| Musikername |
Musiktitel |
Feste Nummer |
Best.Nr. |
Land |
Erläuterungen |
Zustand |
Preis |
| q Fran Allison with Wayne King and his Orchestra |
Did you write a letter to your Sweetheart + / All in the golden Afternoon + |
2202 |
RCA 204089 |
US |
ca. 1950 From Walt Disneys „Alice in Wonderland“ Vinyl 78 er extrem dünn ! Promotion Exemplar! „Not for Sale“ |
2- / 2 |
6.- |
| Andrew Sisters / + Bing Crosby Vic Schoen Orch. |
Beetween two Trees + / Black Ball Ferry Line + |
923 |
Decca Y 6324 |
Australia |
Los Angeles, 21.12.1950 / 1.2.1951, lscrs, Topsound, Randschaden beide Seiten bis 8 Rille |
3+ / 2- |
4.- |
| The Andrews Sisters with Vic Schoen Orchestra |
Tico Tico + / There‘ll be a Jubilee + |
2636 |
Decca BM 03543 |
GB |
New York, 7.3.1944, lscrs |
3 / 3+ |
7.- |
| The Andrews Sisters with Vic Schoen Orchestra / Patty Andrews with Victor Young Orchestra |
My Mom + / Too young + |
985 |
Decca BM 04754 |
GB |
Los Angeles, 19.1. / 20.3.1951 |
3+ / 3++ |
7.- |
| Andrews Sisters & Danny Kaye with Orchestra |
Bread and Butter Woman + / Civilization + |
1085 |
Decca BM 03836 |
GB |
Los Angeles 27.9.1947 |
3+ / 3+ |
7.- |
| Andrews Sisters & with Danny Kaye and Orchestra Vic Schoen |
Big Brass Band from Brazil + / It‘s a quiet Town + |
3711 |
Bru 03886 |
GB |
Los Angeles, 20.12.1947, 105! |
3++ / 3+ |
9.- |
| Andrews Sisters and Orchestra Vic Schoen |
Ferryboat Serenade + / Beat me, Daddy, eight to the bar + |
709 |
Bru 03082 |
GB |
Los Angeles, 15.7.1940 / New York, 28.8.1940 |
3+ / 3+ |
10.- |
| Andrews Sisters and Orchestra Vic Schoen |
Jack, Jack, Jack (Cu-tu-gu-ru) + / Too Fat Polka + |
1093 |
Decca BM 03841 |
GB |
Los Angeles, 26.2. / 4.11.1947, 105! |
3++ / 3+ |
7.- |
| Andrews Sisters mit Gordon Jenkins Orchestra |
The Wedding of Lilli Marlene + / I can dream, can‘t I ? + |
3028 |
Decca 24705 |
USA |
New York, 15.7.1949, lscrs, 105!!! |
3 / 3 |
8.- |
| Andrews Sisters with Bob Crosby‘s Bob Cats / Vic Schoen Orchestra |
Begin the Beguine + / Why talk about Love ? + |
2786 |
Bru 82051 |
D |
New York, 6.2. 1939 / 18.10 1937, NK Braunlabel, Zensur Vermerk „Hergestellt unter der Nr. C. 30212 E. der Nachrichtenkontrolle der Militärregierung“ |
2-- / 2-- |
10.- |
| Andrews Sisters with Gordon Jenkins Orchestra / Vic Schoen Orchestra |
I wanna be loved + / Choo ’n Gum + |
3097 |
Decca BM 04535 |
GB |
Los Angeles, 30. / 28.3.1950 |
3+ / 3++ |
10.- |
| Andrews Sisters with Guy Lombardo and his Royal Canadians |
Money is the Root of all Evil + / Johnny Fedora + |
1424 |
Decca 23474 |
US |
New York, 15. / 19.11.1945, 105! |
3++ / 3++ |
12.- |
| Andrews Sisters with Russ Morgan Orchestra |
Oh ! You sweet One + / Now! now! now! is the Time + |
2715 |
Decca BM 04262 |
GB |
Los Angeles, 25.5.1949, OH |
3+ / 3++ |
6.- |
| Andrews Sisters with Vic Schoen Orchestra |
Mister Five by Five + / Pennsylvania Polka |
3159 |
Col DB 30159 |
India |
New York, 22.7.1942 / Los Angeles, 28.5.1942 |
3+ / 3+ |
7.- |
| Andrews Sisters with Vic Schoen Orchestra |
One Meat Ball + / Rum and Coca Cola + |
3197 |
Decca BM 03576 |
F |
New York, 18.10.1944, lscrs, spielt gut mit 105 !!!
Am 18. Oktober 1944 hatten die Andrews Sisters in den Decca-Studios bereits zwei Titel (I'm in a Jam (With Baby) / One Meat Ball) aufgenommen und noch 30 Minuten freie Studiozeit, in der sie unter Produktionsregie von Milt Gabler unvorbereitet und ohne ausgearbeitetes Arrangement den ihnen kaum bekannten Song „Rum and Coca-Cola“ zusammen mit dem Orchester von Vic Schoen improvisierten. In weniger als zehn Minuten war die Aufnahme fertig. Im Dezember 1944 wurde die Single Rum and Coca-Cola / One Meat Ball (Decca #18636) veröffentlicht. Noch im selben Monat stellten sie den Calypso im Radio in den Programmen von G.I. Journal und Command Performance vor.
Seit der Veröffentlichung stand der Song unter keinem guten Stern. Zunächst wurde der Text stark kritisiert, weil mit „Rum“ der Alkohol verherrlicht wurde und mit „Coca Cola“ Schleichwerbung verbunden war. Den sonst um Schutz des Markennamens seines Getränks besorgten Konzern störte die ungenehmigte Werbung diesmal nicht. Zudem enthielt der Text der Andrew Sisters immer noch Andeutungen über mögliche Prostitution. Die Andrews Sisters und alle Beteiligten hatten sich angeblich keine weiteren Gedanken über die Bedeutung des Textes gemacht. Die britische BBC war erst bereit, den Song zu spielen, als der Titel in England in Rum and Limonada abgeändert worden war.
see: https://de.wikipedia.org/wiki/Rum_and_Coca-Cola
Rum and Coca-Cola" is a popular calypso song composed by Lionel Belasco with lyrics by Lord Invader. The song was copyrighted in the United States by entertainer Morey Amsterdam and was a hit in 1945 for the Andrews Sisters.
Although the song was published in the United States with Amsterdam listed as the lyricist and Jeri Sullavan and Paul Baron as musical composers, the melody had been previously published as the work of calypso composer Lionel Belasco on a song titled "L'Année Passée," which was in turn based on a folksong from . The original lyrics to "Rum and Coca-Cola" were written by Rupert Grant, another calypso musician from Trinidad who went by the stage name of Lord Invader. (The true credits for music and lyrics were restored in a plagiarism lawsuit won by famous attorney Louis Nizer, the account of which can be read in his book, "My Life in Court.")
According to Lord Invader, "Calypso is the folklore of Trinidad, a style of poetry, telling about current events in song. Back home in the West Indies, Trinidad, where I'm from, it's a small island, I'm proud of it. I was traveling on a bus, someplace they call Point Cumana, a bathing resort, and I happened to see the G.I.s in the American social invasion in the West Indies, Trinidad. You know the girls used to get the candies and stuff like that, and they go to the canteens with the boys and so on, have fun. So I noticed since the G.I.s come over there, they generally chase with soda, ordinary soda, but the chaser was . They drink rum, and they like Coca-Cola as a chaser, so I studied that as an idea of a song, and Morey Amsterdam had the nerve to say that he composed that song back here."
The song became a local hit and was at the peak of its popularity when Amsterdam visited the island in September as part of a tour. Although he subsequently claimed never to have heard the song during the month he spent on the island, the lyrics to his version are clearly based on the Lord Invader version, with the music and chorus being virtually identical. However, Amsterdam's version strips the song of its social commentary. The Lord Invader version laments that U.S. soldiers are debauching local women, who "saw that the Yankees treat them nice / and they give them a better price." Its final stanza describes a newlywed couple whose marriage is ruined when "the bride run away with a soldier lad / and the stupid husband went staring mad." The Amsterdam version also hints that women are prostituting themselves, preserving the Lord Invader chorus which says, "Both mother and daughter / Working for the Yankee dollar." However, it presents the relationship in a more playful light and even celebrates the Yankee presence:
Since the Yankee come to Trinidad
They got the young girls all goin' mad
Young girls say they treat 'em nice
Make Trinidad like paradise
The Andrews Sisters also seem to have given little thought to the meaning of the lyrics. According to Patty Andrews, "We had a recording date, and the song was brought to us the night before the recording date. We hardly really knew it, and when we went in we had some extra time and we just threw it in, and that was the miracle of it. It was actually a faked arrangement. There was no written background, so we just kind of faked it." Years later, Maxine Andrews recalled, "The rhythm was what attracted the Andrews Sisters to 'Rum and Coca-Cola'. We never thought of the lyric. The lyric was there, it was cute, but we didn't think of what it meant; but at that time, nobody else would think of it either, because we weren't as morally open as we are today and so, a lot of stuff - really - no excuses - just went over our heads."
The song became the third-best selling record of the 1940's. Despite its popularity, it was controversial and was banned by network radio stations because it mentioned an alcoholic beverage. The fact that it mentioned a commercial product by name also meant that it could be construed as free advertising when broadcast.
After the release of the Andrews Sisters version of "Rum and Coca-Cola," Belasco and Lord Invader sued for of the song's music and lyrics, respectively. After years of litigation, both won their cases, with Lord Invader receiving an award of $150,000 in owed royalties. However, Morey Amsterdam was allowed to retain copyright to the song. Lord Invader also wrote a follow-up song to "Rum and Coca-Cola," titled "Yankee Dollar." |
3 / 3- |
10.- |
| Andrews Sisters with Vic Schoen Orchestra |
Zing Zing Zoom Zoom + / A Penny a Kiss a Penny a Hug + |
3698 |
Decca BM 04665 |
GB |
Los Angeles, 14.12.1950 |
3+ / 3+ |
9.- |
| Andrews Sisters with Vic Schoen Orchestra |
Let a Smile be your Umbrella (On a rainy Day) + / More Beer! + |
1691 |
Decca BM 04046 |
GB |
Los Angeles, 10.12.1947 / 14.12.1948 |
3+ / 3++ |
9.- |
| Andrews Sisters with Vic Schoen Orchestra / Gordon Jenkins and his Chorus and Orchestra |
Whispering hope + / I can dream, can’t I? + |
2694 |
Bru 04373 |
GB |
Los Angeles, 11.12.1947 / New York, 15.7.1949, lscrs, minimale Spuren von altem Aufkleber in Label |
3 / 3 |
6.- |
| Andrews Sisters, Danny Kaye with The Harmonica Gentlemen / Andrews Sisters with Carmen Cavallaro Orchestra |
The Woody Woodpecker + / Sweet Marie + |
1816 |
Decca 03953 |
F |
Los Angeles, 4.6.1948 / New York, 29.5.1947 |
3+ / 3+ |
8.- |
| Andrews Sisters, Danny Kaye with The Harmonica Gentlemen / Andrews Sisters with Carmen Cavallaro Orchestra |
The Woody Woodpecker + / Sweet Marie + |
1546 |
Decca BM 03981 |
GB |
Los Angeles, 4.6.1948 / New York, 29.5.1947, mehrere lscrs |
3 / 3 |
6.- |
| Alice Babs RIAS Tanzorchester Werner Müller |
Twiedle Die F+ / Dong Dingeldong F+ |
1745 |
Pol 50030 |
D |
1955 OH |
2 / 2 |
6.- |
| Connie Boswell with Orchestra Victor Young |
A Gay Ranchero F+ / The Clock Song + |
550 |
Decca 3858 |
US |
Los Angeles, 27.5.1941, lscrs, 105!!! |
3+ / 3 |
4.- |
| Connie Boswell with Studio Orchestra |
On the Street of Regret +
/ When the Roses bloom again + |
147 |
Bru 03333 |
India |
New York, 4.3.1942, guten Klang haben die Inder . . . |
2- / 2- |
6.- |
| Teresa Brewer with Jack Pleis Orch. |
Till I waltz again with you + / Hello Bluebird + |
336 |
Coral 91002 |
D |
ca. August 1952, bearbeitet 4.3.1953 |
2- / 2 |
7.- |
| Teresa Brewer with Jack Pleis Orchestra |
Dancin with Someone + / Goodbye John + |
3281 |
Coral 60953 |
GB |
März 1953, Platz 17 in den Charts, lscrs |
3 / 3+ |
5.- |
| Carmen Cavallaro with Orchester |
Autumn Concerto / La Gondola Va |
111 |
Bru 05609 |
GB |
|
2 / 2 |
5.- |
| June Christy with Orchestra Pete Rugolo |
Bei mir bist du schön (Means that you‘re grand) + / Some Folks do and some don’t |
3350 |
Cap CL 80323 |
D |
Los Angeles, 20. / 30.6.1952, S1 Nadelläufer auf ca. 2 cm am Anfang gibt ein paar wenige sehr leise Knackser |
2-- / 2- |
14.- |
| June Christy with Stan Kenton Orch. |
Willow weep for me + / Fantasy |
402 |
Tel/Cap 20087 |
D |
Hollywood, 25. / 26.7.1946, lscrs |
3+ / 3+ |
7.- |
| June Christy with Stan Kenton Orch. |
Daddy + / Artistry in Boogie |
353 |
Tel/Cap 80209 |
D |
20.9.1951 / 9.8.1946 |
3++ / 2- |
8.- |
| Diane Cilento with Laurie Johnsons Orchestra / Laurie Johnsons Orchestra |
A Fool and his Heart + / The Lily Watkins Tune |
1164 |
Polygon 1186 |
GB |
August 1955 |
2- / 2 |
4.- |
| Rosemary Clooney & Bob Hope with Orchesztra Gus Levene |
Ain‘t A-Hankerin‘ + / Protection + |
1992 |
RCA 1139 |
GB |
1959, mehrere lscrs |
3 / 3+ |
7.- |
| Rosemary Clooney & Gene Autry with Orchestra Carl Cotner / Tony Mattola Orchestra |
Look out the Window (The Winter Song) + / Suzy Snowflake + |
813 |
Col SGD 9 |
DK |
ca. Juni / Dezember 1952 |
2- / 2- |
5.- |
| Rosemary Clooney and Guy Mitchell with Orch. Percy Faith |
Marrying for Love + / You‘re just in Love + |
2394 |
Col 39052 |
D |
August 1950 |
3+ / 2- |
5.- |
| Rosemary Clooney with Buddy Cole / Percy Faith Orchestra |
Hey there + / It just happened to happen to me + |
2540 |
Phi PB 494 |
GB |
August 1955 |
3+ / 2- |
5.- |
| Rosemary Clooney with Orchestra |
Shot Gun Boogie + / Beautiful brown Eyes + |
1194 |
Col GN 1230 |
N |
ca. Dezember 1950 |
3++ / 2- |
5.- |
| Rosemary Clooney with Orchestra Percy Faith |
Be my Life’s Companion + / Why don’t you love me + |
3081 |
Col 39631 |
US |
ca. Dezember 1951, lscrs |
3 / 3++ |
5.- |
| Rosemary Clooney with Orchestra Percy Faith / Accompaniment |
Botch a me + / On the first warm Day + |
315 |
Col 39767 |
US |
1952 |
3+ / 2- |
5.- |
| Rosemary Clooney with Orchestra Percy Faith / with Betty Clooney & Paul Weston Orchestra |
Mandy + / Sisters + |
1597 |
Phi 21460 |
DK |
1954 |
2 / 2 |
8.- |
| Rosemary Clooney with Orchestra Percy Faith & Eddie Manson Harmonika |
Little Johnny Chickadee + / Eggbert the Easter Egg + |
1826 |
Col SGD 16 |
S |
18.4.1950, lscrs |
3+ / 3++ |
5.- |
| Alma Cogan With Orchestra conducted by Frank Cordell |
Love and Marriage + / Sycamore Tree + |
3561 |
Hmv POP 129 |
GB |
ca. Januar 1956 |
3+ / 2- |
5.- |
| Beryl Davis / & Helen Carroll and The Satisfiers with Russ Case Orchestra |
Mad about the Boy + / Auld Lang Syne + |
1169 |
RCA 202705 |
US |
New York, 30. / 24.10.1947, Beryl Davis (* 16. März 1924 in Plymouth, England; † 28. Oktober 2011 in Los Angeles, Kalifornien war eine britisch-amerikanische Sängerin und Schauspielerin.
Davis war die Tochter des englischen Bandleaders Harry Davis. Bereits mit 12 Jahren trat sie mit Stéphane Grappellis und Django Reinhardts Quintette du Hot Club de France auf, am 25. August 1939 entstanden in London zwei Plattenseiten für Decca Records (Don't Worry About Me / Undecided). Mit Grappelli, der nach Kriegsausbruch in London blieb, nahm sie Bluebirds in the Moonlight auf. Sie konzertierte mit dem Pianisten George Shearing in Londoner Clubs. Während des Zweiten Weltkriegs war sie auch Bandvokalistin in Arthur Youngs Swingtette und in Glenn Millers Army Air Force Band. Nach ihrem Umzug in die Vereinigten Staaten nahm sie für RCA Victor auf Nach Kriegsende in der späten Bigband-Ära trat sie in Shows mit Bob Hope, Frank Sinatra (Your Hit Parade) und Benny Goodman auf. Der Kritiker Leonard Feather schrieb über die Sängerin: „[She] reminds you of the days when nightclub singers of a certain special quality were called chanteuses.“ Quelle: Wikipedia |
2- / 2- |
8.- |
| Doris Day |
The black Hills of Dakota + / Just blew in from the windy City + |
2595 |
Phi B 21290 |
DK |
Juni 1954, OH lscrs |
3++ / 2- |
6.- |
| Doris Day with The Starlighters & Paul Weston Orchestra |
Who Who Who + / A Guy is a Guy + |
2105 |
Col DB 3058 |
DK |
ca. August 1952, lscrs |
3+ / 2- |
5.- |
| Doris Day & Dinah Shore with Hugo Winterhalter Orchestra / Doris Day & Her Country Cousins |
It’s better to conceal than reveal / I’ll never slip around again + |
3199 |
Phi 21047 |
DK |
ca. Januar 1950 |
3+ / 2- |
6.- |
| Doris Day & Frankie Laine mit Carl Fischer and the Norman Luboff Choir / Jo Stafford & Frankie Laine mit Paul Weston Orch. |
How lovely cooks the Meat + / Hambone + |
1004 |
Col DW 5345 |
DK |
ca. August 1952 |
2-- / 2 |
5.- |
| Doris Day & Frankie Laine mit Carl Fischer and the Norman Luboff Choir / Jo Stafford & Frankie Laine mit Paul Weston Orch. |
How lovely cooks the Meat + / Hambone + |
465 |
Col DW 5245 |
D |
ca. August 1952 |
2-- / 2- |
5.- |
| Doris Day & Frankie Laine with Orch. Carl Fischer and the Norman Luboff Choir |
Sugar Bush + / A Guy is a Guy + |
1722 |
Col DW 5150 |
D |
ca. August 1952, lscrs |
3 / 3++ |
4.- |
| Doris Day & Frankie Laine with Orch. Carl Fischer and the Norman Luboff Choir / Rosemary Clooney with Orchestra |
How lovely cooks the Meat + / Beautiful brown Eyes + |
1677 |
Col DD 582 |
DK |
ca. August 1952 / Dezember 1950, lscrs |
3+ / 3++ |
5.- |
| Doris Day & Frankie Laine with Orchestra Carl Fischer and the Norman Luboff Choir / with Male Quartett & Orch. Dir. George Siravo |
Sugar Bush + / How it lies, how it lies, how it lies! + |
320 |
Col DB 3123 |
DK |
ca. August 1952, lscrs |
3 / 3++ |
5.- |
| Doris Day & Johnnie Ray with Paul Weston Orchestra |
Ma says Pa says + / A full Time Job + |
2533 |
Col DD 591 |
DK |
Oktober 1952 |
2- / 2 |
7.- |
| Doris Day and the Melloman, Orchestra Dir. John Rarig |
Everywhere you go + / Again + |
3049 |
Col DB 2561 |
DK |
Februar 1949 |
3++ / 3++ |
5.- |
| Doris Day Orch. Lou Bring |
Papa, won‘t you dance with me? + / The Cherries + |
1321 |
Col DB 3275 |
DK |
Oktober 1947 |
2- / 2 |
7.- |
| Doris Day Orchestra Paul Weston & Norman Luboff Chor |
Mister Tap Toe + / Why should we both be lonely + |
628 |
Col DB 3334 |
F |
Dezember 1952 S1 with Tap Dance |
3++ / 2- |
6.- |
| Doris Day with Buddy Clark & Orchestra George Siravo |
Love Somebody + / Powder your Face with Sunshine + |
3588 |
Col DD 517 |
DK |
New York, November 1947 / Dezember 1948, S1 Randschaden bis 1. Rille, mehrere lscrs |
3 / 3+ |
4.- |
| Doris Day with Accompaniment, Direction George Siravo |
A Bushel and a Pack + / If I were a Bell + |
910 |
Col DB 3308 |
GB |
1953 |
2- / 2- |
6.- |
| Doris Day with Frank de Vol Orchestra |
Someone else’s Roses + / Kay-Muleta + |
3310 |
Phi 21326 |
DK |
ca. Januar 1954, mini Ls |
3+ / 2- |
5.- |
| Doris Day with Frank DeVol Orchestra |
Whatever will be will be (Que Sera) + / You made me love you + |
827 |
Phi 21913 |
NL |
Los Angeles Mai 1956 |
2-- / 2- |
8.- |
| Doris Day with Frank Yankovic and his Yanks / Paul Weston Orchestra |
The Comb and Paper Polka + / Shanghai + |
1255 |
Col DD 554 |
DK |
ca. Juli 1950, |
2- / 2 |
5.- |
| Doris Day with Orch. Axel Stordahl / with Buddy Cole Quartette and the Norman Luboff Choir |
I‘ll be around + / Lullaby in Broadway + |
1681 |
Col DW 5168 |
D |
Januar 1951, lscrs |
3 / 3++ |
4.- |
| Doris Day with Orchestra |
Ten Thousand Four Hundred and Thirtytwo Sheep + / You love me + |
1439 |
Col DB 2887 |
GB |
OH |
2-- / 2-- |
5.- |
| Doris Day with Orchestra |
‘this Harry I’m plannin’ to marry + / A Womans Touch + |
1186 |
Phi B 21344 |
DK GB |
ca. Juni 1954 |
3++ / 2- |
5.- |
| Doris Day with Orchestra |
Ten Thousand Four Hundred and Thirtytwo Sheep + / You love me + |
824 |
Col DB 2887 |
DK |
ca. Juni 1951, lscrs |
3 / 3+ |
4.- |
| Doris Day with Orchestra and Vocal Quartett |
The black Hills of Dakota + / Just blew in from the windy City + |
2010 |
Phi B 21290 |
DK |
Juni 1954 |
2- / 2 |
6.- |
| Doris Day with Orchestra Axel Stordahl |
Tea for two + / I want to be happy + |
1287 |
Col DB 2815 |
DK |
Hollywood, Mitte Juli 1950 |
3++ / 2- |
6.- |
| Doris Day with Orchestra Cond. Ray Heindorf |
I speak to the Stars + / The Bluebells of Broadway (Are Ringing Tonight) + |
3509 |
Phi 21276 |
NL |
ca. Juni 1954 |
3++ / 2 |
6.- |
| Doris Day with Orchestra George Siravo / with the Melloman with Orchestra George Wyle |
You go to my Head + / I didn’t slip I wasn’t pushed I fell + |
1542 |
Col DB 2727 |
GB |
ca. August 1950 |
3+ / 3+ |
4.- |
| Doris Day with Orchestra Percy Faith |
There’s a rising Moon + / Till my Love comes to me + |
659 |
Phi 21506 |
DK |
ca. Mitte 1955, kl. Ls |
2-- / 2- |
5.- |
| Doris Day with Paul Weston Orchestra |
When the red, red Robin comes Bob, Bob, Bobbin’ Along + / Beautiful Music to love by + |
1349 |
Phi 21047 |
DK |
1953 |
2- / 2 |
6.- |
| Doris Day with Paul Weston Orchestra |
Ain’t we got Fun? + / If you were the only Girl + |
2543 |
Phi 21044 |
DK |
1953 |
3+ / 2 |
5.- |
| Doris Day with Paul Weston Orchestra and The Normon Luboff Choir |
That’s what makes Paris paree + / I’m gonna ring the Bell tonight + |
1199 |
Col DD 589 |
DK |
ca. Mai 1953, Film: "April In Paris", lscrs, S1 Spuren von altem Aufkleber in Label |
3++ / 2- |
5.- |
| Doris Day with Paul Weston Orchestra and The Normon Luboff Choir |
Moonlight Bay + / Love Ya + |
1000 |
Col DB 3032 |
DK |
ca. Mai 1952 |
2-- / 2-- |
5.- |
| Doris Day with Paul Weston Orchestra and The Normon Luboff Choir |
By the Light of the silv’ry Moon + / King Chanticleer + |
3498 |
Phi B 21041 |
DK |
1953 |
2-- / 2 |
6.- |
| Doris Day with Paul Weston Orchestra and The Normon Luboff Choir |
I wish I had a Girl + / I’ll see you in my Dreams + |
3559 |
Col GN 1380 |
DK |
ca. Juni 1952 |
2- / 2- |
6.- |
| Doris Day, The Mellomen, Orchester George Wyle / John Rarig |
Hoop-Dee-Doo + / Bewitched + |
1879 |
Col DW 5004 |
D |
März 1950 / Mai 1949 OH |
2-- / 2 |
7.- |
| Marlene Dietrich & Rosemary Clooney with Orchestra Jimmy Carroll |
Good for nothin‘ + / Too old to cut the Mustard + |
3376 |
Col DB 3160 |
DK |
ca. Frühjahr 1952 |
2- / 2 |
10.- |
| Marlene Dietrich, Rosemary & Clooney with Stan Freeman at the Upright / with Buddy Cole Orch. |
Besides (He‘s a Man) + / Land See and Air + |
3128 |
Phi PB 314 |
GB |
ca. Februar 1953, großer Randschaden nur auf Seite 1 bis 2. Rille |
2 / 2 |
9.- |
| Deanna Durbin with Charles Previn Orch. |
Ave Maria + / Home sweet Home + |
1396 |
Bru 02804 |
GB |
1939 sung in Latin 105 !!! |
2-- / 3+ |
6.- |
| Deanna Durbin with Orch. Charles Previn |
The Maids of Cadiz + / My Own + |
1867 |
Bru 02705 |
GB |
Februar 1939 105 !!! |
2-- / 3+ |
5.- |
| Gracie Fields with Roland Shaw Orchestra |
A Letter to a Soldier + / The Sweetest Prayer in all the World + |
2915 |
Decca F 10824 |
GB |
London, ca. November 1956 |
3+ / 3+ |
5.- |
| Ella Fitzgerald with John Scott Trotter and his Orchestra |
Moanin’ low + / Takin’ a Chance on Love + |
1003 |
Bru 05427 |
GB |
Los Angeles 31.12.1953, |
2-- / 2-- |
8.- |
| Ella Fitzgerald with The Song Spinners / with Orchestra & Chorus Dir. Camarata |
My Happiness + / A satisfied Mind + |
1148 |
Bru 05783 |
D |
New York, 30.4.1948 / 1.8.1955, 105! |
3++ / 3+ |
7.- |
| Ella Fitzgerald, Orch. Leroy Kirkland |
Baby Doll + / Trying + |
2405 |
Bru 05008 |
GB |
Los Angeles, 26.11.1951 / New York, 11.8.1952, leicht grau, Seite 1 etwas besser |
3 / 3 |
5.- |
Fontane Sisters with Billy Vaughn’s Orchestra
|
Seventeen + / If I Could Be With You + |
1380 |
London HL-D 8177 |
GB |
Juli 1955 |
2- / 2 |
12.- |
| Judy Garland and Gene Kelly with Orch. David Rose |
For me and my Gal + / When you wore a Tulip + |
2760 |
Bru 03432 |
GB |
26.7.1942, mehrere lscrs, 105 !!! |
3+ / 3 |
6.- |
| Judy Garland Orch. Young |
This Heart of mine + / Love + |
1317 |
Decca 03623 |
GB |
OH |
2- / 2- |
7.- |
| Judy Garland with MGM Studio Orch. cond. by Georgie Stoll |
I don‘t care + / Play the Barber Shop Chord + |
2270 |
MGM 243 |
GB |
1949 |
2-- / 2-- |
6.- |
| Judy Garland with MGM Studio Orch. cond. by Lennie Hayton / & Mickey Rooney |
Johnny One Note + / I wish I were inLove again |
2319 |
MGM 30172 |
US |
ca. Ende 1947 Vinyl 78 er |
2-- / 2 |
8.- |
| Margot Graham with Piano |
Was that the Human thing to do + / Too late + |
60 |
Zonophone 6167 |
GB |
London, September 1932, zweimal Chanson ! lscrs |
2-- / 2-- |
8.- |
| Kathryn Grayson & Howard Keel with MGM Studio Orchestra cond. by Adolph Deutsch |
Make believe + / Why do I love you + |
503 |
MGM 407 |
US |
Recorded at MGM Studios, Culver City, Juli 1951 |
2-- / 2-- |
5.- |
| Gloria De Haven with Orch. Jack Pleis |
Red Hot Pepper Pot + / Won‘t you save me + |
3135 |
Bru 05457 |
GB |
1955 Seite 2 Rumba, SOL |
2 / 2 |
7.- |
| Hildegarde with Orchestra Ray Sinatra |
Dance little Lady + / Someday I‘ll find you + |
3652 |
Decca F 7310 |
D |
London, ca. Anfang 1940, lscrs, 105 !!! |
3+ / 3 |
5.- |
| Victoria Hopper with ATP Studio Orchestra Cond. Ernest Irving |
Lorna‘s Song + / Love‘s Wisdom + |
3209 |
Hmv B 8249 |
|
London, 1934, Film: „Lorna Doone“
Victoria Hopper, May 24, 1909 in Vancouver, British Columbia, Canada
Died: January 22, 2007 (age 97) in Romney Marsh, Kent, England, UK. Popular film and stage actress who appeared in a dozen films between 1933 and 1948. She was a protégé of the director and producer Basil Dean and led a long stage career. Amongst the highlights of her screen career were the leading role in Lorna Doone (1934), 105 !!!
|
3+ / 3 |
7.- |
| Lena Horne with Lennie Hayton Orch. |
If you can dream + / What‘s right for you (Is right for me) + |
2789 |
RCA 206431 |
D |
ca. 1956 |
2-- / 2 |
7.- |
| Betty Hutton & Howard Keel with MGM Studio Orchestra cond. by Adolph Deutsch |
They say it’s wonderful + / I’ve got the Sun in the Morning + |
3334 |
MGM 301 |
US |
Recorded at MGM Studios, Culver City, 12.1.1950, lscrs, 105! |
3 / 3 |
5.- |
| Jane Hutton Orch. Axel Stordahl / + The Boys next Door |
I‘ll forget you + / Oh these lonely Nights + |
2215 |
Cap 2512 |
NL |
1952 |
3++ / 2 |
6.- |
| Betty Hutton with Orch. Joe Liley |
Hamlet + / Now that I need you + |
936 |
Cap CL 13159 |
GB |
Juli 1949 |
2-- / 2-- |
6.- |
| Betty Hutton with Vic Schoen‘s Music |
Hit the Road to Dreamland + / Sleepy Head + |
3134 |
Cap CL 14568 |
GB |
1956, SOL |
2- / 2 |
7.- |
| Mahalia Jackson with Organ |
Silent Night, Holy Night + / The last Mile of the Way + |
2962 |
Metro Cl 3003 |
DK |
November 1950, nice Label mit Harfe, lscrs, S2 kl. Ls |
3+ / 2- |
5.- |
| Glynis Johns with Orchestra Philip Green |
Love at Last + / I wish I had a Girl + |
1735 |
Col DB 3003 |
GB |
Januar 1952, zwei x Chanson! 105 ! |
2-- / 2-- |
6.- |
| Kitty Kallen / Four Aces both with Orch. Jack Pleis |
Little Things mean a Lot + / Three Coins in the Fountain + |
1466 |
Bru 82820 |
D |
1954 / Mai 1954 |
2-- / 2 |
6.- |
| The King Sisters with Orchestra |
In Hamburg (When the Nights are long) + / While the Lights are low + |
2908 |
Cap 3594 |
D |
November 1956, Deutsche Ausgabe erschien im April 1957 . . .
The King Sisters were an American big band-era vocal group consisting of six sisters: Alice, Donna, Louise, Marilyn, Maxine, and Yvonne King. Here with an great Big-band Jazz-Pop/Rock-n-Roll Extravaganza. |
3+ / 2 |
12.- |
| Eartha Kitt Orch. Henri René |
Easy does it + / Mink Shmink + |
862 |
Hmv 10752 |
GB |
Januar 1954 Randschaden bis 1 Rille |
3+ / 2- |
5.- |
| Eartha Kitt Orch. Henri René |
I want to be evil + / Annie doesn‘t live here anymore + |
2383 |
Hmv B 10584 |
GB |
November 1953 Eartha at it‘s best ! Klasse! |
2- / 2 |
9.- |
| Eartha Kitt Orch. Henri René |
Lovin Spree + / Under the bridges of Paris + |
3122 |
Hmv B 10647 |
GB |
März 1955, Henri René 29.12.1906 in New York City als Harald Manfred Kirchstein - 25.4. 1993 in Houston. |
2 / 2 |
7.- |
| Eartha Kitt Orch. Hugo Winterhalter / Henri René Orch. |
Two Lovers + / Uska dara - Oh those Turks + |
726 |
Hmv B 10573 |
GB |
1953 S2 sung in turkish.
Harold M. Kirchstein Komposition |
2-- / 2 |
8.- |
| Eartha Kitt Orchester Henri Réne |
C‘est ci bon + / African Lullaby + |
49 |
RCA 205358 |
US |
1953, Originalpressung, für mich die beste Fassung mit tollem Orchester (Harold M. Kirchstein) . . .
C’est si bon (Es ist so gut) ist ein französisches Chanson , das 1947 von Henri Betti (Musik) und André Hornez (Text) geschrieben wurde. Es wurde von zahlreichen Interpreten veröffentlicht, so beispielsweise von Yves Montand , Louis Armstrong und Eartha Kitt |
2- / 2- |
10.- |
| Eartha Kitt Orchester Henri René / Dinah Shore , Orchester Vic Schoen |
C‘est ci bon + / Blue Canary + |
3335 |
EL EG 8013 |
D |
1953, für mich die beste Fassung mit tollem Orchester . . .
C’est si bon (Es ist so gut) ist ein französisches Chanson , das 1947 von Henri Betti (Musik) und André Hornez (Text) geschrieben wurde. Es wurde von zahlreichen Interpreten veröffentlicht, so beispielsweise von Yves Montand , Louis Armstrong und Eartha Kitt
|
2-- / 2 |
9.- |
| Kordt Sisters med Bent Fabricius-Bjerre og Hans Ork. |
Hayfoot Strawfoot F+ / Poinciana sF+ |
941 |
Polyphon HA 70011 |
S |
Kopenhagen 27.2.1946, S1 minimal grau - 105! S2 kl. Nl 2 clicks leise |
3+ / 3+ |
12.- |
| Gertrude Lawrence with Orch. |
Hello Young Lovers + / Shall I tell you what I think of you? |
1467 |
Bru 05169 |
GB |
Film „The King and I“! |
2- / 2- |
7.- |
| Peggy Lee mit Gordon Jenkins Orchester |
Lover + / You go to my Head + |
509 |
Bru 82643 |
D |
April / Anfang 1952 |
2-- / 2-- |
7.- |
| Peggy Lee with Dave Barbour and the Brazilians |
Manana (Is soon enough For Me)
+ / All dressed up with a broken Heart + |
3647 |
Cap 15022 |
US |
Januar 1948, Nice Samba / Carioca! paar sehr wenige sehr feine Bläschen - no Problem |
3 / 3+ |
4.- |
| Peggy Lee with Dave Barbour and the Brazilians |
Manana (Is soon enough For Me)
+ / All dressed up with a broken Heart + |
E 1208 |
Cap 15022 |
US |
Januar 1948 Nice Samba / Carioca! |
2-- / 2-- |
10.- |
| Peggy Lee with Dave Barbour Orch. |
I wanna go where you go then I‘ll be happy + / Hold me + |
598 |
Cap 15298 |
US |
Los Angeles, 26.12. / 19.11.1947 |
2- / 2 |
8.- |
| Peggy Lee with Dave Barbour Orchestra |
Riders in the Sky (A Cowboy Legend) + / Please love me Tonight + |
1030 |
Cap 80005 |
D |
1949, lscrs |
3+ / 2- |
6.- |
| Peggy Lee with Orchestra Dave Barbour |
I‘ll dance at your Wedding + / Golden Earrings + |
976 |
Cap 15009 |
US |
23. / 24.9.1947, paar feine Bläschen - no Problem , lscrs |
3+ / 3+ |
5.- |
| Peggy Lee with Orchestra Dave Barbour |
Once around the Moon + / Cry Cry Cry + |
3573 |
Cap 961 |
US |
Hollywood, 13.3.1950 |
2- / 2 |
5.- |
| Peggy Lee with Orchestra Sy Oliver |
I don’t know enough about you + + / Where Falmingos fly + |
1209 |
Bru 05714 |
GB |
Los Angeles, 6.1. / 8.6.1956, kl. Ls, lscrs |
3+ / 3++ |
5.- |
| Peggy Lee with Orchestra Sy Oliver |
Mr. Wonderful + / They can’t take that away from me + |
1276 |
Bru 82905 |
D |
Los Angeles, 6.1. / 6.6.1956 |
2-- / 2 |
8.- |
| Patti Lewis with Orch. Wally Stott |
Till the Stars forget to shine + / Far away from everybody + |
2130 |
Phi PB 513 |
GB |
Oktober 1955 OH |
2-- / 2 |
6.- |
| Nellie Lutcher andher Rhythm |
Hurry on Down + / Fine brown Frame + |
393 |
Cap CL 13013 |
GB |
10.4. / 27.12.1947, lscrs, mini Ls |
3+ / 3+ |
4.- |
| Very Lynn with Soldiers and Airmen of Her Majesty‘s Forces, accompaniment directed by Roland Shaw |
Auf Wiederseh‘n Sweetheart + / From The Time You Say Goodbye (The Parting Song) + |
786 |
Decca F 9927 |
GB |
London, Mai 1952, minimal grau - no Problem - spielt gut |
3++ / 3++ |
5.- |
| Very Lynn with Soldiers and Airmen of Her Majesty‘s Forces, accompaniment directed by Roland Shaw |
Auf Wiederseh‘n Sweetheart + / From the Time you say Goodbye (The Parting Song) + |
471 |
Decca 21856 |
F |
London, Mai 1952 |
3+ / 3+ |
5.- |
| Jeanette MacDonald & die Revellers (S2 ohne) mit Orch. |
March of the Grenadiers (Grenadier Marsch) + / Dream Lover (Komm träum mit mir das süße Märchen ) + |
3186 |
EL EG 1861 |
D |
Februar 1930, 105! |
3+ / 3++ |
6.- |
| Sylvana Mangano mit Instrumentalbegleitung |
Anna (The Baion / El Negro Zumbon) +
/ T‘ho voluto bene (I Loved You) + |
2966 |
MGM 0147 |
D |
1953, mini Ls |
2- / 2 |
5.- |
| Jeff Marlowe and his Orchestra with female Singing |
Blackpool Bounce + / It’s a Sin to tell a Lie + |
339 |
Col DB 3105 |
GB |
London, ca. Mitte 1952, lscrs, kl Scr nicht hörbar |
2-- / 2-- |
4.- |
| Grace Moore |
Ciribiribin + / One Night of Love + |
627 |
Bru 9673 |
F |
1935 mini wellig no Problem |
2-- / 2-- |
5.- |
| Ruby Murray with Ray Martin Orchestra / With Norrie Paramor Orchestra |
You are my first Love + / Honestly, I do + |
422 |
Col DB 3770 |
GB |
ca. April - Mai 1956 |
2- / 2- |
8.- |
| Anna Neagle (as Queen Victoria 1846 & 1887) with The Rita Williams Singers & Wally Stott Orchestra |
„The Glorious Days“ Part 1 - 1.The Glorious Days 2. Drink To Me Only With Thine Eyes 3. Soldiers Of The Queen + / dito - Part 2 - 1. Lovely Lady 2. K-K-K-Katy 3. Swanee 4. Keep The Home Fires Burning +
|
E 791 |
Phi PB 153 |
GB |
London, Juni 1953, Mischung aus Vortrag und Musik.
Dame Anna Neagle, DBE; eigentlich Florence Marjorie Robertson (* 20. Oktober 1904 in Forrest Gate, Essex; † 3. Juni 1986 in West Byfleet, Surrey) war eine britische Schauspielerin.
Von ihrer ehrgeizigen Mutter schon als Kind für die Bühne ausgebildet, war Anna Neagle bereits mit 14 Jahren als Tänzerin in verschiedenen Revuen und Vaudevilles bekannt. Durch die Bekanntschaft mit den Produzenten Herbert Wilcox stieg Neagle seit 1930 rasch zum bekanntesten britischen Filmstar neben Gracie Fields. Quelle: Wikipedia |
2- / 2 |
6.- |
| Anna Neagle with Orchestra |
What more can I ask? + / The Dream is over + |
E 794 |
Hmv B 4365 |
GB |
London, ca. Februar 1933, beide aus dem Film: „The little Damozel“, 105 !
Dame Anna Neagle, DBE; eigentlich Florence Marjorie Robertson (* 20. Oktober 1904 in Forrest Gate, Essex; † 3. Juni 1986 in West Byfleet, Surrey) war eine britische Schauspielerin.
Von ihrer ehrgeizigen Mutter schon als Kind für die Bühne ausgebildet, war Anna Neagle bereits mit 14 Jahren als Tänzerin in verschiedenen Revuen und Vaudevilles bekannt. Durch die Bekanntschaft mit den Produzenten Herbert Wilcox stieg Neagle seit 1930 rasch zum bekanntesten britischen Filmstar neben Gracie Fields. Quelle: Wikipedia |
2 / 2- |
7.- |
| Patti Page with Orch. Jack Rael |
My jealous Eyes + / (How much is) That Doggie in the Window + |
791 |
Oriole CB 1156 |
GB |
Februar 1953 |
2- / 2 |
6.- |
| Patti Page with Orchestra Joe Reisman |
You too can be a Dreamer + / Everlovin’ (A one way Love) + |
1211 |
Mercury MB 3201 |
GB |
1955 |
3++ / 2- |
5.- |
| Patti Page with Orchestra Vic Schoen / Jack Rael Orchestra |
Alleghenny Moon + / My first formal Gown + |
3311 |
Mercury MT 112 |
GB |
ca. Mai 1956, S2 flott . . . |
2- / 2 |
8.- |
| Debbie Reynolds with Orchestra LeRoy Holmes |
Never mind the Noise in the Market / Carolina in the Morning + |
2146 |
MGM 11939 |
CAN |
1953 |
2-- / 2-- |
5.- |
| Lita Roza with Orchestra Ltg. Johnny Douglas |
Breaker of Hearts + / P.S. I love you + |
3918 |
Decca F 10175 |
D |
Herbst 1953, 105! |
2-- / 3+ |
4.- |
| Anne Shelton with The Wardour Singers and Paul Fenoulhet Orchestra |
The Wedding of Lili Marlene + / Hold me just a little closer dear + |
383 |
Decca F 9148 |
GB |
Mai 1949 lscrs |
3+ / 2- |
9.- |
| Anne Shelton with The Wardour Singers and Paul Fenoulhet Orchestra |
The Wedding of Lili Marlene + / Hold me just a little closer dear + |
3632 |
Decca F 9148 |
GB |
Mai 1949 |
3++ / 3++ |
7.- |
| Dinah Shore |
Little white Lies + / Crying for Joy + |
373 |
Col 2430 |
GB |
|
2 / 2- |
7.- |
| Dinah Shore |
Little white Lies + / Crying for Joy + |
754 |
Col 2430 |
GB |
|
2- / 2 |
7.- |
| Dinah Shore & Woody Herman with Orchestra Sonny Burke / Shore with Orch. Harry Zimmerman |
Natch + / Kiss me sweet + |
3057 |
Col DB 2571 |
GB |
ca. August 1949, 105 !!! |
2 / 2- |
7.- |
| Dinah Shore and her Happy Valley Boys / Kay Kyser Orchestra |
Buttons and Bows + / On a slow Boat to China + |
2366 |
Col DD 515 |
DK |
30. / 9.11.1947, S1 a Number 1 Hit, it was the biggest hit of her career, selling a minimum of one million units. nur S2 leicht grau - no Problem |
3+/3+ / 3/3+ |
8.- |
| Dinah Shore Orch. Harry Geller |
Pakistan + / Three Coins in the Fountains + |
1023 |
EG 8097 |
D |
1952 lscrs |
3 / 2 |
7.- |
| Dinah Shore Paul Laval Woodwindy Ten |
Star Dust + / Sophisticated Lady + |
2384 |
Hmv BD 1035 |
GB |
|
2- / 2- |
6.- |
| Dinah Shore with Henry Levine Dixieland Octet |
Body and Soul + / Chlo-e + |
2389 |
Hmv BD 1026 |
GB |
|
2-- / 2-- |
5.- |
| Dinah Shore with Orch. |
Not Mine + / She‘ll always remember + |
348 |
Bluebird 11500 |
US |
|
2-- / 2-- |
6.- |
| Dinah Shore with Orch. |
I hear a Rhapsody + / I do, do you (Do you believe in Love) + |
3114 |
Regal MR 20225 |
GB |
10.12.1940 |
2- / 2- |
7.- |
| Dinah Shore with Orchestra Henri Rene |
Blues in Advance + / Hi - Lili Hi - Lo |
2506 |
Hmv B 10385 |
GB |
New York, 13.9.1952, lscrs |
3 / 3++ |
5.- |
| Jo Stafford & Frankie Laine with Paul Weston Orchestra |
Pretty eyed Baby + / That’s the One for me + |
127 |
Col DB 2883 |
GB |
ca. Juni 1951 |
2-- / 2-- |
4.- |
| Jo Stafford & Quartette with Paul Weston Orchestra |
It is no Secret + / He bought my Soul at Calvary + |
98 |
Col DB 2929 |
GB |
ca. September 1951 |
3++ / 2- |
5.- |
| Jo Stafford Orch. Paul Weston |
Make Love to me + / Adi Ados Amigo + |
1179 |
Phi B 21179 |
DK |
Los Angeles 8.12. / November 1953, leicht matt - no Problem |
3+ / 2- |
4.- |
| Jo Stafford Orchestra Paul Weston |
You belong to me + / Jambalaya + |
20 |
Col DW 5198 |
D |
Juli 1952, lscrs |
3+ / 3++ |
5.- |
| Jo Stafford, Frankie Laine with Orch. Paul Weston |
High Society + / Back where belong + |
1390 |
Phi B 21514 |
DK |
1955 2 x flott |
2-- / 2 |
6.- |
| Jo Stafford, The Starlighters and Orch. Paul Weston |
Pretty Boy + / You belong to me + |
2685 |
Col DB 3152 |
GB |
18.7.1952 |
2- / 2- |
6.- |
| Gloria Swanson with Orch. |
Serenade + / Love ( Yor Love is everywhere) + |
674 |
Hmv B 3168 |
GB |
New York, 8.3.1929, 105 ! zwei kleine Scr‘s in Rille zusammen 5 clicks in Seite 2 |
2-- / 3+ |
6.- |
| Sylvia Syms with Orchestra Jack Pleis |
English Muffins and Irish Stew + / The World in my Corner + |
3809 |
Bru 05592 |
GB |
Juni 1956, SOL
Sylvia Syms (* 2. Dezember 1917 in Brooklyn, New York City; † 10. Mai 1992 in New York City; eigentlich Sylvia Blagman) war eine US-amerikanische Jazzsängerin.
Leben
Syms wuchs nach überstandener Kinderlähmung in die Jazz-Szene Brooklyns hinein, wo sie von Billie Holiday unterstützt wurde, sich mit Benny Carter und Art Tatum anfreundete und 1941 ihr Debüt als Sängerin gab. Seit Ende der vierziger Jahre übernahm sie auch Rollen in verschiedenen Musicals. Zeitweise stand sie bei der Plattenfirma Decca unter Vertrag; daneben arbeitete sie für verschiedene kleinere Label.
Vor allem auf kleineren Bühnen und in den Jazzklubs entlang der Ostküste zuhause, reifte sie in den folgenden Jahrzehnten zu einer der profiliertesten weißen Jazzsängerinnen der USA. Zu ihren bekanntesten Interpretationen zählen I Could Have Danced All Night, Guess I'll Hang My Tears Out To Dry und Fun to Be Fooled.
Zu Syms' Freunden und Bewunderern gehörte Frank Sinatra, der sie mehrfach als "weltbeste Saloon-Sängerin" bezeichnete und ihr wegen ihrer fülligen Figur den Spitznamen Buddha gab. 1982 übernahm Sinatra die Orchesterleitung für ihr gemeinsames Album Syms By Sinatra, arrangiert und produziert von Sinatras Hausarrangeur Don Costa. |
2- / 2 |
12.- |
| Sylvia Syms with Orchestra Jack Pleis |
Dancing Chandelier + / Each Day + |
3810 |
Bru 05643 |
GB |
Ende 1956, SOL |
2 / 2 |
12.- |
| Sophie Tucker Orch. Dir. Ted Shapiro |
My Yidische Momme + / Part 2 + |
2330 |
Columbia 4962 |
GB |
September 1928, OH, lscrs, Nlf |
3++ / 3++ |
10.- |
| Sophie Tucker Orch. Dir. Ted Shapiro |
My Yidische Momme + / Part 2 + |
1471 |
Columbia 4962 |
GB |
September 1928, lscrs, Mittelloch minimal vergrößert |
3 / 3+ |
5.- |
| Sophie Tucker with Orchestra Ted Shapiro |
The Man I love + / Life begins at Forty + |
290 |
Parl R 3181 |
GB |
New York, 9.3.1928 / London, 23.11.1936 |
2-- / 2-- |
10.- |
| Joan Weber with Orch. Jimmy Caroll |
Let me go Lover + / Marionette + |
1759 |
Phi PB 389 |
GB |
1955 OH |
3++ / 2- |
6.- |
| Margaret Whiting mit Gesangsgruppe Orch. Lou Busch |
River Road Two-Step + / Good Morning Mr. Echo + |
2145 |
Tel/Cap C 80189 |
D |
1951 OH Lou Busch is an alias of the Jazz Pianist Joe Fingers Carr. lscrs |
3++ / 2- |
5.- |
| Margaret Whiting Orch. Carl Kress |
In Love in Vain + / All through the Day + |
1881 |
Cap 240 |
US |
10.12.1945 mini Rs |
3+ / 2- |
6.- |
| Eve Young with The Homesteaders |
(If I knew you were comin') I’d ’ve baked a Cake + / Silver Dollar + |
642 |
London L 658 |
GB |
April 1950, mehrere lscrs |
3 / 3+ |
4.- |
