929, Dub von Victor V 38038 |
2- / 2- |
8.- |
| Johnny Dodds Orchestra |
My little Isabel / Heah Me Talkin’ |
2050 |
Biltmore 1092 |
US |
Chicago, 30.1. / 7.2.1929, Dub von Victor V 38541 |
2-- / 2 |
7.- |
| Johnny Dodds Trio (Lil Armstrong, Bud Scott) |
The New St. Louis Blues / Oh Lizzie |
2266 |
Jazz Society AA 595 |
F |
Chicago, 21.4.1927, DUB von Brunswick 3585, lscrs |
3 / 3+ |
5.- |
Baby Dodds, Drums solo / Baby Dodds
Trio |
Drum Improvisation No. 1 / Wolverine Blues |
2607 |
Blue Star 95 |
F |
wohl New Orleans, 6.1.1946, 105! |
2 / 2- |
5.- |
| Tommy Dorsey Clambake Seven |
The Sheik Of Araby / Chinatown, My Chinatown |
1575 |
Hmv B 8825 |
GB |
Hollywood, 15. / 11.7.1938, 2 x flott, S1 mini Nl, 2 clicks, |
3 / 3+ |
5.- |
| Tommy Dorsey Orch. with Audrey Young / Gordon Polk |
On the painted Desert + / Mississippi Mud + |
2239 |
Victor 202852 |
US |
New York, ca. Dezember 1947 |
2-- / 2-- |
6.- |
| Tommy Dorsey Orchestra |
Dark Eyes / Blue Danube |
3724 |
Victor 25556 |
US |
New York, 10.3.1937 |
3+ / 3+ |
5.- |
| Tommy Dorsey Orchestra |
Melody in F (Rubinstein) F / Liebestraum (Liszt) F |
1707 |
Hmv B 8578 |
GB |
New York, 19. / 18.1.1937, natürlich keine Klassik . . ., 105! |
3+ / 3+ |
5.- |
| Tommy Dorsey Orchestra |
Boogie Woogie / Tin Roof Blues |
739 |
Hmv B 8854 |
GB |
New York, 16.9. / 31.10.1938 |
3++ / 3++ |
5.- |
| Tommy Dorsey Orchestra |
My Moonlight Madonna / September in the Rain |
989 |
Bru 82531 |
D |
New York, 29.8. / 6.10.1950 |
2- / 2- |
5.- |
| Tommy Dorsey Orchestra & The Sentimentalists |
On the sunny Side of the Street + / Ther‘s no you + |
489 |
Hmv BD 5909 |
GB |
New York, November 1945, always nice, 105! |
2-- / 3+ |
5.- |
| Tommy Dorsey Orchestra & The Sentimentalists / Bonnie Lou Williams |
You’re driving me crazy F+ / More and more F+ |
3787 |
Victor 201614 |
US |
Hollywood, 22.11.1944 |
2-- / 2-- |
5.- |
| Tommy Dorsey Orchestra Vocal S2 Stuart Foster and the Town Griers |
Trombonology / Deep Valley + |
745 |
Victor 202419 |
US |
September 1947 S2 Nlf „Property of Special Services“ - Army Exemplar! |
3++ / 2- |
7.- |
| Tommy Dorsey Orchestra with Denny Dennis |
So in Love + / While the Angelus was ringing (Les trois Cloches) + |
1015 |
RCA 203331 |
US |
New York, Dezember 1948 |
3+ / 3+ |
5.- |
| Tommy Dorsey Orchestra with Frank Sinatra |
I never knew F / Blue Skies F+ |
1136 |
Hmv BD 5864 |
GB |
New York, 10.3.1938 / 15.7.1941 |
2-- / 2-- |
4.- |
| Tommy Dorsey Orchestra with Jack Leonard / Artie Shaw Orch. with Helen Forrest |
All The Things You Are F+ / All The Things You Are F+ |
925 |
Victor 201561 |
US |
Chicago, 20. / 26.10.1939 Ja, zwei mal same Title ! mit Originalhülle, lscrs |
3+ / 3++ |
7.- |
| Tommy Dorsey Orchestra with Trumpet Ziggy Elman |
Swing High F / Opus No. 1 F |
292 |
Hmv BD 5884 |
GB |
Hollywood 16.10.1940, Los Angeles, 14.11.1944, Swing-Klassiker, flott! |
2- / 2- |
6.- |
| Jimmy Durante with Six Hits and a Miss |
Inka Dinka Doo + / Umbriago + |
1338 |
Decca M 2024 |
India |
Los Angeles, 26.4.1944, lscrs |
3+ / 3+ |
5.- |
| Roy Eldridge - Benny Carter Orchestra |
Close your Eyes / The Moon is low |
3111 |
Col LB 10008 |
GB |
New York, 1955, gute Variante . . . |
3++ / 2- |
5.- |
| Roy Eldridge Orchestra |
Fish Market / Lover come back to me |
3016 |
Bru 82472 |
D |
Ne York, 13.10.1944 / 24.9.1946, bearbeitet 23.4.1952 |
2 / 2 |
5.- |
| Roy Eldridge Orchestra |
Rockin‘ Chair F / Yard Dog F |
2481 |
Decca 23697 |
US |
New York, 24.9. / 7.5.1946, lscrs |
3 / 3++ |
5.- |
| Fred Elizalde & his Music |
Music and Moonlight F / Shy Anna F |
3706 |
Bru 158 |
GB |
London, 26.2.1928, S2 Charleston! lscrs, 105! |
3 / 3 |
8.- |
| Fred Elizalde & his Hot Music |
The Darktown Strutters Ball / Somebody stole my Gal |
564 |
Bru 02333 |
GB |
London, May 1928, lscrs |
3++ / 3++ |
5.- |
| Fred Elizalde Piano Solo |
Can’t help Lovin’ dat Man / The Dark |
3723 |
Bru 182 |
GB |
London, Mai 1928, mehrere lscrs, 105!!! |
3 / 3 |
4.- |
| Duke Ellington Orchestra (Cotton Club Orchestra) |
Black and Tan Fantasy / The Mooche |
2119 |
Bru 80002 |
US |
New York, 17.10.1928, 105! |
2-- / 2-- |
8.- |
| Duke Ellington Orchester |
Black and Tan Fantasy / Ring dem Bells |
2014 |
Odeon 279712 |
F |
New York, 3.11.1927 / 30.10.1930, hervorragendes Dub von Okeh 8521 / 41468 |
2- / 2- |
7.- |
| Duke Ellington Orchester |
Sultry Sunset / Jam-A-Ditty (Concerto for 4 Jazz Horns |
3401 |
Parl R 3052 |
GB |
New York, 26.11. / 11.12.1946, “1947 Super Rhythm Style Series” No. 41 / 42, Musicraft recording session, dufte S 2 . . . |
2- / 2- |
8.- |
| Duke Ellington Orchester |
Lady of the Lavender Mist / Sultry Serenade |
491 |
Col DB 2623 |
GB |
Los Angeles, 14.8. / 6.10.1947 |
2- / 2- |
5.- |
| Duke Ellington Orchester |
Echoes of Harlem / Show Boat Shuffle |
1919 |
Col DB 5049 |
GB |
New York, 27.2.1936 / 30.4.1935, lscrs |
3+ / 3+ |
5.- |
| Duke Ellington Orchester |
Jungle Blues / Rent Party Blues |
893 |
Vocalion C 0006 |
GB |
New York, 29.1.1930, “Swing Series” |
2 / 2 |
9.- |
| Duke Ellington Orchester |
Drop me off at Harlem F / Merry-Go-Round F |
3794 |
Col 35837 |
US |
New York, 17. / 15.2.1933, 105! |
2- / 2-- |
6.- |
| Duke Ellington Orchestra |
The Dicty Glide F / Black And Tan Fantasie |
3592 |
Hmv B 6356 |
GB |
New York, 7.3.1929 / Camden, New York, 26.10.1927 |
2- / 2- |
8.- |
| Duke Ellington Orchestra |
In a Mellotone F / Warm Valley sF |
3217 |
Hmv K 8708 |
F |
Chicago 5.9. / 17.10.1940, mini Rs |
2- / 2 |
5.- |
| Duke Ellington Orchestra with Herb Jeffries |
My little brown Book F+ / Someone F |
1384 |
Victor 201584 |
US |
Los Angeles, 26.6. / Chicago, 26.2.1942 |
2- / 2- |
6.- |
| Duke Ellington and The Coronets |
She / The Happening |
1242 |
Vogue 2087 |
GB |
New York, 17.4.1951, flottes Happening . . . good Stuff . . . |
2- / 2- |
10.- |
| Duke Ellington and the Coronets |
Cat (Night) Walk / Moonlight Fiesta |
2314 |
J.S. 780 |
F |
New York, 17.4.1951, great ! Mercer Recording Session, mini Ls - kaum zu sehen |
2- / 2- |
10.- |
| Duke Ellington Coronets |
Caravan / Indian Summer |
2903 |
J.S. 782 |
F |
New York, 1.6.1951 / Boston, 18.5.1951, Klasse! - immer wieder . . . |
2-- / 2-- |
8.- |
| Duke Ellington Orch. |
Jazz Convulsions F
/ Rockin‘ In Rhythm F |
3179 |
Bru 02309 |
GB |
New York, 13.9.1929 / 14.1.1931, 105 !!! |
2 / 2- |
8.- |
| Duke Ellington Orchestra |
Riding on a Blue Note / Magenta Haze |
3805 |
Parl A 7693 |
Australia |
New York, 2.2.1938 / 11.12.1946, 105! |
2- / 2- |
7.- |
| Duke Ellington Orchestra |
The Mooche + / Sweet Chariot + |
1751 |
Parl R 1615 |
GB |
New York, 1.10.1928 / 30.10.1930, S2 als “Harlem Footwarmers”, “Second New Rhythm Style Series” No. 63 / 64 |
3++ / 3++ |
7.- |
| Duke Ellington Orchestra |
The “C” Jam Blues / Moon Mist |
1971 |
Hmv B 9292 |
GB |
Chicago 21.1.1940, ”Swing Music 1942 Series“ No. 529 / 530 |
2 / 2- |
7.- |
| Duke Ellington Orchestra |
The Mood to be wooed / Carnegie Blues |
3619 |
Hmv K 8731 |
F |
New York, 4.1.1945, S1 nice solo by Johnny Hodges, 105!!! |
2 / 2-- |
5.- |
| Duke Ellington Orchestra |
Harlem Speaks F / Chicago F |
236 |
Decca M 438 |
GB |
London, 13.7.1933, be-schwingt! |
2-- / 2-- |
6.-. |
| Duke Ellington Orchestra |
Across the Track Blues F / Chloe (Song of the Swamp) F |
2130 |
Hmv B 9171 |
GB |
Chicago 28.10.1940, ”Swing Music 1941 Series“ No. 453 / 454 |
2-- / 2-- |
5.- |
| Duke Ellington Orchestra |
Cotton Tail (Shuckin’ And Stiffin’) F / Never No Lament (Don’t get around much any more) F |
510 |
Hmv B 9090 |
GB |
Hollywood, 4.5.1940, flott. . ., ”Swing Music 1940 Series“ No. 405 / 406 |
3++ / 3++ |
6.- |
| Duke Ellington Orchestra |
Drop me off at Harlem / Clarinet Lament |
3542 |
Parl R 2876 |
GB |
New York, 27.2.1936, “1943 Super Rhythm Style Series” No. 89 / 90, 105! |
2- / 2-- |
5.- |
| Duke Ellington Orchestra |
Riding on a Blue Note / The New Black and Tan Fantasy |
1094 |
Odeon 28261 |
D |
New York, 2.2. / 13.1.1938,NK, 105!!! |
2- / 3+ |
5.- |
| Duke Ellington Orchestra |
Ting-A-Ling / Brown Betty |
2417 |
Col DB 3618 |
GB |
New York, 24.5.1951 |
2-- / 2-- |
5.- |
| Duke Ellington Orchestra |
Sepia Panorama F / Harlem Air Shaft F |
1500 |
Hmv B 9135 |
GB |
New York, 22.7.1940, ”Swing Music 1941 Series“ No. 431 / 432 |
3++ / 3++ |
5.- |
| Duke Ellington Orchestra |
Yellow Dog Blues / Louisiana |
427 |
Bru 02650 |
GB |
New York, 5.6.1928 / 17.10.1928, 105 ! |
2 / 2 |
9.- |
| Duke Ellington Orchestra & Ivy Anderson |
Solitude + / Mood Indigo + |
1427 |
Col 35427 |
US |
New York, 14.2.1940, 105! |
2- / 2-- |
6.- |
| Duke Ellington Orchestra featuring Louis Bellson, Drums |
Skin Deep / Dito - Part 2 |
2304 |
Phi B 21204 |
NL |
ca. Ende 1953, Seite 1 komplett fettes Drum Solo,
diese Louis Bellson Komposition, wohl in 1951 enstanden, hat Ellington nach dem Weggang von Bellson noch bis 1966 auch für die Nachfolger als „Drum-Showcase“ benutzt |
2- / 2 |
8.- |
| Duke Ellington Orchestra with Ethel Waters |
I can’t give you anything but Love + / Porgy + |
1929 |
Bru 01731 |
GB |
New York, 22.12.1932, lscrs |
3++ / 3++ |
7.- |
| Duke Ellington Orchestra with Ivie Anderson |
I got it bad and that ain‘t good + / Chocolate Shake + |
2058 |
Hmv B 9252 |
GB |
Hollywood, 26.6.1941, lscrs, ihren letzten wichtigen Auftritt mit dem Duke Ellington Orchestra hatte Ivie Anderson in Los Angeles in dem Musical „Jump for Joy“, aus welchem diese beiden Nummern stammen |
3++ / 3++ |
7.- |
| Duke Ellington Orchestra with Ivy Anderson |
It don‘t mean a Thing if it ain‘t got that Swing + / Rose Room (In sunny Roseland) F |
2309 |
Bru 01292 |
GB |
New York, 2.2. bzw. 11.2.1932 |
3+ / 3+ |
7.- |
| Duke Ellington Orchestra with Ivy Anderson |
It don‘t mean a Thing if it ain‘t got that Swing + / Baby, when you ain’t there + |
1165 |
Parl R 2813 |
GB |
New York, 2. / 4.2.1932, “Jazz Classics Series” No. 21 / 22, 105! |
2- / 2-- |
7.- |
| Duke Ellington Orchestra with Kay Davis |
The beautiful Indians / Dito - Part 2 - Minnehaha + |
1362 |
Odeon 279782 |
F |
New York, 5.12.1946 |
2- / 2- |
8.- |
| Duke Ellington Quintet |
Blue Moon + / Ultra De Luxe |
2379 |
Cap CL 14069 |
GB |
New York, 15. / 21.12.1953, S2 mini Ls |
2- / 2- |
5.- |
| Duke Ellington Washingtonians |
Hop Head Os / East St. Louis Toodle-Oo F |
3503 |
Odeon 26993 |
D |
New York, 22.3.1927, S1 flotter Charleston, NK, 105, SOL |
3 / 3 |
5.- |
| Will Ezell |
Just can‘t stay here + / Pitchin’ Boogie |
2341 |
Jazz Collector 46 |
GB |
Chicago Sept. 1929 dub |
2- / 2- |
5.- |
| Will Ezell Piano Solo with Cornet & Banjo |
Just can‘t stay here + / Pitchin‘ boogie + |
1673 |
Jazz Collector L 46 |
GB |
Chicago, Sept. 1929, Dub von Paramount 12855 |
2 / 2 |
7.- |
| Eddie Farley Orchestra with Al Rose |
I can’t break the habit of you F+ / Nero F |
3230 |
Bru 02411 |
GB |
New York, 10.2.1937, S2 mini Nl 2 clicks sehr leise, 2 x Swing, Edward J. Farley - American trumpeter, multinstrumentalist and composer. Born July 16, 1904 in Newark, New Jersey, USA. Died May, 1983 in Essex, New Jersey, USA.
Best known for co-writing "The Music Goes 'Round And 'Round" with Michael Riley and Red Hodgson. |
2-- / 2-- |
4.- |
| Paul Fenoulhet with The Skyrockets Dance Orchestra & Doreen Lundy & Quartet |
The Trees in Crossvenor Square sF+ / A Door will open sF+ |
1699 |
Hmv BD 5921 |
GB |
London, ca. Mitte 1946 |
2- / 2- |
5.- |
| Maynard Ferguson with Stan Kenton Orchestra |
The hot Canary / What‘s new ? |
1368 |
Tel/Cap 80241 |
D |
31.5.1951 |
2-- / 2 |
5.- |
| Herbie Fields Quintet |
Rainbow Mood / Dardanella |
2451 |
Hmv B 9594 |
GB |
”Swing Music 1940 Series“ No. 745/46 lscrs |
3+ / 3++ |
5.- |
| Ella Fitzgerald Orchestra Vic Schoen / Bob Haggart |
Flying Home + / Oh Lady be good + |
3166 |
Bru 82464 |
D |
New York, 4.10.1945 / 19.3.1947, mini SOL (Reste) |
2 / 2 |
7.- |
| Ella Fitzgerald & Louis Armstrong with Dave Barbour Orchestra |
Necessary Evil + / Oops ! + |
394 |
Bru 82623 |
D |
Los Angeles, 23.11.1953, lscrs |
2-- / 2-- |
8.- |
| Ella Fitzgerald & Louis Armstrong with Orchestra Dave Barbour |
Would you like to take a Walk + / Who walks in when I walk out + |
2526 |
Bru 82803 F |
A |
Los Angeles, 23.11.1951, gepresst 8.5.1953 |
3+ / 3++ |
7.- |
| Ella Fitzgerald & Orchestra Sy Oliver |
Later + / Lullaby of Birdland + |
2324 |
Decca 33787 |
NL |
New York, 4.6.1954, S1 great ! |
3+ / 3+ |
7.- |
| Ella Fitzgerald & Orchestra Sy Oliver |
Come on a my House + / The hot Canary + |
872 |
Bru 82490 |
D |
New York, 26.6. / 27.3.1951, kleine. matte Stelle - nicht hörbar! |
2-- / 2-- |
7.- |
| Ella Fitzgerald & Ray Charles Singers B. Doggett Orgel / & Sy Oliver Orchester |
Air Mail Special + / Ding Dong Boogie + |
262 |
Bru 82657 |
D |
New York, 4.1.1952 / 26.6.1952, gepresst 23.9.1952, lscrs, OH |
3+ / 3++ |
7.- |
| Ella Fitzgerald with Orchestra Vic Schoen / Bob Haggart |
Flying Home + / Oh Lady be good + |
2720 |
Bru 03879 |
GB |
New York, 4.10.1945 / 19.3.1947, leicht grau - no Problem, 105! |
3- / 3 |
4.- |
| Ella Fitzgerald with the Song Spinners & Orchestra Johnny Long |
And her Tears flowed like Wine F+ / Confessin‘ F+ |
1510 |
Bru 03566 |
GB |
New York, 6.11.1944, lscrs |
3 / 3+ |
6.- |
| Ella Fitzgerald, Orgel, Rhytmus, Ray Charles Singers feat. Ray Brown |
Mixed Emotions + / Smooth Sailing + |
3141 |
Bru 04788 |
GB |
New York, 20.10.1947 / 26.6.1951, 105! |
2-- / 2-- |
7.- |
| Ella Fitzgerald, Orgel, Rhytmus, Ray Charles Singers feat. Ray Brown |
How high the Moon + / Smooth Sailing + |
2973 |
Bru A 82518 |
D |
New York, 20.10.1947 / 26.6.1951, S1 flott und gut, lscrs |
3 / 3 |
5.- |
| Pierre Fouad Orchestre |
Palm Beach / Divertissement |
844 |
Swing 149 |
F |
Paris, 8.7.1942, mehrere lscrs - spielt gut |
4+ / 3- |
5.- |
| Pierre Fouad Orchestre |
Palm Beach / Divertissement |
1153 |
Swing 149 |
F |
Paris, 8.7.1942, lscrs |
3++ / 3++ |
16.- |
| Pierre Fouad Orchestre / Django Reinhardt & Quintet Hot Club de France |
Swing 42 / Stockholm |
691 |
Swing 128 |
F |
Paris, 10.7.1941 / 30.6.1939, mini Rs, mehrere lscrs - paar Knackser |
3-- / 3-- |
7.- |
| Four of the Bob Cats |
Call me a Taxi F / I hear you talking F |
626 |
Decca F 7003 |
GB |
Chicago 14.10.1938, S2 flott . . . |
2- / 2- |
5.- |
| Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
2015 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12 |
2- / 2- |
6.- |
| Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
2409 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12 |
2- / 2- |
4.- |
| Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
298 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12 |
2- / 2- |
5.- |
| Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
2623 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12, lscrs Rs |
3+ / 3+ |
5.- |
| Bud Freeman Chicagoans, Jack Teagarden |
That Da-Da Strain / Jack hits the Road + |
3857 |
Parl R 2820 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 15 / 16 105 ! |
2- / 2- |
6.- |
| Bud Freeman Summa cum Laude Orch. |
The Eel F / China Boy F |
1777 |
Hmv B 9007 |
GB |
New York 19.7.1939, flotti - cannotti... ”Swing Music 1940 Series“ No. 351/52 |
2- / 2- |
7.- |
| Bud Freeman Summa Cum Laude Orchestra |
Susie F / Fidgety Feet F |
3858 |
Bru 03228 |
GB |
New York, 25.3. / 4.4.1940 |
2 / 2 |
7.- |
| Bud Freeman Summa Cum Laude Orchestra |
I Need Some Pettin’ F / Tia Juana F |
3859 |
Bru 03227 |
GB |
New York, 25.3. / 4.4.1940 |
2- / 2- |
7.- |
| Bud Freeman Windy City Five |
Tillie‘s Downtown Now / The Buzzard |
275 |
Parl R 2210 |
GB |
New York, 4.12.1935, “1936 Super Rhythm Style Series” No. 8 |
2 / 2 |
6.- |
| Slim Gaillard Trio |
Tip Light + / Arabian Boogie + |
825 |
MGM 107 |
GB |
Ende 1947, S2 interessant, 105! |
2-- / 2-- |
5.- |
| Erroll Garner with Rhythm |
Laura / Somebody loves me |
3636 |
Savoy 571 |
GB |
25.9.1945, kl. WOL, lscrs |
3 / 3 |
5.- |
| Carroll Gibbons Savoy Hotel Orpheans |
Kiss me (Besame Mucho) - Rumba-Fox + / Paper Doll F+ |
3214 |
Col FB 2992 |
GB |
London, 19.1.1944 , 105 ! |
3+ / 3 |
4.- |
| Carroll Gibbons Savoy Hotel Orpheans |
Here comes the Sandman F+ / Remember me F+ |
3608 |
Col FB 1855 |
GB |
London 23.11. / 14.12.1937 |
2-- / 2-- |
5.- |
| Carroll Gibbons Savoy Hotel Orpheans Leslie Douglas |
Swinging on a Star F+ / San Fernando Valley F+ |
592 |
Col DF 3000 |
F |
London, 10.2.1944 |
3+ / 3++ |
5.- |
| Benny Godman Sextet |
China Boy / Ain‘t missbehavin‘ |
3444 |
Parl R 3014 |
GB |
24. / 18.9.1945, “1945 Super Rhythm Style Series” No. 43 / 44, S1 flott |
3+ / 3+ |
5.- |
| Nat Gonella Georgians |
Black Coffee F+ / Lazy River F+ |
649 |
Odeon 25640 |
D |
London, 24.7.1935, NK |
3 / 3 |
5.- |
| Nat Gonella Georgians |
Ferdinand The Bull F+
/ Penny Serenade F+ |
3147 |
Odeon 31463 |
D |
London, 16.12.1938, mehrere lscrs - spielt gut |
3-- / 3 |
4.- |
| Nat Gonella Georgians |
I‘m feeling like a Million F+ / Caravan |
2983 |
Odeon 279299 |
F |
London, 15.9.1937, immer wieder gut . . ., 105! |
2-- / 2-- |
6.- |
| Nat Gonella Georgians |
Some of these Days F+ / After you‘ve gone Qs+ |
1294 |
Odeon 31743 |
D |
London, 7.1.1937, NK, lscrs |
3 / 3+ |
5.- |
| Nat Gonella Georgians |
Capri Caprice F+ / The Sheik of Araby F+ |
713 |
Odeon 31009 |
D |
London, 30. / 29.10.1935, leicht grau - no Problem spielt gut |
4+/3- / 3-/3 |
4.- |
| Nat Gonella Georgians with Stella Moya and Pat Smuts |
Oh! Ma-Ma (The Butcher Boy) F+ / The Flat Foot Floogee F+ |
2410 |
Odeon 279492 |
F |
London, 26.5. / 16.7.1938, S1 Italienischer Klassiker „Aeluna Mezzumare „ verjazzt - etwas . . ., lscrs, 105! |
3+ / 3+ |
7.- |
| Nat Gonella Orchestra |
Nagasaki Qs+ / Tiger Rag |
1917 |
Parl F 161 |
GB |
London, 3.5.1935, zweimal sehr flott! mini Ls - kaum zu sehen |
2-- / 2-- |
6.- |
| Benny Goodman All Star Band |
The Blues F / Blue Lou F |
2806 |
Hmv B 8896 |
GB |
New York, 11. - 12.1.1939, 105! mini Rs |
2- / 2- |
5.- |
| Benny Goodman Orch. |
Swing Angel / Lucky |
2802 |
Col DB 2443 |
GB |
New York, 30.1.1946 / ?, mehrere lscrs |
3+ / 3++ |
5.- |
| Benny Goodman Orch. Art Lund Vocalist |
On the Alamo + / Blue Skies + |
3696 |
Parl R 3018 |
GB |
15.1.1941, “1946 Super Rhythm Style Series” No. 49 / 50, 105! |
2- / 2-- |
5.- |
| Benny Goodman Orch. Dottie Reid |
It‘s only a Paper Moon F+ / I‘m gonna love that Guy F+ |
690 |
Col 36843 |
US |
New York, 18.6.1945 lscrs |
3++ / 2- |
6.- |
Benny Goodman Orch. with Jane
Harvey / Peggy
Mann |
Only another Boy and Girl F+ / Every Time we say Goodbye F+ |
3190 |
Col 36767 |
US |
New York, 21.12. / 16.11.1944, 105 !!! |
3++ / 3+ |
5.- |
| Benny Goodman Orchestra |
Caravan / Stardust |
3869 |
Phi PB 254 |
GB |
Los Angeles, 17.8.1937 / New York, 19.11.1937, Dub, beide Sessions nur als Dubs erschienen! lscrs |
3 / 3++ |
7.- |
| Benny Goodman Orchestra |
Night And Day / Beyond The Moon |
1031 |
Col 35410 |
US |
Los Angeles, August 16.8. 1939 / New York, 22.11.1939, leicht grau - no Problem - spielt gut |
3 / 3+ |
4.- |
| Benny Goodman Orchestra |
Rose of Washington Square F / And the Angels sing F+ |
2477 |
Hmv B 8926 |
GB |
New York, 7.4. / 1.2.1939, 105! |
3++ / 3+ |
5.- |
| Benny Goodman Orchestra |
Alexanders Ragtime Band F / I‘m a ding dong Daddy F |
928 |
Hmv B 8734 |
GB |
New York, 7.10.1936 / 2.12.1937, Live ! nur sehr wenige Aufnahmen auf 78 er ! 105! |
3++ / 3+ |
7.- |
| Benny Goodman Orchestra |
Undecided / We’ll never know + |
2384 |
Hmv K 8282 |
GB |
New York, 12. / 23.12.1938, zu dem von Charlie Shavers komponierten Klassiker gibt es die schöne Geschichte, daß er die Noten Benny Goodmann geschickt hat. Dem hat es gefallen und er fragte nach dem Namen des Stücks, woraufhin Shavers antwortete: „Undecided“! mini Rs / WOL |
2-- / 2-- |
6.- |
| Benny Goodman Orchestra |
Blue Skies F / Dear Old Southland F |
1523 |
Hmv B 8398 |
GB |
New York, 25.6.1935, Fletcher Henderson Arrangements, 105! |
3++ / 3++ |
5.- |
| Benny Goodman Orchestra |
Lonely Moments / Whistle Blues |
752 |
Cap 374 |
US |
wohl Los Angeles, 28.1.1947 |
2- / 2- |
5.- |
| Benny Goodman Orchestra |
Time on my Hands / Scarecrow |
3641 |
Parl R 2835 |
GB |
New York, 21.1. / 19.2.1941, “The 1942 Super Rhythm Style Series” No. 15 / 16 |
2-- / 2-- |
5.- |
| Benny Goodman Orchestra |
Down Home Rag / Music Hall Rag |
3113 |
Parl R 2896 |
GB |
New York, 26.11.1934, flott! “Super Swing Music Series” No. 7 / 8, |
2-- / 2-- |
6.- |
| Benny Goodman Orchestra & Martha Tilton |
I cant‘t give you anything but Love Baby + / Sugarfoot Stomp |
2550 |
Hmv B 8671 |
GB |
Hollywood, 6.9.1937 |
2 / 2 |
6.- |
| Benny Goodman Orchestra with Jane Harvey |
You brought a new Kind of Love to me + / Rattle and Roll |
3727 |
Col DB 2333 |
GB |
25.2. / 19.12.1945 |
2- / 2 |
5.- |
| Benny Goodman Orchestra with Eve Young |
Hora Stacato F / Man here plays fine Piano F+ |
101 |
Col 37207 |
US |
15. / 22.10.1946 |
2- / 2- |
6.- |
| Benny Goodman Orchestra with Helen Forrest |
(When your Heart’s on Fire) Smoke gets in your Eyes F+ / La Rosita F |
1254 |
Col 36284 |
US |
New York, 4. / 11.6.1941, mini Ls |
3+ / 3+ |
7.- |
| Benny Goodman Orchestra with Helen Ward |
What a little Moonlight can do + / I‘l never say „Never again“ again + |
3424 |
Phi 21051 |
D |
23.2.1953, S1 flott - nice Number . . ., lscrs |
3 / 3++ |
6.- |
| Benny Goodman Orchestra with Louise Tobin |
Blue Orchids + / What’s New? + |
2018 |
Col DB 5072 |
GB |
Los Angeles, 16.8.1939, lscrs |
3 / 3 |
5.- |
| Benny Goodman Quartet |
Opus Three Quarters / Sugar |
1221 |
Hmv K 8374 |
F |
New York, 6.4.1939 / 25.3.1938 |
2- / 2- |
7.- |
| Benny Goodman Quartet |
Tiger Rag / Sweet Sue |
2179 |
Hmv B 8531 |
GB |
New York, 2.12.1936 / 18.11.1936, 105! |
3++ / 3++ |
5.- |
| Benny Goodman Quartet |
Ida, sweet as Apple Cider / Vibraphone Blues |
517 |
Hmv K 8301 |
F |
New York, 3.2.1938 / Los Angeles 13.8.1937 |
2- / 2- |
5.- |
| Benny Goodman Sextet |
A Smo-o-o-oth one
/ Good Enough To Keep (Air Mail Special on some later issues) |
22 |
Parl R 2816 |
GB |
New York, 13.3.1941, “1941 Super Rhythm Style Series” No. 59 / 60 |
2-- / 2-- |
6.- |
| Benny Goodman Sextet |
Gone with „What“ Wind / Till Tom Special |
3491 |
Parl R 2752 |
GB |
New York, 7.2.1940, “1940 Super Rhythm Style Series” No. 107 / 108 |
3++ / 3++ |
5.- |
| Benny Goodman Sextet |
I can‘t give you anything but Love Baby / Lullaby of The Leaves |
2579 |
Col DB 3350 |
GB |
New York, 19.12.1940 / ?, 105! |
2 / 2- |
5.- |
| Benny Goodman Sextet |
Just one of those Things / Tiger Rag |
85 |
Parl R 3022 |
GB |
New York, 7.5. / 29.8.1945, “1947 Super Rhythm Style Series” No. 3 / 4, S1 das perlt . . . |
2- / 2- |
5.- |
| Benny Goodman Sextet |
I found a new Baby F / Flying Home F |
1852 |
Col 36721 |
US |
New York, 15.1.1941 / 2.10.1939, 105! |
3++ / 3+ |
5.- |
| Benny Goodman Sextet |
Honeysuckle Rose / Liza |
1600 |
Col DB 2287 |
GB |
Los Angeles 16.8.1939 |
3++ / 3++ |
3.- |
| Benny Goodman Sextet |
Royal Garden Blues / Wholly Cats |
351 |
Parl R 2787 |
GB |
New York, 7.11.1940, “1941 Super Rhythm Style Series” No. 21 / 22, 105! |
2- / 2- |
5.- |
| Benny Goodman Sextet |
I got Rhythm / Slipped Disc |
2699 |
Parl R 3007 |
GB |
New York, 4.2./18.9.1945,flott! “1946 Super Rhythm Style Series” No. 29 / 30, lscrs, mini Ls / Rs |
3++ / 3++ |
4.- |
| Benny Goodman Sextet / Orchestra |
I can‘t give you anything but Love Baby / Fiesta in Blue (Cootie Growls) |
929 |
Col 36755 |
US |
New York, 19.12.1940 / 27.3.1941 |
3+ / 3+ |
5.- |
| Benny Goodman Sextet Featuring Count Basie |
As Long As I Live F / I found a new Baby F |
3237 |
Col DCH 301 |
NL |
New York, 7.11.1940 / 15.1.1941, 105! |
2-- / 3+ |
5.- |
| Benny Goodman Sextet Vocal by Rickey |
Oh Babe + / La Rosita |
2511 |
Col DB 2797 |
GB |
New York, 10.10.1950 / 11.6.1941 |
2- / 2- |
5.- |
| Benny Goodman Sextet with Peggy Lee |
The Wang-Wang Blues / The Way You Look Tonight + |
2704 |
Col 36594 |
US |
New York, 10.3.1942, 105! |
3++ / 3++ |
6.- |
| Benny Goodman Sextet with Peggy Lee |
Limehouse Blues / On The Sunny Side Of The Street + |
524 |
Parl DK 1103 |
DK |
New York, 28.10. / 24.12.1941, lscrs |
3+ / 3+ |
5.- |
| Benny Goodman Sextett |
After you‘ve gone / Shivers |
3473 |
Odeon 28429 |
D |
New York, 4.2.1945 / 20.12.1939, sehr flott |
2- / 2- |
6.- |
| Benny Goodman Trio |
Who / Someday Sweetheart |
2470 |
Hmv B 8402 |
GB |
New York, 13.7.1935, lscrs, Nlf |
3 / 3 |
4.- |
| Benny Goodman Trio |
Puttin’ on the Ritz / Chicago |
1853 |
Tel/Cap 20125 |
D |
17.4. / 5.6.1947, Benny „Good“. . ., S1 interessant . . ., 105! |
3++ / 3++ |
6.- |
| Benny Goodman Trio Teddy Wilson, Gene Krupa |
Sweet Leilani / Time on my Hands |
378 |
Phi 21093 |
NL |
1938, From Carnegie Hall Concert No. 2, NK |
3+ / 3+ |
6.- |
| Benny Goodman Trio (Teddy Wilson, Gene Krupa) |
After you‘ve gone / Body and Soul |
2813 |
Hmv B 8381 |
GB |
New York, 13.7.1935, spielt gut mit 105! |
2-- / 3+ |
5.- |
| Benny Goodman Trio (Teddy Wilson, Gene Krupa) |
After you‘ve gone / Body and Soul |
3734 |
Victor 25115 |
US |
New York, 13.7.1935, mini Ls |
2- / 2- |
7.- |
| Benny Goodman Trio / Quintet |
I know that you know / I cried for you |
880 |
Hmv K 8284 |
F |
New York, 29.12.1939, Interessante Soli . . ., 105! |
2 / 2- |
6.- |
| Benny Goodmann Orchestra |
That Feeling is gone F+ / Lullaby in Rhythm |
3279 |
Victor 25827 |
US |
New York, 8.4.1938 |
2-- / 2-- |
7.- |
| Benny Goodmann Orchestra |
Stardust / King Porter Stomp |
3919 |
Col DW 5105 |
D |
New York, 29.4.1951 |
2- / 2- |
5.- |
| Benny Goodmann Sextet / Orchestra |
Memories of you / King Porter Stomp |
2585 |
Col DW 5519 |
D |
New York, 22.11.1939 / 29.4.1951, NK, mini WOL |
2- / 2- |
5.- |
| Benny Goodmann Sextett |
Six Appeal / These foolish Things |
10 |
Odeon 26922 |
D |
Los Angeles, 20.6.1940, NK |
3++ / 3++ |
5.- |
| Stephane Grappelly Quartet with George Shearing & Beryl Davis |
Don’t you know that I care + / No one else will do + |
1197 |
Decca F 8492 |
GB |
London, ca. Januar 1945, 105! |
2- / 2-- |
12.- |
| Stephane Grappelly Quartet with George Shearing, Piano & Beryl Davis |
Star Eyes sF+ / Heavenly Music sF+ |
3050 |
Decca F 8375 |
GB |
London, ca. November 1943, lscrs |
3+ / 3+ |
6.- |
| Glen Gray Casa Loma Orch. Kenny Sargent |
Tears from my Inkwell F+ / You grow sweeter as the Years go by F+ |
3080 |
Decca 2388 |
US |
New York, 24.3.1939, 105 !!! |
2 / 2- |
6.- |
| Glen Gray Casa Loma Orchestra |
Whoa, Babe! F+ / A Study in Brown F |
822 |
Decca 1159 |
US |
New York, 4.2.1937, mehrere lscrs - spielt gut |
3- / 3 |
4.- |
| Glen Gray Casa Loma Orchestra |
Panama F / You ain’t been living right F |
515 |
Bru 500478 |
F |
New York, 19.7.1934, 2 x flott, Rs, lscrs, lscrs - spielt gut! |
4+ / 3- |
4.- |
| Glen Gray Casa Loma Orchestra with The Merry Macs |
Moon Country F+ / Lazy River + |
895 |
Decca 2397 |
US |
New York, 25.2.1939, 105! |
3++ / 3+ |
6.- |
| Jerry Gray Orchestra |
In the Mood / A String of Pearls |
456 |
Bru 82475 |
D |
Los Angeles, 5.4. / 18.5.1950, gepresst 15.6. / 2.7.1951, Swing Klassiker . . . |
2- / 2- |
5.- |
| Jerry Gray Orchestra |
Night and Day / What is this thing called Love? |
875 |
Bru 82498 |
D |
17.5.1951 |
3+ / 3++ |
5.- |
| Jerry Gray Orchestra with Tommy Traynor |
And you'll be home + / Accidents will happen F + |
3435 |
Decca 60575 |
F |
Los Angeles, 23. / 25.8.1950, lscrs |
3+ / 3++ |
6.- |
| Bobby Hackett Orch. |
Singin‘ the Blues / Clarinet Marmalade |
3720 |
Parl R 2946 |
GB |
Los Angeles, 25.1.1940, “1944 Super Rhythm Style Series” No. 41 / 42, lscrs, 105 ! mini Nlf in Label |
3++ / 3+ |
4.- |
| Bob Haggart & Ray Bauduc Duo / Bob Crosby Orchestra |
The big Noise from Winnetka / Honky Tonk Train Blues |
3478 |
Decca F 7005 |
GB |
Chicago, 14. / 19.10.1938, Klassiker, jut! mini Rs, spielt Top mit 105 !!! |
3+ / 3+ |
8.- |
| Lionel Hampton & King Cole Trio / Esquire All American Award Winners |
Jivin with Jarvis + / Buckin‘ the Blues |
946 |
Hmv B 9589 |
GB |
Hollywood 17.7.1940 / London, 4.12.1946 |
2- / 2- |
5.- |
| Lionel Hampton & King Cole Trio / Esquire All American Award Winners |
Jivin with Jarvis + / Buckin‘ the Blues |
615 |
EL EG 7733 |
D |
Hollywood 17.7.1940 / London, 4.12.1946 |
2- / 2 |
6.-. |
| Lionel Hampton Orch. |
New Central Avenue Breakdown / When Lights are low |
1049 |
Hmv SG 288 |
F |
1951 |
2-- / 2-- |
7.- |
| Lionel Hampton Orch. |
Drum Stomp / Piano Stomp |
3014 |
Hmv B 8800 |
GB |
Hollywood 16.8.1937 - flott und gut, mehrere lscrs |
3- / 3 |
4.- |
| Lionel Hampton Orch. |
Drum Stomp / Piano Stomp |
3690 |
Hmv K 8375 |
F |
Hollywood 16.8.1937, flott und gut, mini Rs |
2-- / 2-- |
8.- |
| Lionel Hampton Orch. |
Flying Home / In The Bag |
2122 |
Decca BM 03405 |
GB |
New York, 26.5.1942, lscrs |
3 / 3 |
4.- |
| Lionel Hampton Orch. |
Drum Stomp / Piano Stomp |
618 |
Hmv SG 97 |
F |
Hollywood 16.8.1937, flott und gut, mehrere lscrs |
3 / 3++ |
6.- |
| Lionel Hampton Orch. |
Flying Home F / In The Bag F |
3002 |
Bru 03405 |
GB |
New York, 26.5.1942, lscrs, mini grau am Ende |
3- / 3 |
4.- |
| Lionel Hampton Orch. Rubel Blakely |
Nola F / Just for you F+ |
2148 |
Bru 03371 |
GB |
New York, 24.12.1941, lscrs |
3+ / 3+ |
5.- |
| Lionel Hampton Orch. Sunny Parker / The Hamptones |
Hamp‘s got a Duke / Gone again |
3601 |
Decca 60194 |
F |
Los Angeles, 6.8.1947, S2 mit mehreren mini Scr‘s die ein paar Knackser geben |
3+/3++ / 3/3 |
4.- |
| Lionel Hampton Orchester |
The Munson Street Breakdown F / Blue F |
2231 |
Hmv B 9137 |
GB |
New York, 30.10.1939 / Hollywood, 17.7.1940, S1 flott ! 105! lscrs |
3 / 3 |
5.- |
| Lionel Hampton Orchester & Sunny Parker / The Hamptones |
For you my Love + / Rag Mop + |
2038 |
Bru 82417 |
D |
New York, 29.12.1949, S1 Blues ! Schlurfspuren |
3++ / 2 |
5.- |
| Lionel Hampton Orchestra |
I‘ve found a new Baby / Four or five Times |
1601 |
Victor 26447 |
US |
New York, 30.10.1939 mehrere lscrs minimalst hörbar S1 flott ! OH |
3 / 3+ |
6.- |
| Lionel Hampton Orchestra |
Central Avenue Breakdown / When Lights Are Low |
3796 |
Hmv B 9750 |
NL |
Hollywood, 10.5.1940 / New York, 11.9.1939, 105 !!! |
2 / 2- |
6.- |
| Lionel Hampton Orchestra |
Baby won’t you please come Home? F+ / I Just couldn’t take it, Baby F+ |
3888 |
Hmv B 8747 |
GB |
Hollywood, 5.9.1937 |
2- / 2- |
6.- |
| Lionel Hampton Orchestra |
Jack the Bellboy F / Central Avenue Breakdown |
1983 |
Victor 26652 |
US |
Hollywood, 10.5.1940, 2 x Highspeed . . . |
2- / 2- |
9.- |
| Lionel Hampton Orchestra |
I can‘t get started / Martin on every Block |
3879 |
Hmv B 9152 |
GB |
New York, 30.9.1939 / 21.8.1940, mini Rs |
3+ / 3+ |
5.- |
| Lionel Hampton Orchestra |
12th. Street Rag / Ain‘t cha goin‘ home F |
3146 |
Hmv B 9088 |
GB |
New York, 9.6.1939, S1 flott! |
2- / 2- |
6.- |
| Lionel Hampton Orchestra |
Buzzin‘ around with the Bee F / Whoa Babe + |
2296 |
Hmv B 8581 |
GB |
New York, 14.4.1937, S1 flott |
2-- / 2-- |
6.- |
| Lionel Hampton Orchestra |
Jack the Bellboy F / Central Avenue Breakdown F |
3803 |
Hmv JK 2091 |
CH |
Hollywood, 10.5.1940, 2 x Highspeed . . . |
2- / 2- |
7.- |
| Lionel Hampton Orchestra |
Dinah / Singing the Blues |
2392 |
Hmv B 9063 |
GB |
New York, 21.12.1939, fine, fine . . . |
3++ / 3++ |
6.- |
| Lionel Hampton Orchestra |
On the sunny side of the Street / I know that you know |
1073 |
Hmv SG 94 |
F |
New York, 26.4.1937, mini Rs, beidseitig größer Labelschaden nicht in Titel |
2-- / 2-- |
4.- |
| Lionel Hampton Orchestra |
Confessin‘ (That I love you) F+ / Drum Stomp (Crazy Rhythm) |
3604 |
Victor 25658 |
US |
Hollywood 16.8.1937, flott und gut, S2 mini Nl nicht hörbar |
2-- / 2-- |
5.- |
| Lionel Hampton Orchestra |
Early Session Hop / One sweet Letter from you F+ |
1801 |
Hmv B 9027 |
GB |
New York, 11.9.1939, 105!!! Dizzy Gillespie, Benny Carter, Coleman Hawkins, Ben Webster u.a. |
3++ / 3++ |
5.-. |
| Lionel Hampton Orchestra |
Pig Foot Sonata / Three-Quarter Boogie |
815 |
Hmv B 9373 |
GB |
New York, 21.8.1940 / Chicago, 8.4.1941, lscrs, Mini Scr nicht hörbar, 105! |
3+ / 3+ |
5.- |
| Lionel Hampton Orchestra |
Ring dem Bells + / I‘m in the Mood for Swing |
2427 |
Hmv B 8928 |
GB |
New York, 18.1.1938 / 21.7.1938, 105! |
3++ / 3++ |
5.- |
| Lionel Hampton Orchestra |
Denison Swing F / Wizzin‘ The Wizz F |
2660 |
Hmv JK 2012 |
CH |
New York, 5.4.1939 |
3++ / 2- |
6.- |
| Lionel Hampton Orchestra |
Hot Mallets F / Just for Laffs sF |
2940 |
Hmv K 8733 |
F |
New York, 11.9.1939 / 21.8.1940. mini Ls, Seite 1 with Dizzy Gillespie, t / Benny Carter, as, a / Coleman Hawkins, Ben Webster, Chu Berry, ts / Clyde Hart, p / Charlie
Christian, elg / Milt Hinton, sb / Cozy Cole, d / Lionel Hampton |
3++ / 3++ |
7.- |
| Lionel Hampton Orchestra |
Rhythm Rhythm / China Stomp |
781 |
Hmv B 8597 |
GB |
New York, 26.4.1937, flott ! 105! |
2- / 2- |
7.- |
| Lionel Hampton Orchestra & Rubel Blakely |
Nola F / Just for you F+ |
1585 |
Bru 03371 |
GB |
New York, 24.12.1941 lscrs |
3+ / 3+ |
7.- |
| Lionel Hampton Orchestra with Sonny Parker |
Chicken Shack Boogie + / Benson’s Boogie + |
2278 |
Decca M 32910 |
NL |
New York, 27.1.1949 |
3++ / 3++ |
6.- |
| Lionel Hampton Quartet |
Hamp‘s salty Blues + / Chord-A-Re-Bop F |
2089 |
Decca BM 03732 |
GB |
New York, 30.1.1946, Seite 1 good Blues, Seite 2 flott und modern |
3 / 3 |
4.- |
| Lionel Hampton Quartet |
Flying Home / Save it pretty Mama |
711 |
Hmv B 9334 |
GB |
Chicago, 26.2.1940, S2 Ls nicht in Titel |
2-- / 2-- |
5.- |
| Lionel Hampton Quintett / Bobby Hackett Orchestra |
Moon Glow / More than you know |
2101 |
Bru 82714 F |
A |
Los Angeles, 14.9.1950 / New York, 1946, bearbeitet 9.1.1953 |
2- / 2- |
6.- |
| Lionel Hampton Septett |
Two Finger Boogie / Flying Home |
1897 |
Bru 82583 |
D |
New York, 27.5.1945 / 26.5.1942 |
3+ / 2 |
6.- |
| Lionel Hampton Sextett |
Bouncing At The Beacon / Chasin' With Chase |
1538 |
Hmv B 9395 |
GB |
Hollywood 20.12.1940 / Chicago, 8.4.1941 Seite 1 Scr in Rille hängt leider besser mit hoher Auflage |
3++ / 3++ |
5.- |
The Hannan Dance Band (Ben Selvin / The Knickerbockers)
|
All aboard for Heaven F / The Original Charleston F |
3584 |
Col 3716 |
GB |
New York, 10.4.1925, S1 mini Scr 3 clicks, Nlf lscrs |
3 / 3++ |
10.- |
| Harlem Footwarmers - Duke Ellington! / Joe Venutis Blue Four |
Rockin‘ in Rhythm F / I‘ve found a new Baby F |
905 |
Parl R 924 |
GB |
New York, 8.1.1931 / 12.1.1930 Dark Blue Label “New Rhythm Style Series” No. 73 / 74, lscrs, leicht grau - no Problem |
3 / 3 |
4.- |
| Harlem Kiddies |
Alligator Swing / Bye bye Blues |
1732 |
Odeon D 944 |
D |
Kopenhagen 11.1.1944, 2 x sehr flott, NK |
3+ / 3++ |
9.- |
| Phil Harris and his Orchestra |
If you’re ever down in Texas, look me up + / That’s what I like about the South + |
719 |
Hmv BD 5989 |
GB |
ca. Oktober 1947, lscrs |
3+ / 3+ |
4.- |
| Phil Harris Orchestra |
44 Sycamore + / Somebody else, not me + |
2335 |
Hmv BD 1176 |
GB |
ca. Mai 1949 |
3++ / 2- |
5.- |
| Jack Harris Orchestra with Sam Browne |
Bei mir bist du schön F+ / Once in a While F + |
2564 |
Hmv BD 5321 |
GB |
London, 8.1.1938, nette, langsame Variante des Titel, lscrs, 105!!! |
3 / 3 |
8.- |
| Phil Harris with Orchestra conducted by Walter Scharf |
Goofus + / The Thing + |
630 |
Hmv B 10007 Victor 203968 |
GB |
13.10.1950, a Golddisc . . . |
3 / 3+ |
4.- |
Phil Harris with The Skyrockets & Orchestra
conducted by Frank Cordell |
So tall a Tree + / You Can’t Make Love With A Cold + |
625 |
Hmv B 9955 |
GB |
September 1950, Ls nicht in Titel |
3 / 3+ |
4.- |
| Coleman Hawkins All Star Jam Band Django Reinhardt, Grappelly etc. |
Crazy Rhythm / Honeysuckle Rose |
1906 |
Hmv B 8754 |
GB |
Paris, 28.April 1937, Great Stuff ! |
2 / 2 |
14.- |
| Coleman Hawkins All Star Octet |
When Day is done F / Bouncing With Bean |
2857 |
Hmv B 9087 |
GB |
New York, 3.1.1940, 105! |
3+ / 3 |
6.- |
| Coleman Hawkins All Star Octett |
My Blue Heaven F / The Sheik of Araby F |
513 |
Hmv JK 2094 |
CH |
New York, 3.1.1940 |
2- / 2- |
7.- |
| Coleman Hawkins All Star Octett / Tony Pastor Orch. |
My Blue Heaven / Get ready, Set, Jump |
3668 |
Hmv B 9151 |
GB |
New York, 3.1.1940 / ca. 1940 |
2- / 2- |
5.- |
| Coleman Hawkins Orch. |
Fine Dinner F / She´s funny that way F+ |
1327 |
Hmv B 9046 |
GB |
|
2- / 3+ |
6.- |
| Erskine Hawkins Orch. Jimmy Mitchelle |
Cherry F+ / Country Boy F |
1347 |
Bluebird 300819 |
US |
New York, 18.7.1939 / 27.5.1942 mehrere lscrs , mini Rs spielt gut ! |
3- / 3 |
5.- |
| Coleman Hawkins Orchestra |
Say it isn‘t so / Spotlite |
2955 |
Hmv B 9605 |
GB |
New York, ca. November 1947, 105! |
2 / 2 |
6.- |
| Coleman Hawkins Orchestra / Earl Hines Orchestra |
Body and Soul / It had to be you + |
401 |
Bluebird 300825 |
US |
New York, 11.10.1939 / 20.8.1941, S1 sein Klassiker . . ., 105! |
2 / 2 |
12.- |
| Coleman Hawkins with Accompaniment |
Jamaica Shout F / Honeysuckle Rose F |
762 |
Decca 3358 |
US |
New York, 29.9.1933 / London, 18.11.1934, S1 erste Aufnahmen unter eigenem Namen! lsc rs nur S1, 105!° |
3+ / 3+ |
8.- |
| Coleman Hawkins, Stanley Black Piano, Supervision E.Jackson |
Lost in a Fog / Honeysuckle Rose |
833 |
Parl R 2041 |
GB |
London, 18.11.1934, Duo!!! “1935 Super Rhythm Style Series” No. 3 / 4, lscrs |
3+ / 3+ |
7.- |
| Hawkins, Tenor saxophone with George Barnes, Electric guitar |
If I could be with you / I can’t get started |
2945 |
Bru 05004 |
GB |
New York, 30.7.1952 |
2- / 2- |
10.- |
| Harry Hayes Band |
My Love / Sequence |
3398 |
Hmv B 9397 |
GB |
London, 15.11.1944, S2 nicht ohne... |
2- / 2- |
6.- |
| Harry Hayes Band |
Three o‘Clock Jump / Cherry Brandy |
3360 |
Hmv B 9430 |
GB |
London, ca. August 1945, fine Swing |
2-- / 2-- |
6.- |
| Edgar Hayes Orchestra |
In the Mood / Star Dust |
1166 |
Decca 1882 |
US |
New York, 14.1.1938 |
2 / 2 |
7.- |
| Edgar Hayes Orchestra |
In the Mood / Star Dust |
231 |
Decca BM 02620 |
GB |
New York, 14.1.1938 |
2- / 2- |
5.- |
| Ted Heath and his Music |
Wot Cher! (Knocked them in the old Kent Road) / Any old Iron |
128 |
Decca F 8687 |
GB |
London, Oktober 1946 |
3++ / 3++ |
5.- |
| Fletcher Henderson Orchestra |
Limehouse Blues / Big John‘s Special |
1272 |
Bru 01985 |
GB |
New York, 11.9.1934, lscrs |
3 / 3 |
5.- |
| Fletcher Henderson Orchestra |
It’s the Talk of the Town / Nagasaki + |
2628 |
Decca 18253 |
US |
New York, 22.9.1932, S 2 juuuut! paar megafeine Bläschen - kaum zu sehen - no Problem! lscrs |
3- / 3 |
4.- |
| Fletcher Henderson Orchestra |
Christopher Columbus (A Rhythm Cocktail) F / Blue Lou F |
1189 |
Bru 02190 |
GB |
Chicago, 27.3.1936 |
3++ / 3++ |
7.- |
| Fletcher Henderson Orchestra |
Jim Town Blues F / You can depend on me F+ |
2467 |
Hmv B 8647 |
GB |
Chicago, 4.8.1936 |
2- / 2- |
8.- |
| Fletcher Henderson Orchestra |
Wild Party / Rug Cutters Swing |
72 |
Decca 342 |
US |
New York, 25.9.1934, wild . . . |
3+ / 3++ |
10.- |
| Fletcher Henderson Orchestra / Duke Ellington Orchestra |
Sensation / Tishomingo Blues |
2350 |
Bru 02503 |
GB |
New York, 19.3.1927 / 5.8.1928, 105! |
2-- / 2-- |
7.- |
| Fletcher Henderson Orchestra / Sharkey Bonano Sharks of Rhythm |
What-Cha-Call-’Em Blues / High Society |
2060 |
Parl R 2825 |
GB |
New York, 29.5.1929 / 7.10.1936, “Jazz Classics Series” No. 23 / 24 |
2 / 2 |
10.- |
| Fletcher Henderson Orchestra Feat.Coleman Hawkins |
Fidgety Feet / Sensation Stomp |
3162 |
Decca 30362 |
GB |
New York, 19.3.1927, good Stuff . . . |
3+ / 3++ |
9.- |
| Fletcher Henderson Orchestra with Coleman Hawkins / Buck Washington Piano Solo |
Queer Notions F / Old fashioned Love F |
3580 |
Decca 18169 |
US |
New York, 22.9.1933 / 8.3.1934, lscrs, 105! |
3+ / 3+ |
8.- |
| Bruno Henriksens Orchester |
Since I kissed my Baby good-bye F / Marcheta F |
988 |
Odeon D 936 |
D |
Kopenhagen 23.12.1943, 2 x fine Swing, lscrs, NK |
3 / 3+ |
7.- |
| Woody Herman & The Four Chips / Orchestra |
Across the Alley from the Alamo + / Sabre Dance |
571 |
Col BF 124 |
F |
New York, 4.2. / 22.12.1947 |
2- / 2-- |
4.- |
| Woody Herman and the New Third Herd Vocal by Woody Herman |
Early Autumn + / Celestial Blues |
3774 |
Mars 300 |
US |
August 1952, S1 Laminierter Haircrack - kein Problem kaum zu sehen und nicht zu hören. Mini Label von Woody Herman betrieben, welches Anfang der 50er nur ca. 25 Platten zumeist von Woody Herman rausgebracht hat |
2 / 2 |
4.- |
| Woody Herman Orch. |
I ain‘t getting any Younger (I Aint
Gonna wait to long) + / Lemon Drop + |
3459 |
Cap 15365 |
US |
30. / 29.12.1948, S2 Modern Jazz, lscrs, Seite 2 matte Stelle - kein Problem! |
3 / 3+ |
5.- |
| Woody Herman Orch. |
Wild Root / Atlanta G.A. + |
277 |
Odeon 28178 |
D |
26.11. / 10.12.1945 |
3++ / 2- |
5.- |
| Woody Herman Orchestra |
Blues Downstairs / Blues Upstairs + |
1836 |
Bru 02788 |
GB |
New York, 12.4.1939, 105! |
2- / 2-- |
5.- |
| Woody Herman Orchestra |
Caldonia + / Goosey Gander |
2466 |
Parl R 2990 |
GB |
26.2. / 1.3.1945, “1946, Super Rhythm Style Series” No. 3 / 4, lscrs |
3 / 3+ |
5.- |
| Woody Herman Orchestra and Singers |
House of Bamboo + / Love is a many splendored Thing |
3380 |
Cap 342 |
I |
1955 |
3++ / 2- |
5.- |
| Woody Herman Woodchoppers |
Steps F / Pam F |
2355 |
Col 37229 |
US |
New York, 16 / 20.5.1946, fine . . . |
2 / 2 |
6.- |
| Al Hibbler & Johnny Hodges Orchestra |
Please + / Believe it beloved |
2032 |
Mercury 89011 |
US |
New York, ca. M ai 1952 |
2-- / 2- |
6.- |
| J.C. Higginbotham Six Hicks |
Give me your Telephone Number / Higginbotham Blues |
1525 |
Parl R 2799 |
GB |
New York, 5.2.1930, Hot, Flott, gut |
2 / 2 |
10.- |
| Earl Hines Piano solo / Eddie Lang Orchestra |
Fifty Seven Varieties / Buggle Call Rag |
40 |
Odeon A 286003 |
D |
Chicago 12.9.1928, New York, 22.5.1929, S1 Titel Anspielung auf Heinz Ketchupflaschenaufschrift !, ”Odeon Swing Music Series” S1 Nlf 2 cm no Problem - nicht hörbar |
3+ / 2- |
16.- |
| Earl „Fatha“ Hines Swingtette |
Keybord Kapers / Sweet Honey Babe |
3814 |
MGM 4042 |
F |
Dezember 1947 / Mitte 1948 |
2- / 2- |
7.- |
| Art Hodes Blue Note Jazz Men |
Sweet Georgia Brown / Sugar Foot Stomp |
3826 |
Climax 34 |
D |
New York, 1.6.1944, kl. SOL |
2- / 2 |
6.- |
| Art Hodes Orch. |
Georgia Cake Walk F / Indiana - slow Blues |
823 |
Bru 03438 |
GB |
New York, 17.3.1942 |
3++ / 3+ |
5.- |
| Art Hodes Orchestra |
Georgia Cake Walk F / Liberty Inn Drag sF |
3889 |
Decca 18437 |
US |
New York, 17.3.1942, paar feine Bläschen - no Problem |
3++ / 3++ |
5.- |
| Johnny Hodges Orchestra |
Jeep’s Blues / Rendezvous with Rhythm |
2036 |
Col 37837 |
US |
New York, 28.3.1938
|
2- / 2- |
6.- |
| Johnny Hodges Orchestra |
Empty Ballroom Blues / You Walked Out Of The Picture |
2051 |
Voc 4213 |
US |
New York, 22.6.1938, mehrere lscrs |
3 / 3+ |
6.- |
| Billie Holiday and her Orchestra |
Long gone Blues + / Am I blue + |
1478 |
Col DB 2511 |
GB |
New York, 21.3.1939 / 9.5.1941 |
2 / 2- |
12.- |
| The Hollywood Hucksters /Goodman, Norvo etc.) |
Happy Blues / Them there Eyes + |
660 |
Tel/Cap 40022 |
D |
August 1947, 105! |
3+ / 3+ |
4.- |
| Hotcha Mundharmonika Trio mit Rhytmischer Begleitung |
Donkey Serenade / Bayerische Polka |
2788 |
Phi 17404 |
D |
Hilversum, ca. 1951, OH |
2-- / 2 |
5.- |
| Camille Howard at the Piano with Rhythm |
Instantaneous Boogie / Ferocious Boogie |
1629 |
Specialty SP 102 |
US |
Los Angeles, April 1949 / Mai 1950, two hot Boogies . . . |
3++ / 2- |
6.- |
| Pee Wee Hunt Orchestra |
Copenhagen / Louella |
3718 |
Capitol 1319 |
US |
ca. 1950, mini WOL |
2- / 2 |
4.- |
| Pee Wee Hunt Orchestra |
Walkin’ alone / Help |
1834 |
Cap CL 2912 |
CH |
1954 |
3++ / 2- |
4.- |
| Jack Hylton Orchester |
The best Things in Life are free F+ / Lucky in Love F |
94 |
Hmv B 5505 |
GB |
Hayes, Middlesex, 23. / 24.7.1928 |
3+ / 3+ |
5.- |
| Jack Hylton Orchestra |
Singin‘ in the Rain F+ / Orange Blossom Time F+ |
3456 |
Hmv B 5700 |
GB |
London, 9.9.1929, Charleston, lscrs, paar graue Rillen beser mit 105 !!! |
3 / 3 |
7.- |
| Jack Hylton Orchestra |
Singin‘ in the Rain F+ / Orange Blossom Time F+ |
2315 |
Hmv K 5774 |
F |
London, 9.9.1929, Charleston, leicht grau - no Problem, 105!!! |
3- / 3- |
5.- |
| Jack Hylton Orchestra |
Tid-Dle-Id-Dle-Um-Pum! F+ / Under the Sweetheart Tree F+ |
1858 |
Hmv B 5897 |
GB |
Small Queen's Hall, London, 29.8.1930, 105! |
3+ / 3+ |
4.- |
| Jack Hylton Orchestra |
Harmonica Harry F+ / The Kings Horses F+ |
771 |
Hmv B 5875 |
GB |
Glasgow, 16. / 17.7.1930, mini ls, 105! |
3++ / 3+ |
4.- |
| Jack Hylton Orchestra |
Is Izzy Azzy Wozz F+ / When I meet Connie in the Cornfield F+ |
2949 |
Hmv B 5666 |
GB |
London, 30.5. / 19.6.1929, 105! |
3+ / 3+ |
4.- |
| Jack Hylton Orchestra |
You tell him F+ / Is she my Girl Friend F+ |
3346 |
Hmv K 5377 |
F |
Hayes, Middlesex, 24.10.1927 / London, 9.12.1927, S2 Charleston, lscrs, 105! |
3 / 3 |
5.- |
| Jack Hylton Orchestra |
Souvenirs F+ / Le-A-Nore F+ |
3353 |
Hmv B 5356 |
GB |
Hayes, Middlesex, 21.9.1927, 105! |
3 / 3- |
4.- |
| Jack Hylton Orchestra |
I think of what you used
to think of me F+ / Forty-Seven Ginger-
Headed Sailors F+ |
2400 |
Hmv B 5542 |
GB |
London, 19. / 21.9.1928, 105! |
3 / 3+ |
5.- |
| Jack Hylton Orchestra |
Singing in the Rain F+ / Orange Blossom Time F+ |
1262 |
Hmv AM 2376 |
CZ |
London, 9.9.1929, Charleston, 105! |
3++ / 3++ |
8.- |
| The Ink Spots |
Who do you know in heaven + / You’re breaking my Heart all over again + |
2264 |
Decca 60368 |
F |
New York, 27.6.1949, lscrs, 105! |
3 / 3 |
4.- |
| Jack Jackson Orchestra from the Dorchester Hotel, London with Alberta Hunter |
Two Cigarettes in the Dark F+ / Miss Otis Regrets (She’s unable to Lunch Today) F+ |
2814 |
Hmv B 6525 |
GB |
London, 24.9.1934, leicht grau, mehrere lscrs - no Problem |
3- / 3 |
6.- |
| Preston Jackson Uptown Band |
It’s Tight Jim / Harmony Blues |
1990 |
AFCDJ A 025 |
F |
Chicago, September 1926, Dub von Paramount 12400,
Preston Jackson, geboren James Preston McDonald (* 3. Januar 1902 in New Orleans; † 12. November 1983 in Blytheville, Arkansas) war ein US-amerikanischer Jazz-Posaunist des New-Orleans-Jazz und Chicago-Jazz. |
2- / 2- |
8.- |
| Harry James and the Boogie Woogie Trio |
Home James / Jesse |
1496 |
Parl R 2911 |
GB |
New York, 1.2.1939, 105! “Super Swing Music Series” No. 37 / 38, Pete Johnson, Albert Ammons, Johnny
Williams, & Eddie Dougherty |
2-- / 2-- |
5.- |
| Harry James Orch. |
A little Bit of Heaven (Shure, they call izt Ireland) F / Little Star (Estrellita) F |
2799 |
Parl R 2958 |
GB |
New York, 22.1.1941 / 19.3.1942 |
2-- / 2-- |
5.- |
| Harry James Orch. |
I found a new Baby / Flash |
1773 |
Parl R 2943 |
GB |
New York, 24.5. / Los Angeles, 8.11.1939 “1944 Super Rhythm Style Series” No. 35 / 36, lscrs |
3+/ 3++ |
5.- |
| Harry James Orch. |
James Session / Jump Town |
493 |
Parl R 2969 |
GB |
Hollywood, 5.6. / 22.7.1942, “1945 Super Rhythm Style Series” No. 21 / 22 |
3+ / 3++ |
5.- |
| Harry James Orch. Helen Forrest / Johnny McAfee |
Manhattan Serenade F+ / Daybreak F+ |
2927 |
Col 36644 |
US |
Hollywood 15. / 22.7.1942 |
2- / 2- |
7.- |
| Harry James Orch. vocal by Jack Berg |
Two o‘clock Jump / 'Tain't What You Do (It's The Way That Cha Do It) + |
2925 |
Parl R 2910 |
GB |
New York, 20.2.1939 / 6.3.1939 “Super Swing Music Series” No. 35 / 36, Seite 2 einige lscrs - no Problem |
2-- / 2-- |
5.- |
| Harry James Orch. with Helen Forrest |
I cried for you F+ / You made me love you F |
2921 |
Parl R 2869 |
GB |
New York, 7.7.1942, lscrs, 105 ! Darkbluelabel |
3++ / 3+ |
5.- |
| Harry James Orchester mit Toni Harper |
Blacksmith Blues + / Baby Blues + |
2878 |
Col DB 3053 |
GB |
1. Halbjahr 1952 / 1. Halbjahr 1951 |
2-- / 2 |
5.- |
| Harry James Orchester with Helen Forrest |
I cried for you (Now it’s your Turn to cry over me) + / You made me love you (I didn’t want to do it) + |
677 |
Odeon 28009 |
D |
New York, 5.6.1942 / 7.7.1942, lscrs |
3+ / 3++ |
4.- |
| Harry James Orchestra |
King Porter Stomp / Night Special |
62 |
Parl R 2861 |
GB |
New York, 6.4.1939 / Los Angeles, 30.11.1939 |
2- / 3+ |
4.- |
| Harry James Orchestra |
Sweet Georgia Brown / Ciribiribin |
974 |
Parl R 2908 |
GB |
New York, 20.2.1939, “Super Swing Music Series” No. 31 / 32, flott! S2 mini Scr in Rille 1 leiser Zischer - harmlos |
2-- / 2-- |
4.- |
| Harry James Orchestra |
Memphis Blues / Sleepy Time Gal |
1096 |
Parl R 2963 |
GB |
Hollywood, 31.7.1942 / Chicago, 13.10.1939, “1945 Super Rhythm Style Series” No. 9 / 10, 105! |
2-- / 2-- |
5.- |
| Harry James Rhythm Section |
Limehouse Blues / The Man I love |
3579 |
Col DW 5008 |
D |
26.1.1950, S1 flott, flott, flott |
2-- / 2-- |
5.- |
| Harry James with Orchester Paul Weston and Chorus |
O, mein Papa + / Serenata + |
718 |
Phi 21159 |
D |
Januar 1954 |
2 / 2 |
4.- |
| Harry James with Orchester Paul Weston and Chorus |
The Touch (Le Grisbi) / I need you now |
1403 |
Phi 21472 |
D |
Januar 1955, S1 Fifties Klassiker - Film: „Wenn es Nacht wird in Paris“ |
2-- / 2- |
6.- |
| Jazz at the Philharmonic Vol. 7 |
Part 1 - Tea for Two / Part 2 - Found a new Baby |
2785 |
Mercury 11007 |
US |
2.7.1947 |
2-- / 2- |
5.- |
| Jazz de Paris Dir. Alix Combelle |
Ambiance / Verlaine |
566 |
Swing 105 |
F |
Paris 27.1.1941, lscrs |
2-- / 2 |
16.- |
| Bunk Johnson & Sidney Bechet with their Orchestra |
Lord let me in the Lifeboat / Up in Sidney’ Flat |
2263 |
Vogue 2080 |
GB |
New York, 10.3.1945, Blue Note Übernahme |
2- / 2 |
5.- |
| Pete Johnson and Albert Ammons Two Pianos with Drums |
Movin‘ the Boogie / Foot Pedal Boogie |
2397 |
Hmv EA 3143 |
Australia! |
New York, 17.6.1941, kl. Ls / Rs |
2-- / 2- |
5.- |
| Pete Johnson and Albert Ammons Two Pianos with Drums |
Cuttin‘ the Boogie / Barrel House Boogie |
2461 |
Hmv B 9251 |
GB |
New York, 7.5.1941 |
2- / 2- |
5.- |
| Pete Johnson and Albert Ammons Two Pianos with Drums |
Cuttin‘ the Boogie / Barrel House Boogie |
1349 |
Victor 27504 |
US |
New York, 7.5.1941 |
2- / 2- |
8.- |
| Bunk Johnson Jazz Band |
Make me a Pallet on the Floor / Tiger Rag |
2429 |
Esquire 10151 |
GB |
19.12.1945 |
2- / 2- |
5.- |
| Bunk Johnson Jazz Band |
The Thriller Rag / When I leave the World Behind |
3329 |
Jazz Information 11 |
US |
New Orleans, 1942, paar sehr feine Bläschen - no Problem! |
2-- / 2-- |
4.- |
| Bunk Johnson New Orleans Band |
High Society / A closer Walk with thee |
1740 |
Hmv B 9820 |
GB |
Oktober 1949 |
3+ / 3++ |
6.- |
| Bunk Johnson New Orleans Band |
When the Saints go marching in / Darktown Strutters Ball |
2556 |
Hmv B 9511 |
GB |
19.12.1945 |
3+ / 3++ |
5.- |
| Bunk Johnson New Orleans Band |
Alexanders Ragtime Band / My Maryland - Parademarsch |
554 |
Bru 82568 |
D |
New York, 21.11.1945 |
3+ / 3++ |
4.- |
| Bunk Johnson New Orleans Band |
When the Saints go marching in / Snag it |
2325 |
RCA 400126 |
US |
New York, 19.12.1945 |
2- / 2 |
7.- |
| Bunk Johnson New Orleans Band |
I wish I could shimmy like my Sister Kate / Darktown Strutters Ball |
2411 |
RCA 400128 |
GB |
New York, 19.12.1945 |
2-- / 2 |
7.- |
| Bunk Johnson New Orleans Band |
Just a closer Walk with Thee / High Society |
2446 |
RCA 400127 |
GB |
New York, 19.12.1945 |
2- / 2 |
7.- |
| Bunk Johnson New Orleans Band |
Alexanders Ragtime Band / My Maryland - Parademarsch |
1319 |
Decca MU 60080 |
F |
New York, 21.11.1945 |
2- / 2- |
4.- |
| Freddie Johnson Orchestra |
Big Wig in the Wig Wam / Jam with Bacon |
645 |
Swing 75 |
F |
Paris, 28.6.1939, lscrs |
3 / 3+ |
14.- |
| Bunk Johnson Original Superior Band |
Weary Blues / Moose March |
3176 |
Jazz Man 9 |
US |
New Orleans, 11.6.1942, Whitelabel, etwas leise, spielt gut mit 105! |
2 / 2- |
4.- |
| James P. Johnson Piano solo |
Keepin‘ out of Mischief now / Ain't misbehavin‘ (I‘m saving my love for you) |
3413 |
MU 60046 |
F |
New York, 8. / 28.6.1944 |
2- / 2- |
6.- |
| Pete Johnson Piano Solo |
How Long How Long / Climbin‘ and Screamin‘ |
214 |
Circle 1049 |
US |
16.4.1939 |
2- / 2- |
6.- |
| Pete Johnson Piano with Rhythm |
St. Louis Boogie / Swanee River Boogie |
165 |
Vogue 2008 |
GB |
1951, lscrs, Pete hat den Turbo an . . ., geht ab . . . |
3+ / 2- |
5.- |
| Spike Jones & his City Slickers with Del Porter and the Boys in the Backroom, hiccups by Mel Blanc |
Hotcha Cornia / Black Eyes / Clink, Clink, annother Drink + |
3211 |
Hmv BD 1099 |
DK |
Hollywood, 28.7.1942, S1 Willie Spicer on the Sneezaphone , lscrs |
3 / 3+ |
7.- |
| Spike Jones & his Wacky Wakakians |
Hawaiian War Chant + / I dream of Brownie with the light blue Jeans + |
327 |
Hmv BD 1145 |
GB |
Juni 1946 |
2 / 2 |
7.- |
| Spike Jones & his Wacky Wakakians |
Hawaiian War Chant ((Ta-Hu-Wa-Hu-Wai) + / I dream of Brownie with the light blue Jeans |
3030 |
Hmv BD 1145 |
S |
Juni / Oktober 1946 |
3++ / 3++ |
7.- |
| Spike Jones City Slickers |
Coctails for Two F+ / Chloe F+ |
367 |
Hmv BD 1107 |
GB |
Hollywood, 29.11.1944 / 13.1.1945 |
2- / 2 |
5.- |
| Spike Jones City Slickers |
Holiday for Strings + / Drip Drip Drip + |
3705 |
Hmv BD 1115 |
GB |
Hollywood, 29.11.1944 / 13.1.1945, 105! |
3++ / 3+ |
6.- |
| Spike Jones City Slickers |
I kiss your Hand Madame + / Wilhelm Tell Overture + |
2685 |
Hmv X 7298 |
DK |
12.6.1948 / 1948 |
2- / 2- |
5.- |
| Spike Jones City Slickers & Susan Scott |
Nutcracker Suite - Back to the Fairy Ball + / Dito - Part 2 - End of the little Girl’s Dream + |
1580 |
Hmv BD 1184 |
DK |
Hollywood, 29.9.1945, |
2- / 2- |
6.- |
| Spike Jones City Slickers with Carl Grayson / Red (Swamphead) Ingle |
Coctails for Two F+ / Chloe F+ |
1385 |
Hmv BD 1107 |
GB |
September 1947, mehrere lscrs |
3 / 3 |
4.- |
| Spike Jones City Slickers with Del Porter and the Boys in the Backroom |
I wanna go back to West Virginia + / Holiday for Strings + |
1567 |
Hmv X 7245 |
DK |
Hollywood, 28.7.1942 / 29.11.1944 / |
2- / 2- |
6.- |
| Spike Jones City Slickers with Sir Frederick Gas |
I went to your Wedding + / Lulu had a Baby + |
1941 |
Hmv B 10482 |
GB |
wohl Hollywood, ca. März 1953 |
2 / 2 |
7.- |
| Spike Jones City Slickers, Red Ingle, Karl Grayson & The Boys in the Back Room |
You always hurt the one you love + / The Blue Danube + |
1950 |
Hmv BD 1139 |
GB |
Hollywood, 10.9.1945, 105! |
3+ / 3 |
5.- |
| The Jungle Band = Duke Ellington / King Oliver Orchestra |
Rockin’ in Rhythm / Stop Crying (+) |
1244 |
Bru 01105 |
GB |
New York 14. / 9.1.1931, S2 with Vocal Effects |
3++ / 3++ |
8.- |
| Danny Kaye with Chorus and Orchestra directed by Maurice Abravanel |
Minnie the Moocher + / Dinah + |
1561 |
Col DB 2390 |
GB |
ca. Januar 1948, S2 interessant, 105! |
2- / 2- |
7.- |
| Danny Kaye with Orchestra Vic Schoen |
Ballin the Jack + / St. Louis Blues + |
1587 |
Bru 03888 |
GB |
Los Angeles 18./10.12.1947, lscrs |
3++ / 3++ |
4.- |
| Danny Kaye with The Regalaires & Vic Schoen Orchestra |
Thank you + / Candy Kisses + |
3099 |
Bru 04087 |
GB |
Los Angeles, 29.3.1949, schön flott . . ., wirklich klasse, 105!!! |
3++ / 3+ |
10.- |
| Swing and sway with Sammy Kaye with the Three Barons |
I´ve got a Pocketful of Dreams + / Don´t let the Moon get away + |
1996 |
Vocalion 4226 |
US |
|
3+ / 3++ |
5.- |
| Stan Kenton Orchestra |
Dynaflow / September Song + |
1228 |
Cap C 9006 |
S |
lscrs |
2- / 2- |
4.- |
| Stan Kenton Orchestra |
The Peanut Vendor / Intermission Riff |
1022 |
Cap 80009 |
D |
9.8.1948 / 3.12.1947, OH |
2-- / 2 |
4.- |
| Stan Kenton Orchestra |
Concerto to end all Concertos / Dito - Part 2 |
3235 |
Tel/Cap 80013 |
D |
Hollywood, 26.7.1946, Piano Solo - Stan Kenton; Bass Solo - Eddie Safranski; Tenor Saxophone Solo - Vido Musso; Trumpet solo - Ray Wetzel; Alto Saxophone Solo - Boots Mussulli.
|
2- / 2 |
5.- |
| Stan Kenton Orchestra |
Chorale for Brass, Piano and Bongo / Artistry in Percussion |
3236 |
Tel/Cap 80115 |
D |
23.8.1946 / 24.9.1947, wilde Sache das . . . manchmal gehört Kenton in die E-Abteilung . . . OH |
2- / 2 |
6.- |
| Stan Kenton Orchestra |
Opus in Chartreuse / Sunset Tower |
1548 |
Cap C 3243 |
D |
3.10.1955, a big „Big-Band“ |
2-- / 2-- |
6.- |
| Stan Kenton Orchestra |
Delicado / Bags and Baggage |
250 |
Tel/Cap 80238 |
D |
20. / 19.3.1952 |
3++ / 2- |
5.- |
| Stan Kenton Orchestra |
Machito / Minor Riff |
593 |
Tel/Cap 80082 |
D |
ca. Mai 1947 |
2- / 2 |
5.- |
| Stan Kenton Orchestra |
Peg o’ my Heart / Artistry in Tango |
2978 |
Tel/Cap 80174 |
D |
22.11.1948 / 20.3.1951, S2 mehr Artistry als Tango . . so isser eben . . . |
2- / 2 |
5.- |
| Stan Kenton Orchestra |
Lament / Monotony |
2241 |
Cap CL 13270 |
GB |
April 1950, frei-wild, oder aber „Progressive Jazz“ . . . |
2- / 2- |
5.- |
| Stan Kenton Orchestra |
Tenderly + / The Creep |
1565 |
Cap 2685 |
D |
ca. März 1953, kl. Rs |
2-- / 2 |
5.- |
| Stan Kenton Orchestra & Die “Pastels” |
Eager Beaver / After you + |
817 |
Cap 80364 |
D |
Hollywood, 10.11.1943 / New York 2.1.1947 |
3+ / 2- |
5.- |
| Stan Kenton Orchestra June Christy |
How high the Moon + / Thermopolae |
53 |
Tel/Cap 80010 |
D |
21.12. / Ende Dezember 1947, OH |
3 / 3+ |
5.- |
| Stan Kenton Orchestra with Chris Connors |
Baia / All about Ronnie + |
379 |
Cap 2511 |
D |
7.9.1953 / 25.5.1953 |
3++ / 2 |
5.- |
| Kenneth Kersey with Hot Lips Page All Stars |
Kersey’s Boogie / I got the Upper Hand + |
2328 |
Circle 3004 |
US |
New York, 10.2.1951, Vinyl 78er |
2 / 2 |
5.- |
| John Kirby Orchestra |
I love you truly / Cuttin‘ The Campus |
2546 |
Parl R 2818 |
GB |
New York, 9.7.1940 / 15.1.1941, “1941 Super Rhythm Style Series” No. 63 / 64, 105! |
2- / 2-- |
5.- |
| John Kirby Orchestra |
Close Shave / Bugler’s Dilemma |
2608 |
Hmv B 9289 Victor 27568 |
GB |
New York, 25.7.1941, 105 ! |
2 / 2- |
4.- |
| The Ivor & Basil Kirchin Band |
Gotta be this or that / The great Lie |
2492 |
Parl R 4071 |
GB |
London, ca. Mitte 1955,“1955, Super Rhythm Style Series” |
3+ / 3+ |
5.- |
| The Ivor & Basil Kirchin Band |
Mother Goose jumps + / Minor Mambo + |
3037 |
Decca 22442 |
GB |
London, ca. Frühjahr 1955, 2 x flott . . ., gr. Ls nicht in Titel |
3++ / 3++ |
4.- |
| Andy Kirk Clouds of Joy |
Little Joe from Chicago F+ / Marys Idea F |
354 |
Bru 02740 |
GB |
New York, 8.2. / 6.12.1938 |
2- / 2- |
5.- |
| Gene Krupa Chicagoans |
Three little Words / Blues of Israel |
1270 |
Odeon 286082 |
D |
Chicago 19.11.1935, „Odeon Swing Music Series“, S1 flott . . ., lscrs |
3+ / 2- |
16.- |
| Gene Krupa Orch. |
Calling Doctor Gillespie / How high the Moon |
609 |
Col DB 2631 |
GB |
29.10.46 / 29.12.1947 |
2- / 2 |
7.- |
| Gene Krupa Orch. |
Calling Doctor Gillespie / How high the Moon |
854 |
Col DB 2631 |
GB |
New York, 29.10.46 / 29.12.1947, mehrere lscrs |
3- / 3 |
4.- |
| Gene Krupa Orch. Carolyn Grey and Budd y Stewart |
Aren‘t you kind of glad we did? F+ / There is no Breeze F+ |
611 |
Col C 843 |
US |
|
2- / 2- |
6.- |
| Gene Krupa Orch. Howard du Lany |
Somewhere F+ / You Danced With Dynamite F+ |
1220 |
Okeh 5859 |
US |
New York, 30.9. / 16.10.1940 |
2- / 2- |
6.- |
| Gene Krupa Orch. Irene Daye |
The Lady‘s in love with you + / Some like it hot + |
3427 |
Col DO 1995 |
Australia |
Los Angeles 26.2.1939, Film: „Some like it hot“ |
3+ / 3++ |
6.- |
| Gene Krupa Orchestra |
Ta-Ra-Ra-Boom-Der-E (Ta-Ra-Ra-Boom-De-Ay*) / Apurksody |
3338 |
Parl R 2905 |
GB |
Los Angeles, 1. / 12.1938, “Super Swing Music Series” No. 25 / 26 |
3++ / 3++ |
6.- |
| Gene Krupa Orchestra |
After you‘ve gone / Dark Eyes |
1953 |
Col DB 2454 |
GB |
New York, 5.6.1941 / 8.3.1945, Seite 2 flott ”Swing Music Series“ No. 71 |
2-- / 2- |
5.- |
| Gene Krupa Orchestra |
Blue Rhythm Fantasy
/ dito - Part 2 |
2905 |
Parl R 2765 |
GB |
New York, 2.1.1940, “1940 Super Rhythm Style Series” No. 129 / 130, 105!!! |
3++ / 3+ |
5.- |
| Gene Krupa Orchestra & Anita O‘Day |
Opus No. 1 + / Boogie Blues + |
2262 |
Col DW 5169 |
D |
New York, 21.8.1945,
Tracks taken from US Columbia 37224 resp. 37530. |
3++ / 2- |
5.- |
| Gene Krupa Orchestra with Irene Day & Ensemble |
Drum Boogie + / The big Do |
3813 |
Parl R 2956 |
GB |
Chicago, 17.1.1941 / 6.8.1940, „The 1945 Super Rhythm-Style Series“ No. 7 / 8 |
3+ / 3+ |
5.- |
| Gene Krupa Orchestra with Dolores Hawkins / Frankie Ross |
Bop Boogie / Lemon Drop + |
1977 |
Col DB 2543 |
GB |
New York, 26.1.1949 |
3+ / 3+ |
4.- |
| Gene Krupa Orchestra with Irene Day |
Moonlight Serenade + / You and your Love + |
984 |
Col DB 5070 |
GB |
New York, 24.7.1939 “ Super Swing Music Series” No. 141/142 2 „Sweet“ Nummern, 105!!! |
2- / 3+ |
4.- |
| Gene Krupa Orchestra with Irene Daye |
The Lady‘s in love with you + / Some like it hot + |
1069 |
Col FB 2255 |
GB |
Los Angeles 26.2.1939, Film: „Some like it hot“ |
3+ / 3++ |
6.- |
| Gene Krupa Orchestra with Jerry Krupa |
Fare thee well Annie Laurie F+
/ Prelude To A Stomp |
2959 |
Parl R 2897 |
GB |
New York, 14.4. / ca. Mai 1938 “Super Swing Music Series” No. 9 / 10, lscrs |
3+ / 3++ |
5.- |
| Gene Krupa Sextet |
Jungle Drums / Payin‘ them Dues Blues |
3283 |
Col LB 10000 |
GB |
1955 |
2- / 2- |
5.- |
| Kay Kyser Orch. with Clyde Rogers / Harry Babbitt & Gloria Wood |
Horses don‘t bet on People F+ / On a slow Boat to China F+ |
3464 |
Col FB 3450 |
GB |
1948, bin mir nicht mehr ganz sicher, auf Seite 1 ein Solo, wenn das ernst gemeint sein sollte, ist es das schlechteste der Geschichte . . . |
3 / 3+ |
5.- |
| Tommy Ladnier Orchestra with Sidney Bechet |
When you and I were young / Weary Blues |
2348 |
Hmv B 9411 |
GB |
New York, 28.11.1938 |
2 / 2 |
4.- |
| Eddie Lang Joe Venuti Orch. |
After you´ve gone F+ / Farewell Blues F |
1534 |
Decca F 5884 |
GB |
New York, 22.10.1931 S2 flott |
3++ / 3+ |
7.- |
| Lawson-Haggart Jazz Band |
Dead Man Blues / Wolverine Blues |
1251 |
Bru 82723 |
D |
New York, 6.6.1951, gepresst: 3.10.1952 |
3+ / 3++ |
5.- |
| Leo Leo Reisman Orchestra / Fred Rich |
The birth of the Blues F / It all depends on you F+ |
1129 |
Col 4392 |
GB |
New York, 12.7.1926 / 15.2.1927, 105! |
3++ / 3+ |
5.- |
| George Lewis & his New Orleans Music |
Ole Miss / Bugle Boy March |
3284 |
Tempo A 98 |
GB |
New Orleans 1950 |
2 / 2 |
5.- |
| George Lewis & his New Orleans Music |
Pallet on the Floor + / Martha |
2897 |
Tempo A 99 |
GB |
New Orleans, August 1950, soft Nlf |
2 / 2 |
5.- |
| Vic Lewis and Jack Parnell Jazz Men |
Why begin again (Pastel Blue) / Sugar |
2635 |
Parl R 2949 |
GB |
London, ca. Dezember 1944 “1944 Super Rhythm Style Series“ No. 47 / 48 |
3++ / 2- |
6.- |
| Vic Lewis and Jack Parnell‘s Jazz Men |
Ugly Child / Indiana |
2854 |
Parl R 2960 |
GB |
London, November 1944, “1949 Super Rhythm Style Series“ No. 3 / 4 |
2 / 2 |
5.- |
| Vic Lewis and Jack Parnell‘s Jazz Men |
Johnny’s Idea / Mean old Bed Bug Blues + |
3369 |
Parl R 2933 |
GB |
London, ca. Mitte 1944,“1944 Super Rhythm Style Series” No. 15 / 16 |
2-- / 2-- |
5.- |
| Ted Lewis Band |
Shim-Me-Sha-Wabble ot
/ Moonlight Madness F+ |
3126 |
Col 14199 |
GB |
New York, 16.7.1928, mehrere lscrs / Nlfs - spielt super! |
4+ / 3! |
5.- |
| Ted Lewis Band |
Tiger Rag
/ If you see Sally F+ |
3127 |
Col 4309 |
GB |
Chicago, 16.7.1926, mehrere lscrs / Nlfs - spielt super! |
4+ / 3 |
5.- |
| George Lewis New Orleans All Stars |
Bourbon Street Parade / Dippermouth Blues |
1377 |
Vogue 2124 |
GB |
WDSU Radio Studios, New Orleans, 20.8.1951 |
2- / 2 |
6.- |
| George Lewis New Orleans Music with Elmer Talbert |
Mama don‘t allow + / Willie the Weeper |
3321 |
Good Time Jazz 15 bzw. J.S. 846 |
F |
New Orleans 5.6.1950, GTJ Label, mini Ls |
2- / 2 |
5.- |
| George Lewis New Orleans Stompers |
Fidgety Feet / Dauphine Street Blues |
471 |
Vogue 2054 |
GB |
New Orleans, 16.5.1943, mini SOL |
2-- / 2 |
5.- |
| George Lewis New Orleans Stompers |
Climax Rag / Deep Bayou Blues |
2987 |
Vogue 2051 |
GB |
New Orleans, 16.5.1943 |
2- / 2 |
5.- |
| George Lewis New Orleans Stompers |
Careless Love Blues / Don‘t go ‘Way Nobody |
1030 |
Vogue 2055 |
GB |
New Orleans, 16.5.1943 |
2- / 2 |
5.- |
| Joe Liggins Honeydrippers |
The Honeydripper Part 1 + / The Honeydripper Part 2 |
1825 |
Parl R 3124 |
GB |
Juli 1945, “ 1948 Super Rhythm Style Series” No. 41 / 42 |
2 / 2 |
8.- |
| Jimmie Lunceford Orch. |
White Heat / Lunceford Special |
2233 |
Parl R 2928 |
GB |
New York, 7.4. / 14.12.1939 “1944 Super Rhythm Style Series” No. 7 / 8 Seite 1 sehr flott! minimal grau 105 !° |
3 / 3+ |
10.- |
| Jimmie Lunceford Orch. |
Flight of the Jitterbug / Okay for Baby |
2082 |
Parl R 2853 |
GB |
New York, 23.12.1940, “1942 Super Rhythm Style Series” No. 47 / 48 |
3 / 3 |
4.- |
| Jimmie Lunceford Orch. Dan Grissom |
I love you F+ / Oh Why Oh Why F+ |
2728 |
Parl R 2716 |
GB |
New York, 17.5.1939, “1939 Super Rhythm Style Series” No. 63/64 lscrs leicht grau Seite 1 Rs 1. Rille |
3 / 3+ |
4.- |
| Jimmie Lunceford Orchestra |
Avalon / Sleepy Time Gal |
3737 |
Decca BM 1101 |
I |
New York, 30.9. / 29.5.1935, 105 !!! |
2 / 2- |
6.- |
| Jimmie Lunceford Orchestra |
Flamingo F / Siesta at the Fiesta F |
3863 |
Decca F 8053 |
CH |
Los Angeles, 23.6.1941, soll laut Rust eine Schweizer Pressung sein . . ., lscrs, Rs |
3 / 3 |
5.- |
| Jimmie Lunceford Orchestra |
Put it away + / Uptown Blues |
1887 |
Vocalion 5362 |
US |
New York, 14.12.1939, 105!!! |
3+ / 3+ |
6.- |
| Jimmie Lunceford Orchestra with The Delta Rhythm Boys |
Baby, are you Kiddin’Ä? F+ / The Honeydripper + |
1896 |
Decca BM 03622 |
GB |
Los Angeles, 9.8.1945, paar feine Bläschen - minimalst hörbar - spielt Top mit 105 !!! |
2- / 2-- |
5.- |
| Jimmie Lunceford Orchestra with Jimmy Young |
I got it + / Monotony in four Flats |
2637 |
Parl R 2924 |
GB |
Chicago, 9.5.1940, “1944 Super Rhythm Style Series” No. 1 / 2 |
3++ / 3+ |
5.- |
| Jimmie Lunceford Orchestra with Willie Smith |
Strictly instrumental / Knock me a Kiss + |
3910 |
Decca BM 03448 |
GB |
Los Angeles, 26.6.1942 |
2-- / 2-- |
5.- |
| Claude Luter & son Jazz Band |
Careless Love Blues / Pimlico |
2580 |
Swing 262 |
F |
Paris, 25.6.1947, mini Laminierter Haircrack - kein Problem |
3++ / 3++ |
5.- |
| Claude Lutter et ses Lorientais |
Sweet Lovin’ Man / Weary Way Blues |
758 |
Circle J 1043 |
US |
Paris, 23.6.1948 |
2-- / 2- |
5.- |
| Claude Lutter et ses Lorientais |
Gatemouth / Snake Rag |
1968 |
Circle J 1045 |
US |
Paris, 23.6.1948 |
2-- / 2-- |
5.- |
| Claude Lutter et ses Lorientais |
Panama Rag / South African Blues |
2102 |
Circle J 1044 |
US |
Paris, 23.6.1948 |
2- / 2 |
5.- |
| Meade Lux Lewis / Albert Ammons both Piano solo |
Bear Cat Crawl / Shout For Joy |
175 |
Parl R 2909 |
GB |
New York, 30.12.1938 / 1.1.1939, “Super Swing Music Series” No. 33 / 34 |
2 / 2 |
5.- |
| Humphrey Lyttelton Band |
Red for Piccadilly / Kater Street Rag |
870 |
Parl R 3734 |
GB |
London, 3.6.1953, “1953 Super Rhythm Style Series” No. 38 / 39 |
3++ / 3++ |
5.- |
| Humphrey Lyttelton Band |
D.J.C. Blues (Does Jesus care) / On Treasure Island |
1238 |
Parl R 3363 |
GB |
Londo, ca. Januar 1951, “1951 Super Rhythm Style Series No. 3 / 4”, lscrs |
2- - / 2-- |
5.- |
| Humphrey Lyttelton Band |
Ice Cream / Froggie moore |
1642 |
Parl R 3292 |
GB |
London, April 1950, “1950 Super Rhythm Style Series No. 15 / 16”, flott, leicht grau - no Problem |
3+/2- / 2-/2- |
4.- |
| Humphrey Lyttelton Band |
Memphis Blues / Maple Leaf Rag |
1108 |
Parl R 3257 |
GB |
London, Februar 1950, “1950 Super Rhythm Style Series No. 5 / 6”, lscrs |
2- / 2 |
5.- |
| Humphrey Lyttelton Band |
Low down dirty shame Blues / Buddy‘s Habits |
1312 |
Parl R 3351 |
GB |
London, Januar 1951, “1951 Super Rhythm Style Series No. 1 /2” |
2 / 2 |
6.- |
| Humphrey Lyttelton Band |
The Doormouse / Suffolk Air |
2323 |
Parl R 3398 |
GB |
London, ca. Juni 1951,“1951 Super Rhythm Style Series No. 15 / 16” |
2 / 2 |
5.- |
| Humphrey Lyttelton Band |
It makes my Love come down / Blues for an unknown Gypsy
|
2017 |
Parl R 3424 |
GB |
London, 14.7.1951, “1951 Super Rhythm Style Series No. 21 / 22”, Live |
2-- / 2 |
5.- |
| Humphrey Lyttelton Band |
Apex Blues / One Man went to Blow |
2308 |
Parl R 3436 |
GB |
London, ca. September 1951,“1951 Super Rhythm Style Series No. 29 / 30” |
2- / 2 |
5.- |
| Humphrey Lyttelton Band |
Fish Seller / Glory Of Love |
3250 |
Parl R 4032 |
GB |
London, ca. Mai 1955,“1955 Super Rhythm Style Series” |
2 / 2 |
5.- |
| Humphrey Lyttelton Band |
Shake it and break it / Jail Break |
1445 |
Parl R 3667 |
GB |
London, ca, April 1953, “1953 Super Rhythm Style Series” No. 18 / 19 |
2- / 2 |
5.- |
| Humphrey Lyttelton Band |
The Onions / Steppin’ on the Blues |
3759 |
Parl R 3575 |
GB |
London, ca. Oktober 1952, “1952 Super Rhythm Style Series” No. 43 / 44 |
2 / 2 |
5.- |
| Humphrey Lyttelton Band |
Careless Love Blues / Come on and stomp stomp stomp |
1293 |
Parl R 3274 |
GB |
London, April 1950, “1950 Super Rhythm Style Series No. 11 / 12” |
2 / 2 |
6.- |
| Humphrey Lyttelton Band |
Snake Rag / Hopfrog |
3637 |
Parl R 3286 |
GB |
London, Mai 1950, “1950 Super Rhythm Style Series No. 13 / 14” |
2 / 2 |
5.- |
| Humphrey Lyttelton Band |
Just Once for all Time / Joshua, fit the Battle of Jericho |
894 |
Parl R 3851 |
GB |
London, April 1954, “1954 Super Rhythm Style Series” |
3+ / 2- |
4.- |
| Humphrey Lyttelton Band |
Straight from the Wood / Irish Black Bottom |
2472 |
Parl R 3267 |
GB |
London, März 1950, “1950 Super Rhythm Style Series No. 9 / 10” |
2 / 2 |
5.- |
| Humphrey Lyttelton Band |
Dallas Blues / Chattanooga Stomp |
455 |
Odeon 28074 |
D |
London, ca. Oktober 1950 |
3++ / 2- |
5.- |
| Humphrey Lyttelton Band Vocal by Freddy Legon |
Ace in the Hole + / Coffee Grinder |
3788 |
Parl R 3967 |
GB |
London, ca. Dezember 1954,“1955 Super Rhythm Style Series”
|
2- / 2 |
6.- |
| Hot Trio Ray Mac Kinley with Peanuts Hucko, Mel Powell |
Sugar / After you‘ve gone |
447 |
JCF 130 |
F |
Paris, 6.5.1945, Serie: „ Collection du Jazz Club Francais“ |
2-- / 2-- |
8.- |
| Jimmy MacPartland Orchestra |
The Jazz me Blues / China Boy |
498 |
Bru 03057 |
GB |
Chicago, 11.10.1939, lscrs, leicht grau - no Problem |
3 / 3 |
4.- |
| Wingy Mannone |
Send Me F / Solitude F |
2942 |
Bru 02007 |
GB |
New York, 2.5. / 12.9.1934, , lscrs
|
3++ / 2- |
7.- |
| Mantovani und sein Orchester |
Moonlight Serenade / Ramona |
3666 |
Decca F 43809 |
D |
ca. 1953, die Sweet Variante, OH |
2- / 2 |
5.- |
| Joe Marsala Orchestra |
Lower Register F / I know that you know F |
2398 |
Decca 3764 |
Can |
New York, 21.3.1941, 105! |
2 / 2- |
5.- |
| Matty Matlock All Stars / Jack Teagarden All Stars |
Don‘t you think it‘s about Time? + / Parasol + |
3375 |
Omega OM 10 / Om 112 |
US |
ca. 1951, mini Ls |
2 / 2- |
5.- |
| Billy May Orch. |
Makin‘ Whoopee / Let‘s put out the Lights and go to Sleep |
1509 |
Cap C 13894 |
DK |
|
2-- / 2- |
5.- |
| Billy May Orch. with „The Encores“ |
High Noon (Do not forsake me) / Do you ever think of me + |
720 |
Tel/Cap 80330 |
D |
November 1952, OH |
2-- / 2 |
6.- |
| Clyde McCoy Orch. |
Sugar Blues / Tear it down + |
2388 |
Cap 80276 |
D |
Hollywood 10.12.1951 / 10.1.1952 lscrs |
3+ / 2- |
5.- |
| Red McKenzie Chicago Rhythm Kings |
There'll Be Some Changes Made
I've Found A New Baby / I've Found A New Baby |
2820 |
Bru 500205 |
F |
New York, 30.6.1931 / Chicago, 6.4.1928, lscrs, leicht grau gegen Ende, 105 !!! |
3 / 3 |
9.- |
| Red McKenzie Mound City Blue Blowers |
Hello Lola F / One Hour F |
1191 |
Hmv B 8952 |
GB |
New York, 14.11.1929, Toll! eine der längsten Solofolgen auf Platte überhaupt ! Glenn Miller, Coleman Hawkins etc.
"Hello Lola" and "One Hour" performed by an All-Star version of the Mound City Blue Blowers: leader Red McKenzie on hot comb-kazoo, Coleman Hawkins, Eddie Condon, Pee Wee Russell, Glenn Miller, Gene Krupa, et. al! Recorded November 14, 1929. Released on the RARE Victor HOT series, V-38100! Legendary record date. |
2 / 2 |
14.- |
| Zep Meissner Dixieland Band |
Who‘s sorry now / Riverboat Shuffle |
3717 |
Parl R 3045 |
GB |
1947 “1947 Super Rhythm Style Series” No. 29 / 30, lscrs, mini Ld |
3 / 3+ |
5.- |
| The Merry Macs |
Clap yo‘ Hands + / I got Rhythm + |
1794 |
Bru 02989 |
GB |
New York, 5.9.1939, lscrs, 105! Amerikanische, gemischte Gesangsgruppe, aktiv von den Zwanzigern bis in die 60er Jahre |
3 / 3 |
6.- |
| “Mezz” Mezzrow Orch. |
The Swing Session‘s called to order / Hot Club Stomp |
2766 |
Hmv B 8646 |
GB |
New York, 14.6.1937 Recorded under Supervision of Hot Club of America. Flott! |
2- / 2 |
8.- |
| Milton “Mezz” Mezzrow Orchestra |
Comin‘ On With The Come On - Part 1
/ dito - Part 2 |
2796 |
Hmv B 9468 |
GB |
New York, 21.11.1938, 105! |
2- / 2- |
5.- |
| Mezzrow- Bechet Quintet |
Gone away Blues / De Luxe Stomp |
2380 |
King Jazz 140 |
US |
New York, 30.8.1945, Mezz Mezzrows Label King Jazz bestand von 1945 bis 1947. |
2- / 2- |
6.- |
| Mezzrow- Bechet Quintet |
Ole Miss / Out of the Gallion |
3044 |
King Jazz 142 |
US |
New York, 29. / 30.8.1945, |
2- / 2- |
6.- |
| Mezzrow- Bechet Quintet |
Bowin‘ the Blues / Old School |
3163 |
King Jazz 141 |
US |
New York, 29. / 30.8.1945, 105 ! |
2- / 2- |
6.- |
| Mezzrow- Bechet Quintet |
Out of the Gallion / Ole Miss |
1472 |
King Jazz 1 |
US |
New York, 30 / 29.8.1945 |
2- / 2 |
4.- |
| Glenn Miller Orch. |
Frenesi / My Blue Heaven |
2490 |
Hmv BD 5678 |
GB |
13.12. / 28.4.1940 flott! OH |
2-- / 2-- |
8.- |
| Glenn Miller Orch. |
Johnson Rag F / Yes, my Darling Daughter + |
3457 |
Hmv BD 5683 |
GB |
5.11.1939 / 15.11.1940, 2x typischer Miller Sound |
2-- / 2-- |
9.- |
| Glenn Miller Orch. |
Adios F / Under blue Canadian Skies F+ |
1845 |
Hmv BD 5727 |
GB |
25.6.1941 |
2- / 2- |
6.- |
| Glenn Miller Orch. Ray Eberle |
Bless you F+ / Speaking of Heaven F+ |
3183 |
Bluebird 10455 |
US |
9.10.1939, mini Ls |
3++ / 3++ |
9.- |
| Glenn Miller Orch. with Ray Eberle |
Mem'ry Of A Rose F+ / Prairieland Lullaby F+ |
330 |
Bluebird 11011 |
US |
27.12.1940 |
2-- / 2-- |
8.- |
| Glenn Miller Orchester |
Chattanooga Choo Choo + / I know why + |
3344 |
EL EG 7541 |
D |
Hollywood 7.5.1941, lscrs, der Song war neun Wochen die Nummer eins in den Billboard Hot 100, M: Harry Warren T: Mac Gordon, Angeblich schrieb das Autorenteam den Titel während einer Fahrt mit dem Birmingham-Special-Zug der Southern Railway; damals war Chattanooga ein wichtiger Knotenpunkt im Netz der US-Eisenbahnen. |
3 / 3 |
8.- |
| Glenn Miller Orchester with Ray Eberle |
Blue Rain + / A String of Pearls |
2268 |
EL EG 7562 |
D |
New York, 3.10.1939 / 3.11.1941 |
3+ / 3+ |
5.- |
| Glenn Miller Orchestra |
Glen Island Special F / Pagan Love Song |
997 |
Hmv BD 5839 |
GB |
wohl New York, 15.1.1940 / 27.6.1939, 2 sehr flotte Titel ! 105!!! |
2-- / 3+ |
7.- |
| Glenn Miller Orchestra |
Pennsylvania 6 - 5000 + / Take the „A“ Train |
3709 |
EL EG 7965 |
D |
New York, 28.4. / 28.5.1940, NK, lscrs |
3 / 3+ |
7.- |
| Glenn Miller Orchestra |
Frenesi / My Blue Heaven |
2793 |
Bluebird 10994 |
GB |
13.12. / 28.4.1940, flott! lscrs |
3 / 3+ |
6.- |
| Glenn Miller Orchestra |
String of Pearls / Little brown Jug |
375 |
Hmv EG 8048 |
NL |
26.5.1942 / 2.6.1942, NK, Swing Klassiker |
2-- / 2-- |
7.- |
| Glenn Miller Orchestra |
Adios F / Under blue Canadian Skies F+ |
107 |
Hmv BD 5727 |
GB |
25.6.1941 |
2- / 2- |
6.- |
| Glenn Miller Orchestra |
American Patrol / Moonlight Serenade |
3247 |
Hmv BD 5942 |
GB |
Hollywood, 2.4.1942 / New York, 4.4.1939 |
3++ / 3++ |
5.- |
| Glenn Miller Orchestra |
String of Pearls / Little brown Jug |
2919 |
EL EG 8048 |
D |
26.5.1942 / 2.6.1942, NK, Swing Klassiker |
2 / 2 |
7.- |
| Glenn Miller Orchestra The Modernaires & Marion Hutton |
Juke Box Saturday Night F+ / Sleepy Town Train F |
2555 |
Hmv BD 5876 |
GB |
15.7.1942 |
2-- / 2-- |
10.- |
| Glenn Miller Orchestra The Modernaires and Skip Nelson / Ray Eberle |
That old black Magic F+ / At Last F+ |
2052 |
Hmv BD 5811 |
GB |
15.7. / 20.5.1942 |
3++ / 3++ |
6.- |
| Glenn Miller Orchestra with Dorothy Claire & The Modernaires |
Adios / Perfidia + |
3683 |
EL EG 7905 |
D |
Chicago, 25.6.1941 / New York, 19.2.1941, lscrs |
3 / 3+ |
6.- |
| Glenn Miller Orchestra with Dorothy Claire & The Modernaires |
Perfidia F+ / The one I love F+ |
2145 |
Hmv BD 5698 |
GB |
New York, 19.2.1941 / 17.1.1941, 105! |
2- / 3+ |
5.- |
| Glenn Miller Orchestra with Paula Kella & The Four Mordernaires |
Don’t cry Cherie F+ / Sweeter than the Sweetest F+ |
926 |
Hmv MH 93 Bluebird 11183 |
GB |
20.5.1941, 105!! |
2- / 2-- |
8.- |
| Glenn Miller Orchestra with Ray Eberle / Tex Beneke |
Who’s sorry now? F+ / My melancholy Baby F+ |
2963 |
Hmv BD 5697 |
GB |
New York, 18.8.1939 / 29.1.1940, 105! |
3+ / 3+ |
7.- |
| Glenn Miller Orchestra with Ray Eberle & The Modernaires |
Serenade in Blue + / (I’ve got a Girl in) Kalamazoo F+ |
1387 |
Hmv BD 5808 |
GB |
20.5.1942 |
2 / 2 |
8.- |
| Glenn Miller Orchestra with Ray Eberle, The Modernaires |
Elmers Tune F+ / Delilah F+ |
1981 |
Bluebird 11274 |
US |
11.8.1941, |
2-- / 2- |
8.- |
| Glenn Miller Orchestra with The Modernaires / Ray Eberle |
It must be Jelly (Cause Jam don’t shake like that) + / Rainbow Rhapsody |
831 |
Victor 201546 |
US |
15.7.1942, mehrere lscrs, mini Ls |
3 / 3 |
5.- |
| Mills Brothers |
Lulu’s back in Town F+ / Sweet and slow + |
3818 |
Bru 02093 |
GB |
Chicago, 28.10.1935 |
3+ / 3+ |
5.- |
| Mills Brothers |
Nagasaki + / Lazy Bones + |
3867 |
Bru 500592 |
F |
London, 13.6.1934, S2 flott . . ., lscrs |
3+ / 3++ |
7.- |
| Mills Brothers |
Put annother Chair at the Table + / I wish + |
3886 |
Bru 03598 |
GB |
New York, 15. / 18.12.1944, 105! |
3++ / 3+ |
5.- |
| Mills Brothers |
Someone cares + / Baby don’t be mad at me + |
3891 |
Decca Y 6123 Bru 04154 |
Aus |
Los Angeles, 26. / 30.12.1947 |
2- / 2- |
6.- |
| Mills Brothers |
Why fight the Feeling + / The Tunnel of Love + |
3586 |
Decca Y 6264 |
Australia |
New York, 14.6.1950 |
2- / 2- |
8.- |
| Mills Brothers |
Daddy‘s little Girl + / Who‘ll be the next one (To cry over you) + |
3591 |
Decca Y 6226 |
Australia |
Los Angeles, 3.1.1950 / New York, 28.7.1949, 105 !!! |
2 / 2- |
8.- |
| Mills Brothers |
Till then + / You always hurt the one you love + |
2721 |
Decca Y 5918 |
Australia |
New York, 27.2.1944, kl. ls |
2-- / 2-- |
7.- |
| Mills Brothers (4 Boys and a Guitar are One Orch.) |
Tiger Rag + / Goodbye Blues + |
774 |
Bru 01415 |
GB |
14.9.1934 / 8.3.1932, flott und genial . . . |
3+ / 3++ |
8.- |
| Mills Brothers (4 Boys and a Guitar are One Orchestra) |
Strawberry Fair + / Three little Fishies + |
187 |
Bru 02800 |
GB |
New York, 1939, 105!!! |
2- / 3+ |
5.- |
| Mills Brothers / Ink Spots |
What you don't know won't hurt you + / You can't see the sun when you're crying + |
3425 |
Decca Y 6071 |
Australia |
New York, 22.5.1947 / 7.11.1946, 105! |
2- / 2- |
8.- |
| Jelly Roll Morton |
New Orleans Joys / Perfect Rag |
1859 |
British Rhythm Society 4 |
GB |
Richmond, Indiana, 17.7.1923 / 9.6.1924, DUB von Gennett 5486, Vinyl 78er |
2 / 2 |
5.- |
| Jelly Roll Morton Jazz Band |
Someday Sweetheart / London Blues |
2236 |
HJCA HC 4 |
US |
Chicago, 30.10.1923, Dub von Okeh 8105 |
2 / 2 |
7.- |
| Jelly Roll Morton Jazz Kings |
Fish Tail Blues / High Society |
755 |
Jazz Collector L 25 |
GB |
Chicago, 6.9.1924, Dub von Autograph 606 |
2 / 2 |
6.- |
| Jelly Roll Morton Levee Serenaders |
Mr. Jelly Lord / Midnight Mama |
700 |
Vocalion V 1010 |
GB |
Chicago, 21.1.1928 “Origins of Jazz” Series |
2 / 2 |
8.- |
| Jelly Roll Morton New Orleans Jazzmen |
Ballin´ the Jack F+ / Don´t you leave me here F+ |
1694 |
Hmv B 9218 |
GB |
New York 28.9.1939 mini Ls |
2- / 2 |
7.- |
| Jelly Roll Morton New Orleans Jazzmen |
West End Blues / Climax Rag |
2288 |
Hmv B 9219 |
GB |
New York, 28.9.1939, 105 ! |
2- / 2-- |
5.- |
| Jelly Roll Morton New Orleans Jazzmen |
Oh, didn‘t he ramble + / Winin‘ Boy Blues + |
1331 |
Hmv B 9217 |
GB |
New York, 14.9.1939, Seite 1 mit einer Art Vorrede zu einer Beerdigung, 105! |
2- / 2- |
6.- |
| Jelly Roll Morton New Orleans Jazzmen |
I thought I heard Buddy Bolden say F+ / High Society F |
1674 |
Hmv B 9216 |
GB |
New York, 14.9.1939, lscrs, 105! |
3 / 3 |
5.- |
| Jelly Roll Morton Piano solo |
Fat Frances / Pep |
2416 |
Hmv B 10619 |
GB |
Camden, New York. 8.7.1929 |
2 / 2 |
7.- |
| Jelly Roll Morton Piano Solo |
Sweetheart o’ Mine / Fat Meat and Greens |
2641 |
Vocalion V 1019 |
GB |
Chicago, 20.4.1926, “Origins of Jazz” Series, Dub von Vocalion 1019 |
2- / 2- |
10.- |
| Jelly Roll Morton Piano solo |
Seattle Hunch / Freakish |
2468 |
El EG 7776 |
D |
Camden, 8.7.1929, DUB |
2 / 2 |
7.- |
| Jelly Roll Morton Red Hot Peppers |
Black Bottom Stomp / Grandpa‘s spells |
779 |
EL EG 7812 |
D |
Chicago, 15.9. / 16.12.1926 DUB NK, mini Ls |
2-- / 2 |
9.- |
| Jelly Roll Morton Red Hot Peppers |
Crazy Chords / Gambling Jack |
1972 |
HJCA HC 68 |
US |
Chicago, 2.6. / 9.10.1930, Dub von Victor 23307 |
2 / 2 |
7.- |
| Jelly Roll Morton Red Hot Peppers |
Jelly Roll Blues / Doctor Jazz Stomp + |
1935 |
EL EG 7907 |
D |
Chicago, 16.12.1926, NK, lscrs, kl. Ls |
3 / 3+ |
5.- |
| Bennie Moten Kansas City Orchestra / Fats Waller Buddies |
Lafayette / Ridin‘ but walkin‘ |
1316 |
Hmv B 6390 |
GB |
Camden, 13.12.1932 / New York, 18.12.1929, fett! |
3+ / 3++ |
7.- |
| Turk Murphy‘s Jazz Band |
Grandpa‘s spells / All the Wrongs you‘ve done to me |
225 |
Good Time Jazz 8 |
US |
Los Angeles 31.5.1949 Paar Bläschen - no Problem |
2- / 2 |
7.- |
| Turk Murphy‘s Jazz Band |
Canal Street Blues / Down b y the Riverside |
1824 |
Good Time Jazz 40 |
US |
Los Angeles, 8.5.1950 |
2-- / 2 |
6.- |
| Orchestre Musette Victor, Viseur, Aleman u.a. |
Joseph ! Joseph! F / La Serenade a la Mule F |
757 |
Col DF 2574 |
F |
Paris, um den 10.3.1939, S1 super Lauf ! klasse! |
3+ / 3++ |
7.- |
| Ulrik Neumann / & Christina Borbon |
Ping-Pong + / En Baad I Taagen (In the Fog) + |
1489 |
Odeon D 1051 |
GB |
Kopenhagen, 1948, I like this Number, Text: „ . . . the most amazing Game in the World . . .“ mini Ls |
2-- / 2-- |
16.- |
| New Orleans Rhythm Kings |
Ostrich Walk / Original Dixieland One-Step |
1277 |
Bru 01988 |
GB |
New York, 26.9.1934 |
2- / 2-- |
6.- |
| New Orleans Rhythm Kings |
Tin Roof Blues / That‘s a Plenty |
3054 |
Bru 02208 |
GB |
Richmond, 13.3. / 12.3.1923 Dub! |
2- / 2- |
4.- |
| New Orleans Rhythm Kings / Adrian Rollini Orch. |
Baby Brown / Somebody loves me + |
648 |
Bru 03447 |
GB |
New York, 20.2.1935 / 23.10.1934 |
2-- / 2-- |
7.- |
| Albert Nicholas as Nick and his Creole Serenaders |
Mo pas lemmé cas + / Salée Dame + |
1046 |
Circle J 1018 |
US |
New York, 12.6.1947, 105! |
2 / 2- |
5.- |
| Red Nichols Five Pennies |
Clarinet Marmalade / Sweet Sue, just you |
1690 |
Parl R 2598 |
GB |
New York, 18.2.1932 “Second New Rhythm Style Series” No. 187 / 188 |
2-- / 2-- |
7.- |
| Jimmy Noone‘s New Orleans Band |
Way down yonder in New Orleans / Sweet Georgia Brown |
3448 |
Parl R 2281 |
GB |
Chicago, 15.1.1936, flott “1936 Super Rhythm Style Series” No. 19 / 20 |
3++ / 3++ |
6.- |
| Gene Norman´s Just Jazz |
No. 3 Blue Lou / Part 2 |
142 |
Vogue 2047 |
GB |
Garner, Gray, Callender u.a. |
3+ / 3++ |
5.- |
| Gene Norman‘s just Jazz |
One O´Clock Jump / Two O´Clock Jump - u.a. *Garner,Dickenson, Carter etc. |
132 |
J.S. 571 |
F |
Live ! deswegen so anders |
3 / 3+ |
5.- |
| Gene Norman‘s just Jazz No. 1 Garner, Dickenson, Carter etc. |
One o‘Clock Jump / Two J.S. 571 |
469 |
J.S. 571 |
F |
1949 Live ! kl. Ls |
3+ / 2- |
7.- |
| Gene Norman‘s just Jazz No. 1 Garner, Dickenson, Carter etc. |
One o‘Clock Jump / Two o‘Clock Jump |
3120 |
J.S. 571 |
F |
Los Angeles 1949, Live ! |
2- / 2- |
5.- |
| Gene Norman‘s Just Jazz No. 2 |
Three o‘Clock Jump / Four o‘Clock Jump |
3153 |
J.S. 572 |
GB |
Los Angeles 1949, flott ! Garner, McGhee, Carter, Callender, Dickenson u.a., mini Ls |
2- / 2- |
5.- |
| Red Norvo Swing Octet |
Blues in E Flat / Bughouse |
2652 |
Parl R 2241 |
GB |
New York, 25.1.1935, |
2- / 2- |
6.- |
| Red Norvo with Orchestral Accompaniment |
Knockin’ on Wood / A Hole in the Wall |
3266 |
Bru A 01568 |
GB |
New York, 8.4.1933, erste Platte unter seinem Namen.
Xylophone or Marimba solos, acc. by Jimmy Dorsey, cl / Fulton McGrath, p / Dick McDonough, g / Artie Bernstein,
sb., lscrs |
3++ / 3++ |
5.- |
| King Oliver Jazzband |
Chattanooga Stomp / New Orleans Stomp |
3499 |
Col DF 3079 |
F |
Chicago 15. / 16.10.1923, Dub ! nur eine Matritzenpressung bekannt ! Rust Seite 1166 diese Titel sind auf 78 er nur im Original oder als Dub erhältlich ! Nlf |
3 / 3+ |
7.- |
| King Oliver Orchestra |
Call of the Freaks / The Trumpet‘s Prayer |
230 |
Hmv JF 36 |
GB |
46th Street Studio, New York, 1.2.1929, 105! |
2- / 2- |
9.- |
| King Oliver Orchestra |
Struggle Buggy F / Don’t you think I love you? F |
2441 |
Hmv B 4930 |
GB |
New York, 22.5.1930, 105! |
2 / 2 |
12.- |
| King Oliver‘s Creole Jazz Band |
Riverside Blues / Mabels Dream |
2710 |
Decca BM 03575 |
GB |
Chicago, 24.12.1923, Dub |
2 / 2 |
6.- |
| King Oliver‘s Dixie Syncopators / Dewey Jacksons’s Peacock Orchestra |
Snag it / Capitol Blues |
1517 |
Bru 80039 |
US |
Chicago, 11.3.1926 / St. Louis Juni 1926. DUB, Dewey Jackson (* 21. Juni 1900 in St. Louis; † 1. Januar 1994 ebenda) war ein US-amerikanischer Trompeter, Kornettist und Bandleader des New Orleans Jazz und des Swing. Als Leader nahm er nur vier Plattenseiten im Jahr 1926 auf. Trotz seiner wenigen Aufnahmen gehört Dewey Jacksons Peacock Orchestra zu den führenden Vertretern des frühen Jazz in St. Louis, die die neue Musikform von ihrem Ursprung aus in den Vereinigten Staaten popularisierten. |
2- / 2- |
10.- |
| Jean Omer Swing Dance Orchstra “Boeuf sur le Toit” |
Deed I do F / I never knew F |
3639 |
Decca 9000 |
F |
Brüssel, Februar 1940, “Swing Series”, paar feine Bläschen - no Problem - spielt gut! |
3 / 3+ |
8.- |
| Original Creole Stompers mit Baby Dodds |
Eh La-Bas! + / Up jumped the Devil |
1767 |
Gazell 1031 |
S |
1945 |
2- / 2 |
5.- |
| The Original Dixieland Jazzband (ODJB) |
Tiger Rag / Jazz me Blues |
1044 |
EL EG 7793 |
D |
New York, 25.3.1918 / 3.5.1921 OH DUB lscrs |
3+ / 2- |
7.- |
| The Original Dixieland Jazzband (ODJB) |
Tiger Rag / Jazz me Blues |
2499 |
EL EG 7793 |
D |
New York, 25.3.1918 / 3.5.1921, DUB, NK, lscrs |
3++ / 2- |
8.- |
| Kid Ory Creole Band with Helen Andrews |
Farewell to Storyville + / The World‘s Jazz crazy so am I |
2818 |
Col 37277 |
US |
21.10.1946 |
2 / 2 |
5.- |
| Kid Ory Creole Jazz Band |
High Society / Ballin‘ the Jack + |
636 |
Gazell 1023 |
S |
12.2.1945, Übernahme Exner 7-2 lscrs |
3++ / 2 |
5.- |
| Kid Ory Creole Jazz Band |
Ory‘s Boogie / Saint Louis Blues |
637 |
Vogue 816 |
DK |
1949 |
2- / 2 |
7.- |
| Kid Ory Creole Jazz Band |
South / Creole Song |
3315 |
Gazell 1008 |
S |
Los Angeles, 3.8.1944, „Dixieland Serie“ |
2-- / 2- |
5.- |
| Kid Ory Creole Jazz Band |
Bucket got a Hole in it F / Tiger Rag |
2474 |
Col 37274 |
US |
21. / 16.10.1946 |
2 / 2 |
6.- |
| Kid Ory Creole Jazz Band |
Creole BO BO + / Bill Bailey want you please come home |
1884 |
Col 37276 |
US |
21.10.1946, unusual, mutet sehr Süd-afrikanisch an oder New Orleans eben . . ., klasse |
2 / 2 |
8.- |
| Kid Ory Creole Jazz Band with Helen Andrews and Bud Scott |
Eh La Bas + / Joshua fit de Battle of Jericho + |
2634 |
Col 37275 |
US |
21. / 16.10.1946 |
2- / 2- |
6.- |
| Kid Ory Orchestra |
High Society / Muskrat Ramble |
1139 |
Bru 82739 |
D |
21.3.1945 |
3+ / 2- |
5.- |
| Kid Ory‘s Creole Jazz Band |
Savoy Blues / Weary Blues |
200 |
Esquire 10018 |
GB |
9.8.1947 Seite 1 kleiner Scr nicht hörbar |
2- / 2- |
6.- |
| Kid Ory‘s Creole Jazz Band |
Down among the sheltering Palms / Snag it |
710 |
Esquire 10047 |
GB |
9.8.1947 Livercording |
2- / 2- |
7.- |
| Kid Ory’s Creole Jazz Band |
High Society / Ballin the Jack |
323 |
Tempo A 107 |
GB |
Hollywood, 12.2.1945, Übernahme Exner 7-2, mini SOL |
2- / 2 |
5.- |
| Hot Lips Page Band |
Gone with the Gin / (Walk it to me) Call Of The Wild |
1975 |
Bru 03480 |
GB |
New York, 23.1.1940, S1 jut, mini Rs |
3+ / 3++ |
5.- |
| „Hot Lips“ Page Orchestra |
The Lady in Bed + / Gee Baby ain‘t I good to you + |
1011 |
Royal Jazz 740 |
F |
New York, 30.11.1944, S1 R&B |
2 / 2 |
8.- |
| Hot Lips Page Trio |
Just another Woman + / My Fightin’ Gal + |
1012 |
Hmv B 9261 |
GB |
New York, 10.12.1940, mini Ls, 105! |
2- / 2- |
4.- |
| Jack Parnell Band |
The Champ / Summertime |
3616 |
Parl R 3607 |
GB |
London, ca. November 1952, “1952 Super Rhythm Style Series”, No. 53 / 54, S1 Moden Jazz, die Dizzy Gillespie Nummer . . . |
2 / 2 |
6.- |
| Les Paul and Mary Ford |
Bye Bye Blues + / Mammy‘s Boogie |
3715 |
Tel/Cap C 80332 |
D |
Dezember 1952 |
2-- / 2 |
5.- |
| Les Paul and Mary Ford |
Amukiriki (The Lord Willing) + / Magic Melody |
1958 |
Cap 3248 |
D |
1955 |
3++ / 2- |
5.- |
| Les Paul Mary and Ford |
How high the Moon + / Mockin‘ Bird Hill + |
1397 |
Cap C 1451 |
NL |
November 1950 |
2- / 2 |
5.- |
| Sid Phillips Band |
St. Louis Blues / Sensation Rag |
1790 |
Hmv B 6195 |
GB |
|
3+ / 3+ |
5.- |
| Sid Phillips Band |
Glad Rag Doll / Mamma don´t allow + |
1616 |
Hmv Pop 226 |
GB |
S1 gr. Ls |
3++ / 2 |
4.- |
| Sid Phillips Band |
Fidgety Feet / Darktown Strutters Ball Qs |
1632 |
Hmv BD 6182 |
GB |
London, ca. Dezember 1954, |
3++ / 3++ |
5.- |
| Sid Phillips Band |
(I wish I could shimmy like my) Sister Kate / Tiger Rag |
1131 |
Hmv BD 6188 |
GB |
London, ca. November 1954, lscrs |
3+ / 3+ |
4.- |
| Sid Phillips Orchestra Jill Allan & Johnny Eager |
Hors d‘Oeuvres F / Oh Dear what can the Matter be F+ |
2935 |
Hmv BD 6053 |
GB |
ca. Januar 1951 |
2- / 2- |
5.- |
| Sid Phillips Orchestra with Johnnie Eager |
Eeny Meeny Miney Mo F+ / Woe! is me F+ |
3518 |
Rex 8742 |
GB |
London, ca. Anfang 1936, both Sides - „Edgar Jackson Presents - Sid Phillips And His Rhythm“, lscrs, mini Rs |
3 / 3 |
4.- |
The Pied Pipers / Johnny Mercer & Martha Tilton both
with Paul Weston Orchestra |
Avalon F+ / If I had a Talking Picture of you + |
2213 |
Capitol 10087 |
US |
New York, ca. April 1947 / 5.2.1947, S1 flott . . . |
3++ / 3++ |
8.- |
| Teddy Powell Orch. |
In Pine-Top‘s Footsteps F / Sans Culottes F |
2087 |
Regal MR 3598 |
GB |
New York, 23.4.1941 / 24.5. 1941 S1 fett! beide flott |
3+ / 3++ |
7.- |
| Teddy Powell Orchestra |
Straight Eight Boogie F / Ode to Spring F |
1210 |
Regal MR 20333 |
India |
New York, 26.2. / 23.4.1941, 2x flott |
3++ / 2- |
6.- |
| Sam Price Piano and Rhythms |
Good Paree - Boogie-Woogie / Low Down Blues |
3746 |
Decca SF 159 |
F |
ca. 1946, with little picture in Label, Ls |
3++ / 2- |
5.- |
| Louis Prima & Keely Smith Orchestra & Chorus |
Oh Babe! + / Piccolina Lena + |
2186 |
Polygon 1001 |
GB |
London, ca. Dezember 1950 |
2- / 2- |
5.- |
| Louis Prima New Orleans Gang |
Jamaica Shout / (Looks Like I‘m) Breakin‘ The Ice F+ |
1911 |
Decca F 5459 |
GB |
New York, 27.9. / 1.11.1934, flott |
2- / 2- |
7.- |
| Louis Prima Orchestra |
Civilisation (Bongo Bongo Bongo) + / Forsaking all others + |
2155 |
RCA 202400 |
US |
New York, 24.7.1947 |
2-- / 2-- |
4.- |
| Quintet Hot Club de France Django Reinhardt, Stephane Grappelly |
Belleville / Liza (All the Clouds‘ll roll away) |
11 |
Decca F 41010 |
GB |
London, 1.2.1946, belle cette Ville! et Liza - O la la... |
2 / 2 |
18.- |
| Quintette Hot Club de France avec Django Reinhardt |
Rhytme Futur / Blues |
3112 |
Swing 83 |
F |
Paris, 1.10.1940, lscrs, Laminierter sichelförmiger Haircrack 1 cm von außen bzw. Randschaden auf Seite hüpft die Nadel. auf Seite B. nicht hörbar! |
3+ / 3++ |
5.- |
| Het Ramblers Dansorkest |
Steeple Chase / Horsey Horsey + |
1756 |
Panachord H 1020 |
NL |
Laren, 13.12.1937, leicht grau, mehrere lscrs - no Problem, S1 Rs 1. Rille, spielt gut mit 105 !!! |
3- / 3- |
5.- |
| The Ramblers Quintet / Dansorkest |
Swing de Violon / Zuiderzee Blues + |
77 |
Decca H 1056 |
NL |
15.11.1938, lscrs, leicht grau, - no Problem |
3- / 3 |
6.- |
| The Ramblers, Theo Uden Masman |
Twelve O‘Clock Jump F+ / Swing me to Sleep Drummerman F |
954 |
Decca M 32269 |
NL |
Brüssel, 25. / 26.2.1947, Redlabel, 2 x flott |
3+ / 2- |
12.- |
| Freddy Randall Band |
Won‘t you come home Bill Bailey / Sensation Rag |
2810 |
Odeon 28389 |
D |
15.10.1950 |
2- / 2 |
5.- |
| Freddy Randall Band |
Since my best Girl turned me down / That’Äs a Plenty |
3273 |
Parl R 3382 |
GB |
London, April 1951, “1951 Super Rhythm Style Series” No. 9 / 10 |
2 / 2 |
5.- |
| Johnnie Ray with Orchestra Paul Weston / Buddy Cole Quartet |
Glad Rag Doll + / Somebody Stole My Gal + |
538 |
Phi PB 21031 |
GB |
März 1953, swingy Crooning . . . |
2- / 2 |
6.- |
| Don Redman Orchestra |
Shakin‘ the African F+ / Chant of the Weed |
2504 |
Bru 500765 |
F |
New York, 24.9.1931, Don Redman singing S1 hot! Pressung sieht nicht so toll aus, hört man aber nicht! |
2-- / 2-- |
8.- |
| Django Reinhardt & Quintette Hot Club de France avec Stephane Grappelly |
Ol‘Man River / Si tu savais |
1417 |
Swing 270 |
F |
Paris, 14.11.1947, Whitelabel, beidseitig am Anfang ein paar ausgefahrene Rillen jeweils 6 Zischer |
3- / 3 |
10.- |
| Django Reinhardt et le Quintette du Hot Club de France avec Stephane Grappelly |
Lady be good / Dinah |
2183 |
Oriole LV 100 |
GB |
Paris, Dezember 1934, gehört zu den ersten Aufnahmen der Gruppe, bei Rust die ersten Titel. 105 !!! |
2-- / 2-- |
24.- |
| The Rhythmic Troubadours |
The Wedding of Mr. Mickey Mouse - Comedy-Novelty + / Who is afraid of the big bad Wolf - Comedy-Fox + |
800 |
Regal C 21789 |
GB |
London, 1934 |
2-- / 2- |
5.- |
| Jim Robinson with Sam Morgan’s Jazz Band |
Steppin’ on the Gas / Mobile Stomp |
2370 |
Jazz Classics 521 |
US |
New Orleans, 14.4.1927, Dub von Columbia 14258 D |
2- / 2 |
6.- |
| Adrian Rollini and his Tap Room Gang |
Bouncin’ in Rhythm / Weather Man F+ |
1399 |
Hmv B 8660 |
GB |
New York, 14.6.1935 |
3+ / 3+ |
6.- |
| Hubert Rostaing Orchestre |
Par Hasard / Aurore (Paulette) |
1260 |
Swing 141 |
F |
Paris, 10.7.1941 / 31.3.1942, lscrs - paar wenige Knackser |
3 / 3+ |
14.- |
| Harry Roy Band |
Candy F+ / The last Waltz of the Evening W+ |
1334 |
Parl F 2070 |
GB |
London, September 1945, klassik Swing, lscrs |
3 / 3+ |
5.- |
| Harry Roy Band with Majorie Kingsley |
I’ve got a Gal in Kalamazoo F+ / That’s the Moon my Son F+ |
590 |
Regal MR 20361 |
India |
London, 9.12.1942 |
2- / 2- |
5.- |
| Harry Roy Band with Majorie Kingsley |
A Fool with a Dream sF+ / What’s the good Word Mister Bluebird F+ |
728 |
Regal MR 20416 |
India |
London, ca. Ende 1943 |
2--/ 2- |
5.- |
| Harry Roy Orch. from Cafe Anglais, London |
Canadian Capers Qs / Tiger Rag |
2086 |
Odeon 11915 |
D |
London, 21.4.1933 , Erste Aufnahme von Harry Roy bei Rust. 2 x flott! |
3+ / 2- |
9.- |
| Harry Roy Orchester |
This Years Kisses F / Sluming on Park Avenue F+ |
523 |
Parlophon 70155 |
D |
London, 27.5.1937 |
2-- / 2-- |
5.- |
| Harry Roy Orchestra |
Comin’ thro’ the Rye / Tevrn in the Town |
1711 |
Odeon 31278 |
D |
London, 25.11.1937, leicht grau - no Problem, lscrs - spielt gut |
3- / 3 |
4.- |
| Harry Roy Orchestra |
Valentina Ru + / Temptation Rag |
577 |
Parl F 102 |
GB |
London, 4.1.1935, S1 gute Rumba |
2- / 2- |
5.- |
| Harry Roy Orchestra |
No Words - nor Anything - Comedy Quickstep + / Sky high Honeymoon Qs+ |
1973 |
Parl F 538 |
GB |
London, 4.12.1934 / ca. 7.1936, S1 mit Gesangsgroup und flott |
2-- / 2-- |
6.- |
| Harry Roy Orchestra |
Lost in a Fog F+ / Three little fat Girls - Comedy-Fox+ |
2407 |
Odeon A 221818 |
GB |
London, 4.10.1934 |
2-- / 2-- |
7.- |
| Harry Roy Orchestra |
Begin the Beguine / Little Sir Echo W+ |
783 |
Parl F 1451 |
GB |
London, 9.5.1939, lscrs |
3+ / 3+ |
5.- |
| Harry Roy Orchestra from Cafe Anglais |
Canadian Capers Qs / Tiger Rag |
738 |
Parl R 1505 |
GB |
London, 21.4.1933, Erste Aufnahme von Harry Roy bei Rust. 2 x flott! 105! |
3 / 3 |
5.- |
| Harry Roy Orchestra from May Fair Hotel |
Believe it beloved F+ / Haunting me sF+ |
2847 |
Odeon 221956 |
GB |
London, 24.5.1935 |
2- / 2- |
4.- |
| Harry Roy Orchestra from Mayfair Hotel |
Cheek to Cheek F+ / The Piccolino Os+ |
784 |
Parl F 298 |
GB |
London, 9.10.1935, lscrs |
3 / 3+ |
5.- |
| Harry Roy Orchestra with Mona Litter Novachord |
Playmates F+ / It’s funny to Everyone but me sF+ |
724 |
Parl F 1706 |
GB |
London, 3.4.1940, |
2- / 2- |
5.- |
| Harry Roy Orchestra with Novachord by Monia Litter |
Oh Johnny! Oh Johnny! Oh + / I cried for you + |
3155 |
Parl F 1692 |
GB |
London, 6.3.1940 |
3+ / 3++ |
4.- |
| Harry Roy‘s Tiger-Ragamuffins |
Harlem + / Roy Club Rag |
1570 |
Parl F 788 |
D |
London, 21.4.1937, S2 mini Scr 3 clicks leise, lscrs |
3+ / 3+ |
4.- |
| Royal Air Force Dance Orchestra |
Walk Jenny walk / The Canteen Bounce |
1637 |
Decca F 8442 |
GB |
London, 5.10.1943, S1 flott, swingt |
3 / 3++ |
6.- |
| Luis Rusell / Hoagy Carmichael Orchestra |
Freakish Blues
Rockin' Chair - vHC-IB / Rockin‘ Chair + |
2882 |
Hmv B 4897 |
GB |
New York, 28.8.1931 / 21.5.1930, 105! |
2- / 2- |
6.- |
| Pee-Wee Russell‘s Rhythmakers |
There'll Be Some Changes Made / Horn Of Plenty Blues (Zutty's Hootie Blues) |
2289 |
HRS 1001 |
US |
New York, 31.8.1938, lscrs Vinyl 78er |
3+ / 3++ |
6.- |
| Pee-Wee Russell‘s Rhythmakers |
I've Found A New Baby / Everybody Loves My Baby |
307 |
HRS 1002 |
US |
New York, 31.8.1938, lscrs Vinyl 78er |
3+ / 3++ |
6.- |
| Pee-Wee Russell‘s Rhythmakes |
Baby won’t you please come Home? / Dinah |
2217 |
HRS 1000 |
US |
New York, 31.8.1938, „Hot Record Society“ Pressung von September 1937, Vinyl 78er |
2 / 2 |
4.- |
| The Saints Jazz Band |
When the Saints go marching in / Savoy Blues |
1556 |
Parl R 3544 |
GB |
ca. Juni 1952 “1952 Super Rhythm Style Series” No. 25 / 26 |
2- / 2 |
5.- |
| The Saints Jazz Band |
Ory’s Creole Trombone / Gone away Blues |
2997 |
Parl R 3622 |
GB |
London, ca. Januar 1953, “1953 Super Rhythm Style Series” No. 3 / 4 |
2- / 2 |
5.- |
| Savoy Hotel Orpheans |
Oh! That Kiss F+ / Night shall be filled with Music F+ |
3195 |
Col DW 4118 |
F |
London, 19.9.1932, lscrs |
3 / 3+ |
4.- |
| Bob Scobey‘s Frisco Band |
St. Louis Blues / Pretty Baby |
2969 |
Good Time Jazz 54 (J.S. 851) |
F |
wohl Los Angeles ca. März 1951, S1 Label minimalst an einer kleinen Stelle berieben |
2 / 2 |
5.- |
| Raymond Scott New Orchester |
Huckleberry Duck / Business Men‘s Bounce |
1969 |
Parl R 2744 |
GB |
New York, 18.10.1939, “1940 Super Rhythm Style Series” No. 91 / 92, Ls, lscrs |
3 / 3+ |
5.- |
| Gene Sedric Honeybears |
Clarinet Blues / Honeysuckle Rose |
3009 |
Swing 231 |
F |
New York 9.6.1946, S2 flott, lscrs |
3+ / 3++ |
10.- |
| Sharkey (Bonano) Kings of Dixieland |
Over the Waves / I’m satiesfied with my Gal + |
1487 |
Cap 846 |
US |
New Orleans, 27.10.1949 |
2 / 2 |
5.- |
| Sharkey‘s Dixieland Band (Sharkey Bonano) |
High Society / Shine |
2993 |
Kappa Records 121 |
US |
1950, Vinyl 78er, KAPPA RECORDS was an American label situated in Hollywood, California (USA) active in the end 1940s to mid 1950s.
The adress was 932 N. Western Ave., Los Angeles 27 |
2 / 2 |
6.- |
| Sharkey‘s Dixieland Band (Sharkey Bonano) |
Muskrat Ramble / Tailgate Ramble |
2367 |
Kappa Records 116 |
US |
1950, Vinyl 78er, KAPPA RECORDS was an American label situated in Hollywood, California (USA) active in the end 1940s to mid 1950s. |
2- / 2 |
6.- |
| Artie Shaw and his Strings |
Streamline / Sweet Lorraine |
2695 |
Parl R 2984 |
GB |
New York, 23.12.1936, “1945 Super Rhythm Style Series” No. 45 / 46, lscrs, S 2 Nl in ersten 5 Rillen leise hrb |
3 / 3 |
4.- |
| Artie Shaw Gramercy Five |
Moon Glow / My Blue Heaven |
744 |
Hmv B 9269 |
GB |
23.1.1941 / 5.12.1940 |
3 / 3+ |
7.- |
| Artie Shaw Gramercy Five |
Dr. Livingstone, I presume? / When the Quail come to San Quentin |
2845 |
Hmv B 9207 |
GB |
Hollywood, 5.12.1940, lscrs, 105! |
3 / 3 |
5.- |
| Artie Shaw New Music |
Shoot the Likker to me John Boy + / Free for all |
749 |
Parl R 2937 |
GB |
New York, 17.9. / 18.10.1937, “1944 Super Rhythm Style Series” No. 24 / 23, S1 flott . . ., 105! |
2- / 2-- |
5.- |
| Artie Shaw Orch. |
Blues - Part 1 / Blues - Part 2 |
616 |
Hmv B 9259 |
GB |
Hollywood, 4.12.1940 |
3+ / 3+ |
6.- |
| Artie Shaw Orchestra |
These foolish Things remind me of you / I can‘t get started |
2680 |
Hmv B 9652 |
GB |
12.6.1945 |
3+ / 3+ |
5.- |
| Artie Shaw Orchestra |
Lady be good F / I surrender Dear F |
3301 |
Hmv B 9018 |
GB |
New York, 27.8.1939, fine . . . |
3 / 3+ |
5.- |
| Artie Shaw Orchestra |
Back Bay Shuffle F / Jungle Drums F |
589 |
Hmv B 8894 |
GB |
New York, 24.7. / 19.12.1938, 105! |
3 / 3 |
4.- |
| Artie Shaw Orchestra |
Let’s walk / The Glider |
634 |
Parl R 3027 |
GB |
Los Angeles, 13. / 14.11.1945, flott, lscrs |
3 / 3 |
4.- |
| Artie Shaw Orchestra |
Carioca / The Donkey Serenade |
3361 |
Hmv B 8893 |
GB |
New York, 23.1.1939, vom Allerfeinsten! Die ultimative Fassung des Titel. Ich bin immer wieder begeistert. Da passt alles. Toller Lauf von von Shaw. leicht grau - no Problem - spielt gut, 105! |
3 / 3 |
7.- |
| Artie Shaw Orchestra |
Chantez-les Bas (Sing ’Em Low) F / Moonglow F |
478 |
Hmv EA 3025 |
Aus |
Hollywood, 7.9.1940 / 23.1.1941 |
2- / 2- |
6.- |
| Artie Shaw Orchestra |
Begin the Beguine F / Deep Purple F+ |
2865 |
Hmv B 8906 |
GB |
New York, 24.7.1938 / 12.3.1939, S1 feine Fassung . . ., lscrs |
3 / 3 |
5.- |
| Artie Shaw Orchestra |
Lover, Come Back To Me F / Zigeuner |
620 |
Hmv B 8937 |
GB |
New York, 17. / 23.1.1939 |
3++ / 3++ |
5.- |
| Artie Shaw Orchestra |
What is this Thing calles Love? F / Yesterdays F
|
2349 |
Hmv B 8959 |
GB |
New York, 27.9.1938, S2 fett, kl. Rs |
3 / 3+ |
5.- |
| Artie Shaw Orchestra |
Stardust / Georgia on my Mind |
3410 |
Hmv B 9288 |
GB |
Hollywood, 7.10.1940 / New York, 20.3.1941 |
3++ / 3++ |
5.- |
| Artie Shaw Orchestra |
Sugar Foot Stomp / Sobbin‘ Blues |
1957 |
Parl R 2940 |
GB |
New York, 6.8. / 23.12.1936
“1944 Super Rhythm Style Series” No. 29 / 30 |
2- / 2- |
5.- |
| Artie Shaw Orchestra |
Bedford Drive / Tabu |
775 |
Hmv B 9454 |
GB |
New York, 9.1.1945, ”Swing Music 1946, Series“ No. 667 / 668, 105! |
2-- / 2-- |
5.- |
| Artie Shaw Orchestra / Benny Goodman Trio |
Two blind Loves + / Where or when F
New York, 29.10.1937 |
1018 |
Hmv K 8483 |
F |
New York, 27.8.1939 / 29.10.1937 |
2- / 2- |
5.- |
| Artie Shaw Orchestra with Mel Torme & his Mel-Tones |
In the still of the Night / What is this thing called love + |
2202 |
Parl R 3032 |
GB |
25.6.1946, both from the Film: „Night and Day“ - Cole Porter, dunkelblaues Label |
2-- / 2-- |
5.- |
| The Six Swingers |
You’re an Eyful of Heaven F+ / I’d love to take Orders from you F+ |
3204 |
Regal MR 2008 |
GB |
London, 10.1.1936 |
2-- / 2-- |
5.- |
| Tab Smith and his fabulous Alto & Orchestra |
Jumptime / Rock City |
1895 |
Vogue 3462 |
F |
1954 |
3++ / 2- |
5.- |
| Bessie Smith Blue Boys (Hawkins, Henderson, Bailey etc.) |
Yellow Dog Blues + / Trombone Cholly + |
3743 |
Parl R 2480 |
GB |
New York, 6.5.1925 / 3.3.1927 |
2- / 2- |
8.- |
| Ethel Smith Hammondorgel Banda Carioca |
Mambo Jambo Mambo / Cuban Cutie |
588 |
Bru 82437 |
D |
|
3++ / 2- |
5.- |
| Jabbo Smith Orchestra |
Absolutely F+ / How can Cupid be so stupid? F+ |
1729 |
Decca 1712 |
US |
New York, 1.2.1938, geht eher ruhiger zu . . ., 105! |
2 / 2- |
5.- |
| Willie „The Lion“ Smith Piano solo with Drums |
Passionette / Morning Air |
2562 |
Bru 02722 A 82659 Decca 2269 |
GB |
New York, 10.1.1938, 105! |
2- / 2-- |
5.- |
| Bessie Smith with Clarence Williams Ed Allen Curus St. Clair / with J.P. Johnson |
Nobody knows you when you‘re down and out + / Back Water Blues + |
1720 |
Parl R 2481 |
GB |
New York, 15.5.1929 / 17.2.1927 - Blues Klassiker ! lscrs |
3+ / 3+ |
5.- |
| Bessie Smith, Louis Armstrong and Fred Longshaw |
St. Louis Blues + / Reckless Blues + |
1118 |
Odeon 28032 |
D |
New York, 14.1.1925, NK, lscrs,S1 Ls |
3 / 3++ |
5.- |
| South Street Ramblers (Barrel House Five Orchestra |
Endurance Stomp (Barrel House Stomp) / Some do and Some don’t |
428 |
QRS 7019 Jazz Document JD 005 |
US |
Long Island City, NY, Januar 1929, DUB von QRS 7019, S1 flott . . . |
2 / 2 |
9.- |
| Muggsy Spanier Dixieland Band |
Eccentric / A good Man is hard to find |
186 |
Embassy 133 |
US |
New York, 1948 |
2-- / 2-- |
8.- |
| Muggsy Spanier Ragtime Band |
Dinah + / (What Did I Do To Be So) - Black and Blue |
595 |
Hmv B 9067 |
GB |
New York, 12.12.1939 |
3+ / 3+ |
6.- |
| Muggsy Spanier Ragtime Band |
Eccentric / I Wish I Could Shimmy Like My Sister Kate |
2598 |
Hmv B 9047 |
GB |
Chicago 7.7. / 10.11.1939 |
2- / 2- |
6.- |
| Muggsy Spanier Ragtime Band |
At the Jazz Band Ball / Livery Stable Blues |
2833 |
Hmv B 9042 |
GB |
New York, 10.11.1939 |
3++ / 3++ |
5.- |
| Muggsy Spanier Ragtime Band |
Bluin‘ the Blues / At Sundown |
1679 |
Hmv EA 3215 |
Aus |
New York, 22.11.1939 |
2 / 2 |
5.- |
| Muggsy Spanier Ragtime Band |
Riverboat Shuffle / Relaxin‘ at the Tauro |
1342 |
Hmv B 9145 |
GB |
New York, 22.9.1939, 105! |
3+ / 3+ |
4.- |
| Muggsy Spanier Ragtime Band Vocal George Brunis |
Dipper Mouth Blues F / Big Butter and Egg Man F+ |
181 |
Hmv B 9033 |
GB |
Chicago, 7.7. / 10.11.1939 |
2- / 2- |
7.- |
| Muggsy Spanier Ragtimers |
Darktown Strutters Ball / Sobbin’ Blues |
3257 |
Commodore 621 |
US |
Dezember 1944 |
2- / 2 |
5.- |
| Muggsy Spanier‘s Dixieland Band, G. Brunis, A. Nicholas, P. Foster, Baby Dodds |
Bugle Call Rag / Tin Roof Blues + |
3661 |
Gazell 1024 |
S |
11.4.1947, lscrs |
3+ / 3++ |
5.- |
| Charlie Spivak Orchestra |
To your Heart’s Content F / Let’s go home F |
3568 |
Okeh 6366 |
US |
5.8.1941 |
2-- / 2-- |
5.- |
| Charlie Spivak Orchestra with Rusty Nichols Ensemble |
Three little Words F+ / High on the List sF+ |
3475 |
Decca M 33252 |
NL |
New York, ca. Juli 1950, 105! |
2- / 2- |
4.- |
| Kay Starr with Hugo Winterhalter’s Orchestra & Chorus |
Rock and Roll Waltz + / I‘ve changed my Mind a thousand Times + |
3472 |
Hmv POP 168 |
GB |
ca. Januar 1956 |
2-- / 2- |
5.- |
| State Street Ramblers |
Barrel House Stomp / Kentucky Blues |
138 |
Jazz Collector L 88 |
GB |
Richmond, 19.3.1931, Dub von Champion 16320 |
2- / 2- |
6.- |
| State Street Ramblers |
Barrel House Stomp / Kentucky Blues |
138 |
Jazz Collector L 88 |
GB |
Richmond, 19.3.1931, Dub von Champion 16320 |
2- / 2- |
6.- |
| Rex Stewart Orchestra |
Stompin’ at the Savoy / I’m the luckiest Foll (In the World) |
1672 |
Blue Star 68 |
F |
Paris, ca. 10.11.1947, beide modern . . . |
2-- / 2-- |
7.- |
| Slam Stewart Quartet |
Coppin‘ out / Blues Collins |
1278 |
Parl R 3078 Musicraft 394 |
GB |
29.4.1946, “1948 Super Rhythm Style Series” No. 63 / 64 |
3+ / 3+ |
6.- |
| Slam Stewart Quintet |
Talkin’ back / The one that got away |
3465 |
Continental 1005 |
NL |
10.7.1945, 105! |
3++ / 3++ |
5.- |
| Ray Stokes - Solo de Piano |
South of the Border / A pretty Girl is like a Melody |
1867 |
Swing 76 |
F |
Paris, 19.2.1940, Anfang S1 Scr in Rille - zwei clicks leise, 105!!! |
3+ / 3 |
12.- |
| Joe Sullivan with Sidney Bechet and others / nur Sullivan Piano solo |
Sister Kate / Fidgety Feet |
2629 |
Disc 6003 |
US |
9.12.1945, 105! |
2- / 2- |
5.- |
| Ralph Sutton Piano Solo |
Dill Pickles / St. Louis Blues |
3119 |
Circle J 1053 |
US |
New York, 22.1.1949, St. Louis Piano! |
2- / 2 |
7.- |
| Reinhold Svensson Hammondorgel mit Rhytmusgruppe |
At the Jazzbandball / Everybody steps |
2457 |
Tel A 11196 |
D |
ca. 1950 |
2 / 2 |
6.- |
| Art Tatum Orch. Joe Turner |
Lonesome Graveyard - Blues+ / Snub Mosely´s Band - Blues at High Noon |
2503 |
Bru 03462 |
GB |
New York, 13.6.1941 / 11.2.1942 |
3 / 3+ |
6.- |
| Art Tatum Piano solo |
Stormy Weather / Gone with the Wind |
2212 |
Bru 82455 |
D |
29.11.1937 NK |
2 / 2 |
8.- |
| Art Tatum Piano solo |
St. Louis Blues / Beguin the Beguine |
927 |
Bru 03121 |
GB |
Los Angeles 26.7.1940 |
2 / 2 |
8.- |
| Art Tatum Piano Solo |
Wrap your Troubles in Dreams / I‘m coming Virginia |
787 |
Col LB 10053 |
GB |
1948 probably recorded at the home of pianist Buddy Cole. Good Stuff . . . |
2- / 2- |
9.- |
| Art Tatum Piano Solo |
Moonglow / Emaline |
3708 |
Decca 155 |
US |
New York, 22.8.1934, lscrs, mini Rs |
3+ / 3+ |
8.- |
| Art Tatum Piano solo |
How high the Moon / Humoresque |
3710 |
J.S. 655 |
F |
Los Angeles, 1949, Live Gene Norman‘s „Just Jazz“ No. 16, S1 mini Ls |
2- / 2- |
7.- |
| Art Tatum Piano solo |
Yesterdays / I know that you know |
3722 |
J.S. 657 |
F |
Los Angeles, 1949, Live Gene Norman‘s „Just Jazz“ No. 16, Live! mini Pressfehler auf ersten 1/2 cm nur minimal hörbar |
2-- / 2 |
5.- |
| Art Tatum Piano solo |
Tiger Rag / Rosetta
Dec 8502, |
109 |
Decca BM 04319 |
GB |
Los Angeles, 22.2. / 26.7.1940, mini Ls |
2 / 2 |
5 |
| Toots Thielemans Trio (Reinhold Svenson & Sven Stiberg) |
Dark Eyes / Canary Polka |
407 |
Metronome J 177 |
D |
Stockholm 23.11.1950 / 11.1.1951, lscrs |
3 / 3++ |
5.- |
| Billy Thorburn Orchestra / Nat Gonella Georgians |
Roses in December F+ / Two sleepy People sF+ |
727 |
Odeon 241555 |
GR |
London, 3.12.1937 / 16.12.1938, lscrs |
3++ / 2- |
5.- |
| Frankie Trumbauer Orchestra |
Manhattan Rag F / Singin’ The Blues F |
3341 |
Parl A 6235 |
Aus |
New York, 10.10.1929 / 4.2.1927, lscrs, S 2 mini Rs |
3 / 3+ |
8.- |
| Gus Viseur Orchestre |
Swing 42 / Sextolet Rag |
1235 |
Swing 140 |
F |
Paris, 20.5.1942 |
2-- / 2-- |
18.- |
| Gus Viseur Orchestre |
Undecided F / Reginella Campagnol F |
1727 |
Col DF 2766 |
F |
Paris ca. Mai 1940, flott . . . |
3++ / 2- |
8.- |
| Gus Viseur Orchestre avec Sarane & Jean Feret |
Fait Exprès / Blue Guitar |
466 |
Swing 106 |
F |
Paris, 17.12.1940, leicht grau, lscrs - spielt gut |
3- / 3 |
14.- |
| Christian Wagner Orchestre |
Je connais un Chemin qui mène dans la Lune / En passant par la |
1769 |
Swing 131 |
F |
Paris, 17.10.1941, mehrere lscrs - spielt gut |
4+ / 3- |
10.- |
| Fats Waller and his Rhythm |
Dinah + / When somebody think’s you’re wonderful + |
617 |
Hmv BD 5040 |
GB |
Camden, New York, 24.6. / New York, 29.11.1935 |
3+ / 3 |
5.- |
| Fats Waller Orchestra |
How can you face me F+ / Let’s pretend there’s a Moon F+ |
3187 |
Hmv JF 14 |
GB |
New York 28.9.1934 |
2 / 2 |
6.- |
| Fats Waller Piano Solo |
Smashing Thirds / African Ripples |
3215 |
Hmv B 8546 |
GB |
New York, 24.9.1929 / 16.11.1934 |
2- / 2- |
7.- |
| Fats Waller Piano solo |
Georgia on my Mind / Rockin‘ Chair |
2510 |
Victor 27765 |
US |
New York, 13.5.1941 |
2 / 2 |
8.- |
| Fats Waller Piano solo |
Keepin‘ out of Mischief now / Star Dust |
1750 |
Hmv HE 2290 |
CH |
New York, 11.6.1937, OH |
3+ / 3+ |
5.- |
| Fats Waller Rhythm |
12 th Street Rag + / Truckin’ + |
1725 |
Hmv BD 262 |
GB |
Camden, 24.6.1935 / New York, 2.8.1935 |
3++ / 3++ |
5.- |
| Fats Waller Rhythm |
Dinah F+ / Somebody stole my Gal F+ |
717 |
Hmv JF 46 |
GB |
Camden, 24.6.1935 |
2 / 2 |
6.- |
| Fats Waller Rhythm |
You asked for it - you got it F+ / Oh Baby sweet Baby (What are you doing to me?) F+ |
830 |
Hmv BD 1036 |
GB |
New York, 9.3.1939 / 1.10.1941 |
2- / 2-- |
5.- |
| Fats Waller Rhythm |
Dry Bones + / Sugar Rose |
2755 |
EL EG 7622 |
D |
New York, 16.7.1940 / 1.2.1936, NK |
2- / 2- |
6.- |
| Fats Waller Rhythm |
Music Maestro please sF+ / A Tisket A Tasket QS+ |
3773 |
Hmv BD 5398 |
GB |
EMI Studio No. 3, Abbey Road, London, 21.8.1938, lscrs |
3 / 3+ |
5.- |
| Fats Waller Rhythm |
Georgia Rockin‘ Chair F+ / Ain‘t Missbehavin F+ |
2214 |
Bluebird 10288 |
CAN |
New York, 2.8.1935 / EMI Studio No. 1, Abbey Road, London, 21.8.1938, 105! Gelblabel |
3++ / 3++ |
6.- |
| Fats Waller Rhythm |
It’s a Sin to tell a Lie F+ / Come down to Earth my Angel F+ |
1759 |
Hmv JO 205 |
GB |
New York, 5.6.1936 / Chicago, 2.1.1941 |
3++ / 3++ |
5.- |
| Fats Waller Rhythm |
I wanna hear Swing Songs + / That gets it Mr. Joe + |
1173 |
Hmv BD 1028 |
GB |
New York, 20.3. / 1.10.1941, 105!!! |
3++ / 3+ |
5.- |
| Fats Waller Rhythm |
I‘m gonna sit right down and write myself a Letter + / Everybody Loves My Baby (But my Baby don't love nobody but me) F+ |
144 |
Hmv B 9935 |
GB |
New York, 8.5.1935 / 6.11.1940, 105! |
2-- / 2-- |
5.- |
| Fats Waller Rhythm |
Jealous of me + / The Joint is jumpin‘ + |
3553 |
Hmv BD 1079 |
GB |
New York, 7.10.1937, |
2- / 2- |
5.- |
| Fats Waller Rhythm |
Shortnin‘ Bread + / My very good Friend the Milkman + |
2098 |
Hmv BD 1218 |
GB |
New York, 2.1.1941 / Camden, New York, 24.6.1935 |
2-- / 2-- |
5.- |
| Fats Waller Rhythm |
I‘m gonna sit right down and write myself a Letter + / Woe ! Is me + |
1931 |
Hmv HE 2362 |
CH |
New York, 8.5. / 20.8.1935 |
2- / 2- |
6.- |
| Fats Waller Rhythm |
Don‘t try to cry your Way back to me + / Love, I‘d give my Live for you + |
2111 |
Hmv B 10495 |
GB |
New York, 11.3. / 7.12.1938, 105! |
2 / 2- |
5.- |
| Fats Waller Rhythm |
Believe it beloved F+ / If it isn’t Love F+ |
3280 |
Hmv JF 15 |
GB |
New York, 7.11.1934, 105! |
2- / 2-- |
5.- |
| Jam Session with Fats Waller, Tommy Dorsey, Bunny Berigan etc. |
Honeysuckle Rose / Dallas Blues |
1333 |
EL EG 7551 |
D |
New York, 31.3.1937, ”Swing Music 1937 Series“ No. 137 / 138, A JAM SESSION AT VICTOR: Bunny Berigan, t / Tommy Dorsey, tb / Fats Waller, p / Dick McDonough, g / George
Wettling, d. |
2- / 2- |
6.- |
| Fred Waring Pennsylvanians / Leo Reisman Orchestra with Fred Astaire |
Sweet Muchacha - Fox-Rumba + / Night and Day F+ |
1625 |
Hmv K 6842 |
F |
New York, 25.10.1932 / 22.11.1932,, lscrs, 105! |
2- / 3+ |
5.- |
| Michel Warlop et son Septuor à Cordes |
Nite / Sur quatre Cordes |
1558 |
Swing 139 |
F |
Paris, 13.3.1942 |
2- / 2- |
21.- |
| Dinah Washington with Lionel Hampton Sextet |
I know how to do it + / Salty Papa Blues + |
3797 |
Keynote 606 |
US |
New York, 29.12.1943, yes . . . |
2-- / 2- |
6.- |
| Lu Watters Yerba Buena Jazz Band |
Antigua Blues / Canal Street Blues |
652 |
West Coast 101 |
US |
April 1946 |
3+ / 2- |
5.- |
| Lu Watters Yerba Buena Jazz Band |
Irish Black Bottom / Memphis Blues |
1519 |
Jazz Man 2 |
US |
San Francisco, Dezember 1941, Whitelabel, etwas leise, spielt gut mit 105! |
2 / 2- |
4.- |
| Lu Watters Yerba Buena Jazz Band |
When the Saints go marching in / Sage Hen Strut |
2718 |
Mercury 11051 |
US |
Hambone Kelly's, El Cerrito, California, 15.1.1950, S2 mini Ls |
2-- / 2 |
6.- |
| Lu Watters Yerba Buena Jazz Band |
Antigua Blues / Copenhagen |
3882 |
Mercury 11052 |
US |
Hambone Kelly's, El Cerrito, California, 15.1.1950, S2 mini Ls |
2-- / 2 |
6.- |
| Lu Watters Yerba Buena Jazz Band |
Skid-Da-De-Dat / Emperor Norton’s Hunch |
501 |
Mercury 11050 |
US |
Hambone Kelly's, El Cerrito, California, 15.1.1950, lscrs |
3+ / 2- |
5.- |
| Lu Watters Yerba Buena Jazz Band |
Riverside Blues / Cake walking Babies |
606 |
Jazz Man 5 |
US |
San Francisco, 29.3.1942 |
2- / 2- |
5.- |
| Lu Watters Yerba Buena Jazz Band |
Come back sweet Papa / Tiger Rag |
2329 |
Jazz Man 6 |
US |
San Francisco, 29.3.1942 |
2- / 2- |
5.- |
| Lu Watters Yerba Buena Jazz Band |
Temptation Rag / Fidgety Feet |
796 |
Jazz Man 7 |
US |
San Francisco, 29.3.1942,
paar wenige feine Bläschen - no Problem!!! |
2- / 2- |
4.- |
| Chick Webb Ella Fitzgerald |
Spinnin’ The Webb F / Wacky Dust F+ |
1798 |
Bru 02669 |
GB |
New York, 3.5. / 17.8.1938, viele lscrs - spielt aber gut |
4 / 4+ |
3.- |
| Chick Webb Orchestra & Ella Fitzgerald |
Liza (All The Clouds‘ll Roll Away) F+ / A Tisket A Tasket + |
426 |
Bru 02614 |
GB |
New York, 3. / 2.5.1938, lscrs, 105!!! |
3 / 3 |
6.- |
| Chick Webb Orchestra with Ella Fitzgerald |
(Harlem) Congo F / I‘ve got a Guy F+ |
544 |
Bru 02580 |
GB |
New York, 1.11. / 27.10.1937,S1 flott |
3++ / 3++ |
6.- |
| Chick Webb Orchestra with Ella Fitzgerald |
I‘m just a Jitter-bug F+ / Azure F |
1553 |
Bru 500740 |
F |
New York, 2.5.1938, lscrs, |
3+ / 3++ |
7.- |
| George Wettlings Chicagoans |
Bugle Call Rag / Sister Kate |
93 |
Bru 82640 |
D |
16.1.1940 NK mehrere lscrs |
3 / 3++ |
5.- |
| Paul Whiteman Orchestra with Bing Crosby, Al Rinker, Harry Barris |
Happy Feet F+ / A Bench in the Park F+ |
1482 |
Col CB 86 |
GB |
New York 10.2. / 22.3.1930, S1 flott! Nur S2 Scr 1 cm minimal hörbar, lscrs, spielt Top mit 105 !!! |
3 / 3 |
10.- |
| Paul Whiteman Rhythm Boys / The Hokum Trio - Leader Alex Hill |
A Bench in the Park F+ / You’re bound to look like a Monkey when you get old F+ |
1783 |
Col DB 282 |
GB |
Los Angeles, 23.5.1930 / New York, 1.5.1930, mehrere lscrs, 105! |
3- / 3 |
4.- |
| Cootie Williams Ellingtonians |
Downtown Uproar / Blue Reverie |
1961 |
Blue Ace 236 |
US |
New York, 8.3.1937, SOL, mini Ls |
2- / 2- |
6.- |
| Cootie Williams Orch. |
No.8 G-Men / No.7 West End Blues |
1460 |
Regal MR 3609 |
GB |
New York 7.5.1941 |
2 / 2 |
9.- |
| Cootie Williams Orch. |
G-Men / West End Blues |
3714 |
Regal MR 3609 |
GB |
New York 7.5.1941, Seite 1 Nest lscrs ca. 8 Zischer |
3+ / 3+ |
4.- |
| Teddy Wilson Octet with Sarah Vaughan |
Don‘t worry ‘bout me + / I want to be happy |
715 |
Musicraft 421 |
US |
19.8.1946, etwas matt, kein Problem ! |
3++ / 3+ |
5.- |
| Teddy Wilson Orchestra |
Blues in C sharp Minor / Warmin‘ up |
584 |
Parl R 2871 |
GB |
Chicago, 14.5.1936, “1943 Super Rhythm Style Series” No. 80 / 79 S1 Klasse! mehrere lscrs, Nlf, Anf S2 kleiner Scr 3 click leise |
3 / 3 |
5.- |
| Teddy Wilson Orchestra & Billie Holiday / Leo Reisman Orchestra with Larry Stewart |
If you were mine F+ / Afterglow F+ |
1605 |
Bru 500616 |
F |
New York, 25.10.1935 / 17.6.1936, lscrs |
3 / 3+ |
12.- |
| Teddy Wilson Orchestra & Helen Ward |
But not for me + / Oh Lady be good |
2995 |
Parl R 2815 |
GB |
New York, 9.12.1940, “1941 Super Rhythm Style Series” No. 57 / 58, 105! |
2 / 2- |
6.- |
| Teddy Wilson Orchestra with Helen Ward |
I never knew / Embraceable you + |
1596 |
Col 35905 |
US |
New York, 9.12.1940 |
2-- / 2-- |
6.- |
| Garland Wilson Piano solo / Louis Armstrong and Earl Hines |
Rockin‘ Chair / Weather Bird |
768 |
Parl R 1194 |
GB |
New York, 2.2.1932 / Chicago 5.12.1928, “Second New Rhythm Style Series” No. 1 / 2 |
3++ / 3++ |
6.- |
| Teddy Wilson Quartet |
Blue Mood / Part 2 |
1579 |
Decca J 10 |
GB |
Los Angeles, 5.9.1937, lscrs, 105 ! |
3+ / 3+ |
5.- |
| Teddy Wilson Rhythm |
Them there Eyes / I know that you know |
508 |
Parl R 2985 |
GB |
Chicago, 11.4.1941, “1945 Super Rhythm Style Series” No. 4 |
3+ / 3 |
4.- |
| Teddy Wilson Rhythm |
I know that you know / Them there Eyes |
1952 |
Parl PZ 11088 |
CH |
Chicago, 11.4.1941, kl. Ls in S2 |
2- / 2- |
7.- |
| Teddy Wilson Rhythm |
Rosetta / China Boy |
1811 |
Parl R 2981 |
GB |
Chicago, 7.4.1941, “1945 Super Rhythm Style Series” No. 39 / 40 |
2-- / 2-- |
6.- |
| Teddy Wilson Sextet |
I can‘t get started / Blues Too |
2280 |
Parl R 3046 |
GB |
New York, 14.8.1945, “1947 Super Rhythm Style Series” No. 31 / 32, 105! |
2 / 2- |
6.- |
| Teddy Wilson Swing Band with Billie Holiday |
Miss Brown to you F+ / I wished on the Moon F+ |
2988 |
Bru 500600 |
F |
New York, 2.7.1935, passt . . ., minimal grau - no Problem - spielt gut, 105! |
3-- / 3- |
7.- |
| Teddy Wilson Trio |
You´re lucky to me / Emaline |
2643 |
Baronet TR 2 |
S |
|
3+ / 3+ |
7.- |
| Teddy Wilson Trio |
The one I love (Belongs to somebody else ) / Tea for Two |
1910 |
Mercury 89043 |
US |
ca. Ende 1952, Vinyl 78er, lscrs |
3+ / 3++ |
7.- |
| Wolverine Orchestra with Bix Beiderbecke |
The Jazz me Blues / Big Boy F |
3148 |
Bru 02203 |
GB |
Richmond, 18.2. / New York, 8.10.1924, 105 mini Nl nicht hörbar |
3 / 3 |
5.- |
| Jimmy Yancey, Piano with Faber Smith Blues Singer |
I received a Letter + / East St. Louis Blues + |
2372 |
Parl R 2959 |
GB |
Chicago 23.2.1940 “ 1940 Super Rhythm Style Series” No. 1 / 2, 105! |
2- / 2-- |
6.- |
| Lester Young Quartet |
Polka Dots and Moonbeams / Up ‘n Adam |
920 |
Col LB 10007 |
GB |
ca. August 1950, lscrs |
3+ / 3++ |
7.- |
| Lester Young Quintet |
There‘ll never be another you / Almost like being in Love |
921 |
Blue Star 504 |
F |
4.8.1952, Oscar Peterson, Ray Brown, J.C. Heard & Barney Kessel, ja, ja die Blue Stars - echte Wunderplatten . . . |
3++ / 2 |
9.- |
| Phil Zito New Orleans International City Diexielanders |
Bob Cats / Shine |
3320 |
Col 38752 |
US |
New Orleans, Januar 1950 |
2 / 2 |
6.- |
| Phil Zito New Orleans International City Diexielanders |
She’ll be comin’ round the Mountain / Zito’s Zag (Two up and two down Beat) |
3515 |
Col 38754 |
US |
New Orleans, Januar 1950 |
2 / 2 |
6.- |